Tag Archives: blue

Photographs: Nature, Photographs: Sierra Nevada

Shoreline, Glacial Moraine

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Shoreline, Glacial Moraine
An old glacial moraine reflected the water of an alpine lake in blue hour light

Shoreline, Glacial Moraine. © Copyright 2018 G Dan Mitchell – all rights reserved.

An old glacial moraine reflected the water of an alpine lake in blue hour light

Over the years — decades, actually — I have learned to recognize more patterns in the backcountry landscape. (Which is not to say that I recognize or understand everything — there is still more to learn!) In places where I used to, and still do, respond with, “beautiful scene!,” I now ask additional questions: What makes it beautiful? Why does it look this way? How are these features connected? What processes are at work here? How is this changing? I have always known that glaciation played a big role in the formation of the Sierra Nevada. It is hard to miss this when crossing glacial polish on a granite slab or when tracing the shapes of Yosemite Valley. But it took longer to become aware of subtler effects.

For many years I hiked a particular route out to the Sierra crest that begins not far from Tioga Pass. There is considerable up and down in the first section of the hike — notable enough that I remember three specific such locations. It wasn’t until I had crossed them quite a few times that I realized that they were the remnants of very old lateral/media moraines. That doesn’t make them any easier to cross, but it does “excuse” them! This photograph includes another of these patterns, in this case a mound of gigantic boulders and smaller talus that was clearly pushed up by a small but long gone glacier that stopped just short of the shoreline of this lake. I made the photograph in blue hour light, in the shadows of the ridge above the talus field, and that light and the nearly smooth water evoke for me the stillness and deep quiet of such places.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Blue Hour Talus, Cliff and Lake

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Blue Hour Talus, Cliff and Lake
A talus field extends across the shore of an alpine lake

Blue Hour Talus, Cliff and Lake. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field extends across the shore of an alpine lake

During my recent September backcountry expedition to photograph areas of the John Muir Wilderness, we were fortunate to find ourselves in a place with lots of rocky terrain — tall peaks above, mountain slopes all around, talus fields leading into alpine lakes. The lower Sierra country with it forests and gentle steams is wonderful, but I really love the higher and more rugged country, where stunted trees grow among tarns and small lakes, and where the landscape is more and more rocky as you ascend.

Near the lake at which we camped a gigantic talus field descended from the nearby ridge. At first glance such things can appear almost random and undifferentiated, being the rock equivalent of beach sand. But in the right light, looked at in the right way, and especially with a smooth lake surface to reflect their forms, structural patterns and flows begin to appear from the complexity of this landscape. In direct sunlight these rocks can be almost too harsh to photograph, with huge contacts between black shadows and brilliant reflective highlights. But during the morning and evening “blue hour” periods the light is softened, filling in shadows, and adding a different sort of coloration to the scene.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: France, Photographs: Urban/Street

Parked Scooter

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Parked Scooter
“Parked Scooter” — A scooter parked along a Paris street

I saw this scooter parked along a street in Paris — in the Le Marais area, if I recall correctly. In many urban European areas, at least that I’ve seen, such things are ubiquitous, along with the many urban bicycles. Here there is really little or no room for a car, but it is possible to squeeze in a bike or a scooter. The retro styling of these things is a lot of fun — they have an appearance that seems like it might have felt hyper-modern… about 40-50 years ago.

The scooter also reminds me of something that I rediscover to varying degrees when I travel, namely how much of what we do and expect is conditioned by familiarity with places and their customs. At one point on this trip we rented a car to drive from Paris (CDG airport) to a location southwest of the city where we would stay for a week. The area was semi-rural, but with towns and villages here and there. Driving in such places would be second-nature to me in the USA, but in France it was anything but! I had to actually try to understand and interpret traffic signs and graphics, something that takes considerably longer when the signs are unfamiliar and one is not a speaker of the local language. Even something as simple as knowing, for example, that it is apparently OK to park a scooter in a place like this would be an utter mystery.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Nature, Photographs: Sierra Nevada

Talus Field, Shoreline, Reflections

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Talus Field, Shoreline, Reflections
The rocks at the bottom of a large talus field are reflected in still waters.

Talus Field, Shoreline, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

The rocks at the bottom of a large talus field are reflected in still waters.

The general area where we staying the Sierra backcountry last week featured lots of broken and fallen rock — partly from glacial sources and partly from later erosion — along with tall ridges that gave us hours of soft, shaded light in the morning and the evening. Broken talus slopes are common in the higher reaches of the Sierra, but this area seemed to have an exception amount of the stuff. These talus fields often contain mixtures of rock types, as they are frequently carried down from high peaks.

The talus slope photographed here was just across the lake from where we were camped, so I was able to walk over a few hours before the first sunlight finally made it over the peak to our east. The jumbled and jagged rocks and boulders covered the slope right down to (and beyond) the edge of the lake. In the shadow of the nearby mountain the light was soft and quite blue, the latter because almost all of the illumination was coming from that giant light panel we call the sky. I photographed for quite a while, until a breeze came up and broke the quiet surface of the water.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.