Tag Archives: brown

Trail of Boulders

Trail of Boulders
Afternoon light on early autumn vegetation in the Eastern Sierra, and a trail of boulders crossing a meadow

Trail of Boulders. © Copyright 2018 G Dan Mitchell – all rights reserved.

Afternoon light on early autumn vegetation in the Eastern Sierra, and a trail of boulders crossing a meadow

This became a familiar bit of terrain during our weeklong (plus a bit) photography visit to an Eastern Sierra backcountry area last September. Our routine is to establish a base camp, photograph in the immediate vicinity, and then start working outward to photograph areas a bit further away. The area through which this trail passed became a favorite, and we walked this route many times.

There is a lot to observe in this scene. Perhaps one of the first obvious features is the trail of boulders crossing the meadow. Sierra Nevada backcountry travels might be struck by something about this — most meadow trails are either deep ruts, dug out by many hikers and animals, or they have been moved out of the meadows and onto tougher terrain. The extensive use of boulders here is unusual. (I wonder if it a good thing for avoiding the scarring of the typical deeply grooved trail, or if it might have been better to re-route.) Note the open quality of the forested terrain here — it is typical of the high country not far below the tree line. The trail is heading off towards higher country and, in fact, the trail runs out only yards beyond this point. Above that is a headwall and huge talus slopes which can be climbed, but only by those willing to travel cross-country. Finally, the peaks that lie dead ahead are on the Sierra Nevada crest itself.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Ferns, Tree, and Gully

Autumn Ferns, Tree, and Gully
Boulders, autumn ferns and a small tree line a Yosemite back country granite gully

Autumn Ferns, Tree, and Gully. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Boulders, autumn ferns and a small tree line a Yosemite back country granite gully

For me, intimate scenes like this one define the Sierra Nevada experience at least as much as do alpine ridges and grand scenery. While those subjects are highlights, the feeling of smooth granite, stepping across half-buried rocks and through grasses, finding my way up or down a gully are the core experiences of the place. I wonder if I’m the only person who, when he starts thinking about the sensor experience of the Sierra, mostly recalls these things, along with the sound of gravel beneath boots, echoing off of the rock walls, water flowing in creeks, wind in trees and always the light.

This little spot is probably not one that would get the attention of too many people, unless perhaps they spent a week camped a few minutes from such a gully, crossed it daily on travels around a lake, and often paused to look up and eventually decided to explore a bit. A first glance told me that there was a gully. Another look and I began to see the colors of the rocks and their curve. Returning a few more times I noticed the little spruce tree and the ferns growing among the rocks. And after a week this spot become one more piece of the Sierra as I know it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pelican, Reflection

Pelican, Reflection
A pelican skims above the ocean along California’s Central Coast

Pelican, Reflection. Point Lobos State Reserve, California. September 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A pelican skims above the ocean along California’s Central Coast

The brown pelicans are almost certainly my favorite California shore birds, and I photograph them often enough that I think I understand some of their habits and know when and where I’m likely to find them. (On the other hand, I have to admit to being completely unaware that we also have white pelicans until just a few years ago!) When I photograph them I often look for several specific kinds of opportunities — their incredibly low flight as they skim in groups right above the way, close passes in front of me as they ride thermals along the top edges of coastal bluffs, and their approach as they pass over peninsulas extending from the shoreline.

Seeing pelicans on this morning was a little bit of a surprise since I had not seen or photographed them much recently. I went to Point Lobos after hearing that humpback whales had been spotted close to shore, so I went right to the top of a high bluff where I could survey a big area of coastal waters. (My “whale hunt” was more than amply rewarded when groups of the whales appeared very close to the shore and engaged in bubble feeding behavior.) I wasn’t looking for pelicans, but when a few passed down below along the water’s surface I tracked them. This one flew over a small area of relatively smooth water, the surface of which reflected the mixed fog and blue sky along with the distorted shape of the bird’s shadow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shipyard Hoist

Shipyard Hoist
Night photograph of an industrial hoist at the Mare Island Naval Shipyard

Shipyard Hoist. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of an industrial hoist at the Mare Island Naval Shipyard

Night photograph from the historic Mare Island Naval Ship Yard are something of a long-standing photographic theme for me. Over a decade ago I first went there to try out night photography at an event sponsored by The Nocturnes, and I was immediately hooked on the place and on night photography. Since that time I have returned to Mare Island several times every year, each time discovering something new to see and photograph.

This time I joined other photographers as part of a Nocturnes Alumni event that is part historical investigation, part social, and (a big) part night photography. On this evening I began by searching out some non-iconic subjects (some of which I’ll share later) in odd, out-of-the-way corners of the place. Eventually, though, I walked back toward the familiar central area near the huge dry docks, where I found that one of these huge ship yard hoists had been moved out of its typical position at the water’s edge behind security fences. This meant that I could photograph from right underneath it, shooting almost straight up, and positioning myself so that it would be illuminated by ship yard lighting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.