Black and white photograph of abstract rock patterns near Weston Beach at Point Lobos State Reserve.
This detail of the Point Lobos shoreline rocks was also photographed in an area just a bit north of Weston Cove where large rocks are lifted up at striking angles and the surf has worn away successive layers of sedimentary rock to reveal wild patterns. Some of the colors in this bit of rock were quite intense – the rock on the left is intensely reddish-brown in the original capture – and seemed to overwhelm the subtle patterns, especially those on the right side of the image.
I don’t know if it is apparent but this is a highly post-processed image. I don’t think it is necessary to spoil the fun by going into all of the gory details, but this image depends quite a bit on work in post.
Morning light and morning fog fill the upper reaches of Soberanes Canyon, Big Sur, California.
I’ve driven past the trailhead for Soberanes Canyon many times. The trail starts at a curve in the Coast Highway above a popular portion of the rugged beach at Garrapata State Park. This time, as I came past heading south I noticed brilliant light in the steep canyon above the trailhead caused by light shining down from the tops of the peaks through the slightly foggy atmosphere. I didn’t stop right away – I had a different objective further down the coast in mind – but I made a mental note to take a look on my way back north, thinking that I’d probably be back within a half hour or so.
I did return shortly. I parked, loaded up the photo gear, and headed up the trail towards the canyon. I wanted to try to make a photograph that captures the intensity of the light-filled atmosphere created when a steep canyon like this is filled with slightly hazy air – the light is so bright that you almost cannot look at it, but when you do look the light seems almost palpable and the receding ridges of the canyon form interesting patterns before the furthest of them virtually disappear into the light. My first stop was at a small footbridge crossing a creek. This might have made a beautiful photograph – with lush green plants and wildflowers lining the small, rushing creek and the mountains beyond – but I couldn’t find a composition that would work, do so I continued on a bit. Soon I came to a more open area where the trail curved above the floor of the canyon near a cactus-covered slope, and from here the view into the upper reaches of the canyon was unobstructed.
As I framed up several compositions of the ridge patterns of the canyon the light continued to change – one moment it was smooth and undifferentiated, but the next a bit of fog would come through and brilliant clouds would sit on top of the ridge. In the end I wasn’t completely satisfied with the result – but I’m going to think of this as work in progress, and I’ll be back to try to photograph this canyon and these conditions again.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Posting a new photograph here every day isn’t easy! I usually try to work ahead so that I have a number of photographs queued up in advance. (No, I’m not really up at 4:00 a.m. Pacific every day finishing up and posting a new photo… ;-)
About a month ago I found myself in the difficult position of having no new photograph ready for the next day’s post on more than one occasion. Fortunately, this happened at about the time of my annual ritual of reviewing all of my photographs from the previous year. This year that amounted to more than 10,000 frames. Not surprisingly, I found a few interesting photographs that I had forgotten or which didn’t make sense to me originally.
During the past few weeks I’ve had more opportunities to get out and shoot. In fact, right now I have nearly two weeks of photographs queued up for posting here. I had the opportunity to spend a rainy afternoon at the Getty Center in Los Angeles at the end of December, and a series of photographs from that adventure will appear soon. I also had the chance to make a quick visit to the Big Sur coast yesterday and I have a few new photographs from that trip that will appear soon – including a new shot of the Rocky Creek Bridge area that I think I like a lot.
Beneath the canopy on a foggy afternoon in the Monterey Cypress forest at Allan Memorial Grove, Point Lobos State Reserve, California.
(Since this is simply the black and white version of the photograph I just posted earlier, I’m including largely the same text here that I included with the color rendition.)
I am always intrigued by the patterns of the trunks and lower branches of the Monterey cypress trees when I walk through the Allen Memorial Grove at Point Lobos. I’m also intrigued – and challenged – by the nearly monochromatic nature of the scene, especially when fog mutes the light as it did on this afternoon. On the other hand, the fog also softens and diffuses the light and decreases the contrast between the light parts of the trees and the shadows.
It was in such conditions that I made this photograph in August on a very foggy – and getting foggier! – late afternoon. When I made the exposure I was pretty sure I would make a black and white print from this scene but I also kept open the option of a color version. When I worked up the two versions later I was surprised that to find that I liked the color version more than expected, so I made prints of both the color and black and white versions and lived with them a bit.
In the end I decided that this black and white version works best as a print… I think. (I also have to point out that this photograph relies a lot of the inclusion of a ton of fine detail that just plain isn’t going to be visible in the small jpg version I can post online. Ah, well!)
This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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