Tag Archives: brooklyn

A Selfie

A Selfie
A group of tourists captures a selfie on the run

A Selfie. New York City. December 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of tourists captures a selfie on the run

A free hour or a bit more, so we took a quick walk out on the Brooklyn Bridge on a cold and windy day that was trying to rain — to join the surprising number of other people with just the same illogical idea. This bridge is a great place from which to watch many things: boats on the east river, the buildings of Lower Manhattan, the Brooklyn waterfront, the bridge itself and, of course, the people walking past by the hundreds or thousands.

The people provide a lot of photographic possibilities, but those possibilities come and go quickly. Our of an amorphous crowd so thick that I can’t see ten feet ahead of me, an interesting subject might suddenly appear. Of someone might do something surprising and interesting, but only for a brief moment. And then there are the selfies… It is no news that they have become a “thing.” The camera/phone is held at a high angle pointing down, and the subjects’ faces are almost invariably tilted up. Participants in the ritual usually lean their heads together and tilt them to one side. And then there is that smile — I wonder sometimes what it is supposed to be: a bit edgy/wry and highly posed. A moment before this group was simply walking towards me like all the other groups, but suddenly a phone came out, the arm went up, the heads turned, and there it was.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Graffiti Covered Wall

Graffiti Covered Wall
A small portion of a colorful graffiti covered wall, Brooklyn

Graffiti Covered Wall. Brooklyn, New York. December 21, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small portion of a colorful graffiti covered wall, Brooklyn

I used to have a firm policy of virtually never photographing graffiti, and when I couldn’t avoid it I would remove or modify it in post so as to not be part of the sharing that might encourage the sort of graffiti that is really simple vandalism. I still avoid photographing simple “tags” in most cases, especially when they offer little more than the evidence that some anonymous person wrote on a wall. I also have this nagging feeling that photographing graffiti-ridden cityscapes can too easily become a street photography cliché.

However, I’ve become more open to the idea of finding and photographing the accumulative juxtapositions of layers of drawing, painting, posters, and weathering that show up on some urban walls. That’s my way of explaining why I stopped to photograph this Brooklyn wall, moving in close to find compositions among the colors, lines, and shapes that have built up over time and which have been revealed as time has weathered away later layers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Little Monsters on the Bridge

Little Monsters on the Bridge
Little monsters on the bridge

Little Monsters on the Bridge. New York City. December 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Little monsters on the bridge

If you wander about in New York City with your eyes open, who knows what you might see? We had an extra hour or so, and since we had been staying nearby for about a week and were only a short walk away, we decided to make a quick amble out onto the Brooklyn Bridge, even though it was cold and raw and trying to rain. The bridge, of course, was crowded with walkers, even in this uncomfortable winter weather. That meant that there were lots of opportunities of people watching and people photographing.

Most people go by so fast that only a quick photograph works, especially when crowds obstruct the view past the closest figures. Oddly, at this spot in the bridge the foot traffic seems to momentarily thin and break, and I could see this small group — perhaps a father and sons? — posing for a rather unusual Brooklyn Bridge photograph. Each of the kids was in a costume and mask of some sort, and the juxtaposition of these “little monsters” with the bridge was a surprise.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lower Manhattan, Bridge Cables

Lower Manhattan, Bridge Cables
Lower Manhattan as seen from the Brooklyn Bridge

Lower Manhattan, Bridge Cables. New York City. December 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Lower Manhattan as seen from the Brooklyn Bridge

In late December 2015 we spent a week in New York, staying in Brooklyn very close to the Bridge. For most of the week we mostly didn’t pay a lot of attention to this landmark, but near the end of our visit we had some time to kill one morning before meeting our sons in Manhattan, so we decided to take the famous walk out onto the bridge. It was a fairly cold morning, threatening rain, so the scene had a wintry appearance. That didn’t stop the crowds though, and we shared the bridge with lots of other walkers.

Photographing from the bridge I made a conscious decision to not make “that photograph” of the cables leading up to the towers. Instead I looked to subjects that included the cables and other elements of the bridge structure either as the primary subject or as part of the setting for other subjects. I decided to “play” a bit in post with this photograph. One way to stretch post-processing skills is to think about how to replicate effects that we see in the work of other photographers. This isn’t about imitating them — it is about trying to broaden one’s skills as a photographer. In this case, I went towards (but not all the way to) a kind of processing that I see in some currently popular urban and architectural photography… and I learned a few things by doing so.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.