Tag Archives: box

Photographs: Structures and Objects

Switch Box

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Switch Box
An old, weathered outdoor switch box on a brick wall.

Switch Box. © Copyright 2023 G Dan Mitchell.

An old, weathered outdoor switch box on a brick wall.

Ever since I can remember I have photographed odd bits of “stuff” like this — old fences, door handles and hinges, electrical boxes, anything that has the worn patina of age, rust, and weathering. The first time I recall doing this must have been in middle school or early high school — I went around the back side of my parents’ house and found an old wooden fence with a chain lock, photographed it, and made black and white prints.

On the day I made this photograph we were at a very large garden, with the plan being to photograph spring flowers and foliage. We certainly did that, but I’m easily distracted by things like this, and I came back with this photograph along with others of old signs, door knobs, windows, and similar non-garden stuff.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: France

Dumbed Down By Foreign Actors

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Dumbed Down By Foreign Actors
Graffiti on a wall along a Paris sidewalk

Dumbed Down By Foreign Actors. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Graffiti on a wall along a Paris sidewalk

When traveling it pretty quickly becomes apparent that graffiti is a pretty universal thing. The amount may vary, but is probably as much a function of how quickly it is cleaned up as it is of the amount of it that is produced. (In some cities, both in the US and Europe, it is pretty clear that no one has bothered to remove it for a long time.) Broadly speaking, it comes in several types. The personal scrawls, or “tags,” seem pretty similar just about everywhere, and I rarely share them. (They also seem like the lowest form of graffiti, basically just a “look at me” or “see what I can get away with” kind of thing.) A second sort is more art/icon oriented and not particularly about text. (My “Je suis bleu” photograph from Le Marias includes such material.) It may or may not be political. A third type includes text messages — though some of the “art” graffiti may fit here, too — seems more overtly political and delivers some message, though the meaning may not always be clear.

I saw these “Dumbed Down By Foreign Actors” scrawls in quite few places in Paris. This one is in Montmartre. I’m not certain what it means, and a quick search didn’t provide any clear answers: is it literally about actors from foreign countries, or is it about (e.g. political) “actors,” or something else? I photographed this example as much for the surroundings as for the text itself. The old wall, painted (and partially re-painted) pink, the barred square area (not actually a window), and the interruption of the power box all are visually interesting to me.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Bend and Tree

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Canyon Bend and Tree
Canyon Bend and Tree

Canyon Bend and Tree. Grand Staircase-Escalante National Monument. October 24. 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A box elder with autumn foliage grows along the stream at the bend in a red rock canyon

There are many patterns familiar to those who enter these canyons. In many cases, the creeks and rivers meander back and forth, and over time they may have cut paths deep into the sandstone layers that also meander in the same way. Walking along such a small creek, looking up, and realizing that a winding canyon hundreds of feet deep was cut but the little creek gives you a sense of deep time… and also a clear indication that such creeks are not always so gentle. The winding patterns also lead you on as you descend the creeks. Each time you round a bend like this one you get a view further along in the canyon… to the next bend, where the creek turns out of sight again. And you say/think to yourself, “just one more bend and then I’ll turn around.” So you keep going and round that next bend, where you can see a bit further into the canyon… to the next bend. And you say/think to yourself, “just one more bend and then I’ll turn around…”

This creek doesn’t follow the perfect pattern of consecutive meanders that are found in some canyons, but it did in this section where I found a single box elder tree growing at the edge of a rock that butted up against the wetter, sandy section of the water course. And far above, the gigantic walls of this canyon mirrored, as expected, the curves of the bottom of the canyon, and warm light bouncing among the canyon walls filtered down here to gently illuminate the depths of this red canyon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Autumn Color, Canyon Walls

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Autumn Color, Canyon Walls - Autumn color foliage marches up the lower slopes of Zion Canyon, Utah
Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

Autumn Color, Canyon Walls. Zion National Park, Utah. October 30, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

I was in Zion three times during October this year – it is a long story how that happened! On the final occasion, we were passing through the area on our way back to California at the very end of the month, having stayed the night before in Kanab and having a plan to stage the next day’s long return drive from St. George, Utah. The drive between those Kanab and St. George is not all that long, so we figured we would see what Zion might offer up as we passed through. Since we had photographed the high country along the Mount Carmel Highway earlier in the month, and since the fall color was rumored to be starting in Zion Canyon, we decided to head there in the morning. (In the end, we finished up here a bit sooner than we might have, so we ended up driving well past St. George, but that’s a different story…)

The height of the Zion Canyon color typically comes a bit later than this, so we figured that we might not see the very best color – but Zion is sort of like Yosemite in that there is something to see no matter what. After many days of shooting, this was one of those days when energy was at a bit of a low ebb. We started out in the upper end of the canyon, where we found some colorful red maples, but I don’t think any of use were necessarily quite “seeing it” at this point. So we moved down that canyon a bit, looking for whatever might turn up, and hoping for a bit more color that we were seeing. One of the last places we stopped to shoot was in this area from which features such as the Great White Throne and The Organ are visible. Here we were a bit more inspired, since there was a variety of things to see: the Virgin River, the flats along the river in the bottom of the canyon, a decent amount of developing fall color, towering rock walls, and evolving light. As I poked around along the river bottom I saw that some very colorful trees were visible up high along the base of the steepest cliff walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.