Tag Archives: black

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Impossible Tree Fall, Spring

April 7, 2012 G Dan Mitchell Leave a comment

Rushing water of a seasonal creek splashes and leaps over rocks and past a tree, Yosemite National Park.

The name of this little seasonal waterfall – found along highway 120 – is not, as far as I can tell, official. However, it seems to be fairly well-known among Yosemite folks. It is also a great name – not only because of the fun conduction of words, but also because it so aptly describes the most notable feature of the fall, the “impossible tree.” In this odd little section of rocky hillside above a road, a creek flows for a short time in the spring as the winter snow melts out. In this middle of this rocky jumble grows a single tree, with its roots seemingly attached to nothing more than rocks. So it is a doubly impossible tree, growing in the middle of a waterfall and somehow finding sustenance from granite.

This photograph was made outside of the more typical “golden hour” time, though it wasn’t all that late in the morning. My timing was just right – though luck probably had as much to do with this as did planning. As we passed by, the sun was rising high enough to peek over the top of the ridge above the fall and its light was just starting to strike the leaping water from behind and above.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Spring Torrent, Yosemite

April 5, 2012 G Dan Mitchell Leave a comment

A cascading creek zigzags among boulders as it descends a steep mountainside, Yosemite National Park.

This is a scene I have photographed many times, as I continue to work on “seeing” and understanding its elements. (And as I work on trying not to duplicate other beautiful “takes” on this location that have been produced by other photographers whose work I respect a great deal!) As a matter of fact, the “many times” would have to include the many times I photographed it on this particular visit, as photographing moving water tends to be a bit of a game of percentages. While you can start to gauge some of the patterns of the water if you watch long and intently enough, in the end you have to take what you get to some extent. Fortunately, with digital cameras it is possible to improve the odds a bit since one can make a lot of exposures, with the only real cost being the great amount of time required to go through them all.

This photograph was made at just about the peak of the spring runoff season, and during a year that had featured well above average precipitation during the previous winter. In mid-June (about the time that Tioga Pass finally opened) there was water flowing everywhere – obviously in the many well-known creeks and rivers and waterfalls, but also in places where you might otherwise not expect to see flowing water. Impromptu seasonal streams were everywhere, flowing across granite and through forests and often spilling right across the roadways. The object in this photograph was to try to shoot straight into the maelstrom of the current as it dropped down a steep hillside, twisting and turning as it passed through a narrow, rocky area.

Photographers, Photographs: Northern California, Photographs: Photographers, Photographs: San Francisco

Arthur Tress, De Young Museum

April 4, 2012 G Dan Mitchell Leave a comment

Arthur Tress discusses his photographs with a group of photographers at his exhibit at the De Young Museum, San Francisco.

Back in early March, Adobe invited a number of San Francisco Bay Area photographers to meet with photographer Arthur Tress at his show at the De Young Museum, “San Francisco 1964.” (Thanks, Adobe!) After we assembled in the lobby and had a moment or two to speak to some of Adobe folks, including some working on the just-released new version of Lightroom, we adjourned to the gallery. In this photograph, the group listens to Tress (barely visible at the far side of the taller) as he walks through the gallery and talks about his work.

Tress and a photography curator introduced us to the show and shared some back-story and perspectives on the work it includes. The photographs are all black and white images shot in medium format during a period when Tress first came to the west coast in 1964, a year when a lot of interesting stuff was happening in The City – including the first US concerts by the Beatles, the “Goldwater” Republican convention, civil rights demonstrations, and more. Tress’s photographs are interesting on several levels: as a record of aspects of the period that we might not realize we have lost (especially to this photographer who was a child living in the Bay Area at that time), as a record of actual events, and as an often-witty commentary on much of what he observed.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Abandoned Turnstiles

March 17, 2012 G Dan Mitchell Leave a comment

Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.

Early this month I had the opportunity to join my friends from The Nocturnes, the San Francisco Bay Area night photography group, for (yet another) return visit to the historic Mare Island Naval Ship Yard for an evening of nocturnal photography, along with a chance to share work and pizza! I have been photographing Mare Island at night for something like a half dozen years now, yet I still find new and interesting subjects every time I go there.

These turnstile structures are found throughout the facility, and they are a frequent topic of conversation and subject of photography among the night photographers I know. They are intriguing features and there is something compelling about them as potential subjects. Standing along at night they seem forlorn, perhaps in contrast to the knowledge that thousands of ship yard employees must have passed through them at one point. They also seem almost disconnected from the rest of the industrial landscape here. While it is obvious that they must have once been the only entry way to certain areas of the facility, not it is quite possible to simply walk around them. In addition, some mysterious electrical “stuff” has clearly been removed – time card readers? Something else?

It also turns out that they are a surprisingly difficult photographic subject, and I have had many discussions with other night photographers about this. Up close they present an amazing density of interlocking metal features… that are very difficult to assemble into a good composition. I’ve managed once or twice. Oddly, one of my favorite photographs of the turnstiles is almost the very first photograph I made at Mare Island, a black and white close-up photograph of a gate by the island’s museum. For this shot I decided to work from a bit of elevation, setting up on a raised landing in front of a nearby building so that I could look down on the structure and create a sort of surround out of the background area and further buildings.

G Dan Mitchell Photography

Tag Archives: black

Impossible Tree Fall, Spring

Spring Torrent, Yosemite

Arthur Tress, De Young Museum

Abandoned Turnstiles

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.