Tag Archives: broadway

Man Descending Peter Macchiarini Steps

Man Descending Peter Macchiarini Steps
Man Descending Peter Macchiarini Steps

Man Descending Peter Macchiarini Steps. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man descends the Peter Macchiarini steps past worn and dilapidated buildings in downtown San Francisco.

I photographed this rather bleak scene on a side street in San Francisco last summer. I first walked up this street to photograph the “Peter Macchiarini Steps” that ascend steeply here in place of a normal sidewalk. Then I saw the opposing shapes of the large square ductwork and the smaller round pipes against the weathered and dilapidated exterior of the buildings. Finally, I found that the occasional person descending the steps might add a point of interest, so I waited…

When I look at a photograph like this one I see layers of different things – but maybe that’s just me! :-) At one level it is just a slightly gritty little street scene, presented in a pretty unvarnished manner. (I did some work to straighten angles and so forth in post – I generally don’t get to use tilt/shift lenses when I shoot street!) Then I see several interesting-to-me geometries in the scene. I mentioned above the opposing bends of the pipes and ducts and their relative positions on the wall. I also see a collection of rectangular shapes throughout the frame: the lighter area of wall behind the figure, the doors in the lower center, the small window above the doors, the three upper windows, and the sections of wall between them. Then there are a bunch of horizontal components: the large lighter band across the upper center, the very small patterns of the siding, the sequence of upper story windows against siding, the lower edge of the siding. And within these separate layers of order there are things that don’t quite fit. The man of course, wearing black and in motion with one foot suspended in mid-step, but also the trash can in front of him – also black, the bits of conduit running in odd directions, the small section of pipe in front of the door, and the concrete sidewalk steps.

Of course, you are free to see a picture of some guy walking down the steps…

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Peter Macchiarini Steps

Peter Macchiarini Steps
Peter Macchiarini Steps

Peter Macchiarini Steps. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of the Peter Macchiarini Steps, Kearny and Broadway, San Francisco.

I finally decided to look up the name “Peter Macchiarini” and see who he is and why these steps bear his name. I like this description:

“San Francisco has a history of naming its ugliest streets for famous people. Alice B. Toklas Lane is a scary alley that hosts drug dealers and hookers, Caesar Chavez Avenue is a run down street that primarily serves as a freeway onramp, and the Peter Macchiarini Steps are weather worn stairs fronting a decaying street.”

I’m unfamiliar with his output, but he is described as a well-known jeweler, sculpture, (and in one reference photographer) who is “known for his depiction of Emperor Norton.” (Emperor Norton is yet another San Francisco historical character – the place is joyously rich with them.) Rather than letting this become a history lecture, I’ll suggest a search on his name to find out more.

This photograph largely confirms the description in the above paragraph. This street is so steep that a normal sidewalk would probably not be very safe, so steps were installed instead. And the steps do front some pretty worn and dilapidated structures – though perhaps not so awful as they might appear, given that this sort of wooden construction is quite common in San Francisco and actually a good part of the City’s charm.

To some extent, this is one in a series of “f/8 and be there” photographs using my take on street photography. It was shot at, yes, f/8 using a 50mm prime. I probably most often shoot zooms even when I shoot street, since their flexibility is often very useful. But sometimes I do like to go out with just a 50mm lens and keep things simple.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Il Trovatore

Il Trovatore
Il Trovatore

Il Trovatore. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Two women near Il Trovatore, corner of Kearny and Broadway, San Francisco.

This is a simple (or maybe not so simple) street scene at the corner of Kearny and Broadway in San Francisco. I had wandered into this area on one of my street photography shoots in The City, on which I generally walk somewhat randomly through various parts of the town and shoot whatever catches my fancy.

I had just finished shooting the “Macchiarini Steps,” which are visible at the lower right. These very steep steps constitute the “sidewalk” on this short street, which is too steep for a normal sidewalk. I had first shot from Broadway, aiming up this hill, then decided to walk up the hill itself and shoot the steeps against the background of some rather dilapidated buildings. I managed to incorporate people into some of those shots using a technique that I often employ when shooting in the city: I treat the scene like a landscape and find a composition that seems to work, and then I wait for the right people to wander into the scene.

Eventually I walked back down this street and saw this juxtaposition of brick walls, red and green poles, the green and white colors of the upper-story “Il Trovatore” (which I assume is an Italian restaurant) and the more distant buildings with their faded colors against an overcast sky. I also liked the fact the very steep stairs ended up being parallel to the bottom of the frame. In addition to all that, this is also about colors: the red jacket on the woman crossing the street, the very red lamp post on the sidewalk, the red of the brick buildings; green colors of the chalk board, the restaurant, and the street sign; and then the odd bits of yellow on the sidewalk and the street.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Golden Eagle Hotel

Golden Eagle Hotel
Golden Eagle Hotel

Golden Eagle Hotel. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Man sitting on steps in front of tattoo parlor below the Golden Eagle Hotel, San Francisco.

Last summer, on one of my “walking shoots” in San Francisco, I wandered into a less-than-lovely area of The City – though it has its points of visual interest, for sure. I named this photograph after the Golden Eagle Hotel at least partly because I assume that the dilapidated green apartment building above the colorful (in many senses) shops at street level comprise the “hotel.” Another reason is that I wasn’t sure I wanted to title a photograph “Tattoo” or “Naughty Laundry!” (I don’t know what the “Naughty Laundry” place is, and I probably am better of keeping it that way! :-)

In a sense, every photograph I make is “about” something, though often they are simply about the qualities of the subject or subjects themselves. You could certainly look at this image that way. I was certainly intrigued by the juxtaposition of the very colorful and closely packed shops and the very drab apartments above. The building itself, which may have seen better days, is interesting to me architecturally. What is with the little round windows, with their thick frames, between the conventional rectangular windows? And despite having some interesting San Francisco qualities, the building is terribly run down. A close look reveals peeling paint, wires running here and there, painted over spots of what might have been graffiti, and so forth.

Then there is that guy sitting on the step of “Goldfield’s Original Broadway Tattoo Studio.” There are no other people in the scene, and my recollection is that there really weren’t many people around. He sits, face downward and headphones on, apparently completely engrossed in whatever technology he holds in his hand, and apparently also completely disassociated from his environment. You can find a lot of people like this today.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.