Tag Archives: blue

Signore Verdi Sings the Blues

Signore Verdi Sings the Blues
Street art, modeled after a painting of Giuseppe Verdi

Signore Verdi Sings the Blues. Florence, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Street art, modeled after a painting of Giuseppe Verdi

There was street art everywhere we went in Europe and the UK this past summer. In some places, such as Heidelberg, a lot of it was overtly political and it relied a lot on text. In other places there was more that was purely visual or almost so, like this example and some that we saw in Paris. In other places, such as some parts of Bologna,  much of it reminded me of simple tagging, similar to what we see in the US.

This example caught my attention for several reasons. Because of my musical background I recognized it as a riff on a famous picture of Italian opera composer Giuseppe Verdi. (At the time of this posting you can see it at the Wikipedia entry on the composer.) The intense blue color and its juxtaposition with the green (think “Verdi”) plants also seemed interesting. I don’t know what it “means” or why it was here, but I couldn’t help photographing it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mono Lake, Reflected Clouds

Mono Lake, Reflected Clouds
“Mono Lake, Reflected Clouds” — Clouds reflected on the still surface of Mono Lake

Mono Lake has many moods. For example, as I post this, it is a quiet and lonely place where snow covers the mountains to the west, fog may fill in for days, and few people visit. In summer it can be very hot and often quite windy, with blowing dust and waves on the lakes surface. At dawn the light can be subtly colorful; at midday it may be intense and flat.

I made this photograph on a day just before the start of autumn, when the lake’s surface was unusually calm, to the point of almost justifying the description “glass-like.” I went to a place that is not visited as frequently as some of the more accessible and iconic locations, and from here I was able to photograph right at the water’s edge, a vantage point from which I was able to include a few isolated clouds floating past plus their reflections in the still surface of the water. At times like this, the strongest impressions of the Mono Lake Basin for me are of great distances, the immense sky, still water, and deep silence.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Still Water, Clouds

Still Water, Clouds
A few scattered clouds are reflected in the surface of Mono Lake on a windless day

Still Water, Clouds. Mono Lake, California. September 16, 2016. © Copyright 2013 G Dan Mitchell – all rights reserved.

A few scattered clouds are reflected in the surface of Mono Lake on a windless day

As I have returned to Mono Lake over the years, my orientation to the place has changed. (I guess that is a sort of general theme with me, now that I think of it — repeated visits to a familiar place over long periods of time are rewarded with a continually evolving knowledge of the place.) First it is just a very big lake. They one usually discovers tufa towers, followed perhaps by birds. My concept of the place has now come to center on quiet immensity, with open sky above, perhaps interrupted by the sounds of birds.

Mono Lake is often a windy place, but at times, especially early in the day, the winds can die down or even stop, and the stillness becomes palpable. On this day I traveled out to a shoreline area I had not visited before, and one that is not particularly popular or well-known. I parked and walked down a slope towards the water, where I found its surface almost still and reflecting the shapes of a few clouds to the north.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Intersection, Montmartre, Dusk

Intersection, Montmartre, Dusk
An intersection of narrow streets at dusk, Montmartre, Paris

Intersection, Montmartre, Dusk. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A deserted Montmartre intersection in the evening “blue hour,” Paris

This past August we stayed in Montemartre during our weeklong visit to Paris. We went to many places in Paris, often on foot, but we obviously ended up spending quite of bit of time in Montmartre near our hotel — going out on walks, looking for restaurants, returning from other adventures. This area is more hilly that other parts of Paris, so here the narrow and twisting streets also wind up and down hills in many places.

I’m not certain at the moment where we were headed on this evening, though there is a pretty good chance that it involved food! It might have been on our first night in Paris, when we didn’t yet know our way around the local area and we went out for what amounted to a random walk. I made the photograph during that brief interval between night and day, the “blue hour,” when all areas in shadow are lit by the blue wash of light from the sky. At the moment I made this photograph the light was dimming, just enough that the brightest street lights were beginning to create pools of warmer light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.