Tag Archives: brush

Autumn Color, Escalante River

Autumn Color, Escalante River - Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah
Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah

Autumn Color, Escalante River. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah

This is another photograph made on our second attempt to photograph this area during the last half of October, 2012. The first time had been a day that was a beautiful one in many ways, but a photographically problematic one in others – with cold, very strong winds, clouds, and even a bit of rain. So nearly a week later we found ourselves back in the same general area and we decided to give it another try. This turned out to be a good decision, as all of those factors that had impeded photography the first time were now gone, and we had beautiful light, good fall colors, almost no wind.

There are many things that appeal to me about photographing in this kind of country. The rock itself is high on the list, for its range of intense colors along with the fact that it is the source of the many beautiful and compelling canyons that are found here. The fall foliage is another factor. After my Sierra Nevada colors have mostly gone (at least on the east side where the aspens grow) the low elevation colors of oak, maple, box elder, and cottonwood reach their peak. Other plants produce their own unique and sometimes subtle effects – such as the widely varied coloration of the tamarisk plants, which can include everything from black and gray through blue to yellow, red, and even purple. But above all is the quality of the light in these places, especially when it bounces down from high rock faces to light the depths of narrow canyons, taking on the coloration of the higher rocks, softening the lighting below, and often producing a glowing effect that must be seen to be believed. The light in this photograph is such light, reflected from a very large and sun-lit face to the left of my camera position.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Base of the Organ, Morning

Base of the Organ, Morning - Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon
Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon

Base of the Organ, Morning. Zion National Park, Utah. October 30, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon

During three visits to Zion National Park and Zion Canyon during the past year, the area around “Big Bend” in the canyon has become a bit of a fixation for me. There is a lot to see and photograph here, and the lighting changes a lot during the course of the day. The bend in the canyon creates a sort of closed-in effect, and it is possible to focus both on the very small features and on the very large, including the canyon walls and more distant examples of vegetation climbing up the cliff walls.

Two major features make an appearance in this photograph. The near, darker columns are the base of a feature called “The Organ” that sits near the apex of the horseshoe bend that the canyon makes here as the Virgin River goes downstream. Beyond that are the huge walls of “The Great White Throne,” a towering feature in this portion of the canyon whose color is lighter than that of some of the other reddish rock cliffs nearby. I made this photograph fairly early in the morning before any direct sunlight had begun to affect the scene and when a certain amount of haze was still in the air. The foliage at the base of The Organ is just beginning to show the tiniest bit of autumn color, but higher on the cliffs of The Great White Throne there are trees that are well along on this transition.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Kolob Canyon, Morning

“Kolob Canyon, Morning” — Morning light slants over the top of sandstone cliffs above early autumn foliage in Kolob Canyon, Zion National Park

I finally made it into the Kolob Canyon area of Zion National Park this October. From what I can tell, this area is much less frequently visited than the more popular and accessible Zion Canyon area. It seems to me that the park service sort of wants it this way, which makes sense to me. There is almost no formal development of this portion of the park aside from a very modest visitor center near the entrance. Along the dead-end road into this portion of the park, you find little besides a few turn-outs and parking lots at some trailheads. In addition, the entrance to this section of the park requires a significant drive from the most popular lodging areas in places like Springdale.

We arrived on a very cold early autumn morning when many trees and bushes were just beginning the fall color changes. In most places things were still very green, but here and there it was possible to find some nice displays of color. Near the location of this photograph the road made a sort of horseshoe bend across the lower portion of the canyon, and I spotted a lot of things that seemed to be photo-worthy to me: the early morning sun light beams slanting through morning haze across the upper section of the canyon, the dry waterfall at its furthest-back point, the always-beautiful red rock cliffs, and the colorful foliage beginning to appear in the canyon.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Autumn Foliage and Sandstone

Autumn Foliage and Sandstone, Utah
“Autumn Foliage and Sandstone” — A bush with a few remaining autumn leaves in front of an s-shaped crack in a sandstone wall

At the suggestion of another photographer, near the end of our trip we decided to investigate the canyon in which I photographed this tree. The canyon begins in an inauspicious manner, in a shallow wash at the bottom of a slight canyon – the sort of place you could easily drive through and not particularly notice it. There is no sign to mark the route. Following the wash downstream across the flats, another wash joins from the right and soon the sandy bottom becomes rocky as the route meets the top of a sandstone layer. This layer gradually tilts higher and begins to form low walls, and almost before you know it you are inside the beginning of the canyon. A very narrow slot with a large drop-off interrupts the passage and the route detours around it before dropping back into the bottom of the canyon.

Before long, and almost before you know it, the sandstone walls of the canyon become hundreds of feet tall and even begin to overhang the canyon in places, and it is now clear that you have entered the alternate and isolated universe of a deep canyon. At first the canyon is rather barren, but after some distance there are more trees as the route turns and twists downward. As always, surprises appear continually. In this case of this photograph, a simple little bush happened to appear in front of an s-curve marking the edge of a joint in the sandstone where rock had fallen away, and the light reflected among the canyon walls colored the sandstone red.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.