Tag Archives: black and white

Alpine Pond, Evening

Alpine Pond, Evening
Evening reflections in a boulder-strewn alpine pond, Sequoia National Park

Alpine Pond, Evening. Sequoia National Park, California. August 6, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

Evening reflections in a boulder-strewn alpine pond, Sequoia National Park

This pack trip, now almost a decade behind me, was a different sort of trip in several ways. We began on the east side of the range in a high valley south of Mount Whitney. This was in an area that we had visited in the past, and on one occasions I spent several days going up and down an unmaintained pass until we finally all got together and climbed a nearby 14,000′ peak. On the trip where I made the photograph we started out at the same trailhead but then skirted a bit south to cross the crest on a more popular trail. A bit further along to the west we left the main trail to visit a nearby lake, found a cross-country route out of its cirque, walked up a long valley to another lake, and camped there. I made the photograph on the evening of our arrival, looking back at tall ridges lining the valley we had ascended to get here.

There rest of the trip was unusual and special, too. On the next morning we skirted the lake and then headed up to find an unmarked route over a steep pass, dropping down abruptly from its summit into a long granite valley with several lakes. A day later we arrived at the usual west side route towards Mount Whitney. We stopped for lunch and moved on, heading north on the John Muir Trail. Eventually we crossed one of my favorite high spots along this trail and then descended to the junction with the trail over Shepherds Pass. We hung out in this area for a few days, investigating some more remote areas of the Upper Kern drainage before returning to this spot and then heading out over Shepherd Pass.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Photographer, Queens Plaza

The Photographer, Queens Plaza
A photographer waits for subway train, Manhattan

The Photographer, Queens Plaza. Manhattan, New York. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A photographer waits for subway train, Manhattan

I actually was not stalking this photographer, though he ended up in more than one of my photographs from this morning, and it two subway stations. We had taken the holiday historic subway train uptown and were waiting in a station for another train, so I spent a little time photographing my surroundings and the very interesting people — a combination of the usual subway riders and a slightly different crowd that came out for this event.

Standing on the platform I kept my eyes open for anyone who “looked like a photo,” and this fellow, standing apart and not interacting much at all, caught my attention. When I saw him here the only thing that gave him away as a possible street photographer was the camera bag, but no camera came out of it. However, later, as I photographed out the train window as it stopped at another station, I made a photograph of several women lined up near a turnstile plus other assorted people arranged in the scene — and I realized later that the same fellow appeared in the shot, this time taking out his camera as he headed to the station exit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wetlands Tree, Fog

Wetlands Tree, Fog
A tree and brush reflected in still water of a fog-shrouded wetland pond

Wetlands Tree, Fog. San Joaquin Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A tree and brush reflected in still water of a fog-shrouded wetland pond

These are my favorite days in California’ Great Central Valley, the winter days when the tule fog forms and covers the landscape, making almost everything seem mysterious. On days when most sane people avoid driving in this fog, I head this direction hoping I’ll find it. In certain areas, even when it is clear almost everywhere else, the fog can form above the winter wetlands and quickly drop visibility to near zero. (One of the strangest but characteristic experiences is driving slowly through pre-dawn darkness and fog so thick that you can barely see more than feet in front of you, yet being able to look straight up through the shallow fog layer to see the moon and stars overhead.)

It was tremendously foggy on the February morning. Arriving at this refuge we could hear thousands of geese and cranes off in the invisible distance in almost all directions, but we could not see a single bird. Eventually, on a perimeter road circling the wetlands, I came across this spot were a few trees stand in the shallow, still water. The fog hides distant elements of the landscape or at least mutes them, giving prominence to closer features that might otherwise be lost in background detail. The central tree, visually muted even though it is barely fifty feet from my camera position, curves above the reflecting water and its skeletal form stands out from the nearly invisible background plants and water that are almost invisible in the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Black Star, Tiles and People

Black Star, Tiles and People
People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

Black Star, Tiles and People. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

On our December 2015 visit to New York City we had a chance to visit the new Whitney Museum for the first time. We see the early construction phases on several earlier visits when we went to Chelsea and were pleased to find that it is now open. We went there one morning, began on the top floor, and started to work our way down. (I’m a bit notorious for being able to spend what some regard as far too many hours wandering slowly through museums. Eventually the others in my party left. I stayed and finally joined up with them again hours later.)

The museum’s collection is, of course, fascinating. But the building itself also fascinated me — as a structure it its own right, its placement in its Manhattan surroundings, how it is used to display art, its outdoor areas, and the opportunities it gave me to include people in photographs. I did virtually no photography inside the building, but on the outdoor terraces and walkways it was an entirely different situation. These areas were perhaps the most attractive parts of the architecture for me, with upper levels thrusting out over the Chelsea landscape, and lower levels spreading out horizontally. From below it created a sort of industrial landscape of metal angles, and from above the views downwards were quite something. This photograph looks over one of the upper balconies and straight down onto a tile-covered terrace where Frank Stella’s “Black Star” resides and was being photographed and contemplated by visitors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.