Tag Archives: blue

Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Blue Alley

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Blue Alley
A side alley in San Francisco, illuminated at night by blue lights

Blue Alley. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A side alley in San Francisco, illuminated at night by blue lights

Sometimes I think about why I am attracted to certain subjects, and I’ve thought a bit about what it is about night photography that draws me. It is actually a bit complicated, so I won’t try to explicate the whole thing here. I can, however, say something about two related issues. First, a lot of night photography is as much about what the camera sees as it is about what I see. Our human vision can work rather well in near darkness, especially once we adapt, but what we see is nothing much like what our cameras see. The camera can blur motion with long exposures, can record with relative accuracy colors that we either cannot really see in near darkness or which our minds tell us are not what they really are, and quite simply the camera can sometimes produce a photograph of things that are too dark to really see. Secondly, because of these things, the concept of objective accuracy in night photography pretty much goes right out the window. How in the world do you make an “accurate” photograph of something that you cannot actually see without the camera?

If you or I saw this scene with our eyes, we would likely be almost completely unaware of the wildly divergent colors of the light. Our vision system (eyes and, especially, brain) often tell us that we are seeing what we believe we should see. Sidewalks are grey, not blue, so even in blue light the mind registers the objectively blue sidewalk as gray. Yet the camera is more objective, and when we see photographs of these subjects we are often struck by the wild colors. I have heard people ask how to “correct” these colors. My answer? Don’t! I look for and use these intensely colored lighting sources – here a blue light, sometimes the red of automobile tail lights, the warm color of tungsten light, the daylight-like color of LED lighting, the strange spectrum of fluorescent — all of which can lend string color to scenes that are often drab and nondescript in daylight

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California

Drake’s Estero

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Drake's Estero
Summer sun penetrates clearing fog over Drake’s Estero, Point Reyes National Seashore

Drake’s Estero. Point Reyes National Seashore, California. June 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Summer sun penetrates clearing fog over Drake’s Estero, Point Reyes National Seashore

I took my camera for a hike this week. Or at least that’s how it felt. I have to confess that Point Reyes, a place I visit somewhat regularly, has always been a photographic challenge for me. I can’t quite put my finger on why that is. I certainly have good results with seascape photographs from other areas along the California coast. As I hiked today — an eight mile round trip to the entrance to Drake’s Estero* — I pondered this what might explain it. Because the point extends out into the ocean, it is often foggy. This fog is not the mysterious sort that hangs along the ground and partially obscures trees and hills. It tends to be the cold gray fog that hovers a few hundred feed up, simply blocking and flattening the light. Although I’m intrigued by this landscape, much of it can be quite barren. There are forests, but they often consist of slender trees growing closely together, often with dense undergrowth. It is difficult to find the things that attract me to the landscapes of the Sierra and the desert — rugged rocky forms, tall cliffs (there are some of these at Point Reyes), light-filled forests, bare and rocky ground. Oh, and did I mention the wind!?

But I keep going back, frequently returning with only a few photographs. This was one of those days. I very much like the place I hiked — a route that alternates between forest, tramping along the waterline, and traversing high bluffs above the estero. I walked four miles out past the end of the trail, to a place where I could walk along a narrow band at the base of cliffs that front the estero, and across the relatively still water were sandbars with birds. Beyond that the surf broke outside of the entrance to the estero. At this far end of the hike I was completely alone, and I found a rock to sit on and quietly take in this scene before turning around to retrace my steps. The photographic challenges on this walk were primarily the strong winds and the gray light. As I passed along the top of one of the bluffs, the sky cleared enough to produce beautiful, soft light on the water and the far peninsula, providing an opportunity to make my one good photograph of the day.

  • “Drake’s Estero” is, as you probably guessed, an estuary — but here I’m using the word that the park service uses for this feature.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: England, Photographs: Structures and Objects, Photographs: Urban/Street

Detail, Tower Bridge

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Detail, Tower Bridge
Detail, Tower Bridge

Earlier today we were talking about how it has been too long since we’ve been across the Atlantic — our last trip was back in the summer of 2013. We started in London, spending nearly a full week there, enough time to feel like we were beginning to get past the most obvious things — but not nearly enough time exhaust the possibilities of the place. Making that trip extra special, we managed to meet up with a bunch of family members there, and then continue more or less together as we continued on to Germany for about a another two weeks.

As I like to do in American cities, we wandered a fair amount while we were in London. While I know that planning is very useful when going to a new place and having limited time, I know that I also like to just follow my nose a bit and get out and walk around and see where I end up — in some ways I feel that this may eventually give me a better sense of a place. Not that this location is exactly off the beaten track! In fact, this photograph shows details of one of the best known iconic bridges, with bits of the River Thames visible in the background.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Oak Leaves, Reflections, Spring

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Oak Leaves, Reflections, Spring
Oak Leaves, Reflections, Spring

Oak Leaves, Reflections, Spring. Grand Staircase-Escalante National Monument, Utah. October 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Autumn oak leaves, reflections of sky and sandstone cliffs on stained rock

This was a wonderful autumn day of exploration, re-visiting a familiar place, wandering with friends, and photography. We drove a short distance down a back-country road from our campsite to get to the start of a canyon, beginning in a spot where there is little in the surrounding landscape to indicate what is hidden here. We left our vehicles on the flats at the edge of a shallow valley and dropped into it. The valley quickly narrowed and it wasn’t long until sandstone walls towered above as we traced the meandering course of the stream that had cut this canyon. We travelled slowly, making detours as the spirit took us, and halting to concentrate on photographic subjects we discovered along the way.

Eventually we arrived at a sort of “half-subway” (referencing a well-known Utah landscape subject that is far from this spot) where the creek rounded a bend in a narrow section of the canyon and has cut away rock back underneath the overhead walls. At the lower end of this section we arrived at a wider flat area, though the canyon was still quite narrow, and we paused to eat, talk, make photographs, and ponder. Across the bend in the creek a smooth rock wall dropped down from beneath a thickly vegetated ledge to the banks of the creek, and water seeped from cracks below the ledge, providing enough water to keep the rock constantly damp, and autumn leaves from an oak tree on the ledge were scattered on the rock.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.