Tag Archives: blue

Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake, Reflected Clouds

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Mono Lake, Reflected Clouds
“Mono Lake, Reflected Clouds” — Clouds reflected on the still surface of Mono Lake

Mono Lake has many moods. For example, as I post this, it is a quiet and lonely place where snow covers the mountains to the west, fog may fill in for days, and few people visit. In summer it can be very hot and often quite windy, with blowing dust and waves on the lakes surface. At dawn the light can be subtly colorful; at midday it may be intense and flat.

I made this photograph on a day just before the start of autumn, when the lake’s surface was unusually calm, to the point of almost justifying the description “glass-like.” I went to a place that is not visited as frequently as some of the more accessible and iconic locations, and from here I was able to photograph right at the water’s edge, a vantage point from which I was able to include a few isolated clouds floating past plus their reflections in the still surface of the water. At times like this, the strongest impressions of the Mono Lake Basin for me are of great distances, the immense sky, still water, and deep silence.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Mono Lake Basin, Photographs: Nature

Still Water, Clouds

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Still Water, Clouds
A few scattered clouds are reflected in the surface of Mono Lake on a windless day

Still Water, Clouds. Mono Lake, California. September 16, 2016. © Copyright 2013 G Dan Mitchell – all rights reserved.

A few scattered clouds are reflected in the surface of Mono Lake on a windless day

As I have returned to Mono Lake over the years, my orientation to the place has changed. (I guess that is a sort of general theme with me, now that I think of it — repeated visits to a familiar place over long periods of time are rewarded with a continually evolving knowledge of the place.) First it is just a very big lake. They one usually discovers tufa towers, followed perhaps by birds. My concept of the place has now come to center on quiet immensity, with open sky above, perhaps interrupted by the sounds of birds.

Mono Lake is often a windy place, but at times, especially early in the day, the winds can die down or even stop, and the stillness becomes palpable. On this day I traveled out to a shoreline area I had not visited before, and one that is not particularly popular or well-known. I parked and walked down a slope towards the water, where I found its surface almost still and reflecting the shapes of a few clouds to the north.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: France, Photographs: Urban/Street

Intersection, Montmartre, Dusk

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Intersection, Montmartre, Dusk
An intersection of narrow streets at dusk, Montmartre, Paris

Intersection, Montmartre, Dusk. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A deserted Montmartre intersection in the evening “blue hour,” Paris

This past August we stayed in Montemartre during our weeklong visit to Paris. We went to many places in Paris, often on foot, but we obviously ended up spending quite of bit of time in Montmartre near our hotel — going out on walks, looking for restaurants, returning from other adventures. This area is more hilly that other parts of Paris, so here the narrow and twisting streets also wind up and down hills in many places.

I’m not certain at the moment where we were headed on this evening, though there is a pretty good chance that it involved food! It might have been on our first night in Paris, when we didn’t yet know our way around the local area and we went out for what amounted to a random walk. I made the photograph during that brief interval between night and day, the “blue hour,” when all areas in shadow are lit by the blue wash of light from the sky. At the moment I made this photograph the light was dimming, just enough that the brightest street lights were beginning to create pools of warmer light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Italy, Photographs: Urban/Street

Sidewalk, Person in Blue

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Sidewalk, Person in Blue
A blue-clad person walks along a Florence sidewalk

Sidewalk, Person in Blue. Florence, Italy. August 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A blue-clad person walks along a Florence sidewalk

Late in August, we ended our lengthy travels — the last four weeks of which were in the UK and Europe — in Florence, Italy. We had met family in the Chianti region, where we all stayed together for a week, and since we would begin our homeward flight in Florence, we decided to at least spend a couple extra nights there before departing. I suppose the main thing I discovered during our brief Florence visit was that two nights (two half days and one full day) was not nearly enough time to explore this city!

Our first Italian city was Bologna, where I noticed the color palette of the buildings was different from what I’m used to — almost everything was some shade between a dark tan and brown, all earth tones. We soon figured out that this was typical in all of the areas of Italy we visited. You see those colors in this photograph, with slight variations plus a bit of blue-gray around one door frame. Coming from the high-tech world of the San Francisco Bay Area, I was also struck by the natural wear on buildings in Italy — many had cracks, areas “needing” paint, and might seem to lean a bit. I discovered that this isn’t really a sign of decay, just the nature of the many older structures that give the place its character. This photograph shows, for me at least, one other characteristic I found in Italy, namely the remarkable light. Here it is the stark midday light, but it is often softened by a kind of gentle atmospheric haze or by low clouds. I think I now understand much better the nature of the skies I’ve seen in paintings from this part of the world.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.