This is another “take” on roughly the same scene I shared in another recent photograph, also in black and white. When I made the photograph I was already thinking of it as a black and white image, and it obviously has ended up that way, more or less as planned. I was already familiar with the rugged foreground mountains from previous visits, but the light and atmospheric conditions on this visit were unique. The sky was fairly cloudy, though the ceiling was breaking up a bit, allowing light beams to break through. The atmosphere was extremely hazy. The positive aspect of this is that the light shining through it almost glowed. (In fact, that was probably what first attracted me to the scene.) The somewhat negative aspect is that the haze was the harbinger of a tremendous dust storm that would arrive later in the day.
The black and white rendition represents the result of a sort of pre-visualization. To my way of thinking, “pre-visualization” can mean a range of things. At one end of the spectrum it could mean almost literally “seeing” the finished photograph before making the exposure. In this case I knew I wanted the hazy light beams to glow, that I wanted to retain the dark mass of the foreground mountains, and that the final result would be black and white. But I don’t want to imply more certainty than I actually had. Despite my decent idea of where I was going, I did not know for sure what the exact best outcome would be and, in fact, I made some varied compositions and exposures. On a side note, although we didn’t quite realize it just yet, the haze that made the light so beautiful came from the first dust from dust storms that were building all around the area.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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