Tag Archives: blue

Photographs: France, Photographs: Travel, Photographs: Urban/Street

Blue Mania

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Blue Mania
Person walking in front of a Paris shop

Blue Mania. © Copyright 2018 G Dan Mitchell – all rights reserved.Blue Mania. © Copyright 2018 G Dan Mitchell – all rights reserved.

Person walking in front of a Paris shop

I think this photograph is mostly about blue, but also about the motion along a curved path of the two figures, and perhaps the odd poster near the right side of the frame. I didn’t check to see what “Micromania” is, at least in the context of this shop, though my assumption was and is that it has something to do with some kind of technology — phones, computers, etc.

Although the location of this scene is in a pretty interesting part of Paris, along the edge of Le Marais, the area right around this shop is a bit… gritty. Perhaps this is because it is more or less some sort of shopping district, and because there is an underground station right there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Netherlands, Photographs: Travel, Photographs: Urban/Street

Unfun

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Unfun
Weathered wall with graffiti, Amsterdam

Unfun. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered wall with graffiti, Amsterdam

For the most part I don’t photograph graffiti, and on the rare occasions when I do in the US I may alter the painted “tags” in post in order to avoid giving publicity to folks who, it may be argued, are basically vandalizing the property of others. I’m also sometimes a bit uneasy, when the marks transcend mere graffiti and become street art, about simply capturing an image of someone else’s art and presenting it as my own.

But sometimes I can’t help myself. In fact, on our 2018 European travels we encountered so much graffiti that it would almost be dishonest to pretend that it isn’t part of the urban landscape. (Especially in Berlin. Very much especially in Berlin…) This little example comes from Amsterdam, and I appreciated several things about it. I was intrigued to see that it was mostly constrained to the blocks or rectangular material on the right side of the frame and mostly not on the bricks — almost as if these were somewhat well-mannered graffiti artists. The juxtaposition of shapes and colors interested me in its own right. And then there is that enigmatic “UNFUN” inscription in a somewhat neat sans-serif font, contrasting with the other colorful scrawls on this wall.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Talus, Reflection

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Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Facebook | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Alpine Lake, Evening Reflections

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Alpine Lake, Evening Reflections
A rocky peninsula, an alpine lake, reflections of the headwall in evening light

Alpine Lake, Evening Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rocky peninsula, an alpine lake, reflections of the headwall in evening light

In high places like this, where cirque walls tower over alpine lakes and block the light early and late in the day, evening quiet can come early. I had been walking to this spot almost daily for several days to try to make a photograph of a particular group of trees that caught the last sunlight in the late afternoon. On this day my timing was (finally!) right, and after I made that photograph I turned my attention to the rest of the scene, which was now in shadow.

To my left a small rocky peninsula pushed out into the lake near its outlet stream and supported a few trees and small plants that could gain a foothold it its cracks. Across the lake piles of talus lay at the bottom of the solid rock face of the valley’s headwall, where one snow patch remained, reflected in the quiet surface of the lake. That surface also reflected the rest of the face, including parts so high that they are not in direct view. The entire scene was illuminated by the soft blue light coming from the open sky above and behind me.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Facebook | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.