Tag Archives: blue

Five Cranes, Sunrise Light

Five Cranes, Sunrise Light
Five lesser sandhill cranes fly toward the sunrise

Five Cranes, Sunrise Light. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Five lesser sandhill cranes fly toward the sunrise

“High horns, low horns, silence, and finally a pandemonium of trumpets, rattles, croaks, and cries that almost shakes the bog with its nearness, but without yet disclosing whence in comes. At last a glint of sun reveals the approach of a great echelon of birds. On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.” — Aldo Leopold, “A Sand County Almanac”

When I began photographing California Central Valley migratory (and native) birds a few years back, the initial draw was geese — snow geese, Ross’s geese, and others. But soon I become aware of the sandhill cranes, and I remembered reading Aldo Leopold’s descriptions of these birds all the way back in college. Something in his description was magical and even though I did not know these birds, I remembered his description.

The cranes’ distinctive cry is the first thing I listen for at dawn in the wetlands. They often seem to settle into places a bit more remote than those favored by geese, at least until later in the season. Their flocks are not as large. They often fly in small groups of three, four, or a few more. Their pattern of flight is more level, their wings work more slowly, and they often glide. They also people. Frequently I’ll spot a group heading straight towards me, but with very few exceptions they divert and take a path to one side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Signore Verdi Sings the Blues

Signore Verdi Sings the Blues
Street art, modeled after a painting of Giuseppe Verdi

Signore Verdi Sings the Blues. Florence, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Street art, modeled after a painting of Giuseppe Verdi

There was street art everywhere we went in Europe and the UK this past summer. In some places, such as Heidelberg, a lot of it was overtly political and it relied a lot on text. In other places there was more that was purely visual or almost so, like this example and some that we saw in Paris. In other places, such as some parts of Bologna,  much of it reminded me of simple tagging, similar to what we see in the US.

This example caught my attention for several reasons. Because of my musical background I recognized it as a riff on a famous picture of Italian opera composer Giuseppe Verdi. (At the time of this posting you can see it at the Wikipedia entry on the composer.) The intense blue color and its juxtaposition with the green (think “Verdi”) plants also seemed interesting. I don’t know what it “means” or why it was here, but I couldn’t help photographing it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Lake, Reflected Clouds

Mono Lake, Reflected Clouds
“Mono Lake, Reflected Clouds” — Clouds reflected on the still surface of Mono Lake

Mono Lake has many moods. For example, as I post this, it is a quiet and lonely place where snow covers the mountains to the west, fog may fill in for days, and few people visit. In summer it can be very hot and often quite windy, with blowing dust and waves on the lakes surface. At dawn the light can be subtly colorful; at midday it may be intense and flat.

I made this photograph on a day just before the start of autumn, when the lake’s surface was unusually calm, to the point of almost justifying the description “glass-like.” I went to a place that is not visited as frequently as some of the more accessible and iconic locations, and from here I was able to photograph right at the water’s edge, a vantage point from which I was able to include a few isolated clouds floating past plus their reflections in the still surface of the water. At times like this, the strongest impressions of the Mono Lake Basin for me are of great distances, the immense sky, still water, and deep silence.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Still Water, Clouds

Still Water, Clouds
A few scattered clouds are reflected in the surface of Mono Lake on a windless day

Still Water, Clouds. Mono Lake, California. September 16, 2016. © Copyright 2013 G Dan Mitchell – all rights reserved.

A few scattered clouds are reflected in the surface of Mono Lake on a windless day

As I have returned to Mono Lake over the years, my orientation to the place has changed. (I guess that is a sort of general theme with me, now that I think of it — repeated visits to a familiar place over long periods of time are rewarded with a continually evolving knowledge of the place.) First it is just a very big lake. They one usually discovers tufa towers, followed perhaps by birds. My concept of the place has now come to center on quiet immensity, with open sky above, perhaps interrupted by the sounds of birds.

Mono Lake is often a windy place, but at times, especially early in the day, the winds can die down or even stop, and the stillness becomes palpable. On this day I traveled out to a shoreline area I had not visited before, and one that is not particularly popular or well-known. I parked and walked down a slope towards the water, where I found its surface almost still and reflecting the shapes of a few clouds to the north.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.