Tag Archives: building

Paint Line

Paint Line
“Paint Line” — The boundary between two different approaches to painting one building, Lisbon.

I spotted this little architectural oddity somewhere near the St. George Castle in Lisbon, high up in the hills. This is a single wall – it is all the same building. I can only assume that the building is divided into two or more residences and that those who live there have very different ideas about paint! Both are pretty striking. Purple isn’t quite a typical building color, and the worn, layered, and textured quality of the right side is about as different as I can imagine.

Little scenes like this are among those that I’m always looking for when traveling — interesting shapes, architecture, color, texture, and items that reflect that particular place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Woman in Sunshine

Womn in Sunshine
“Woman in Sunshine” — A woman looks upwards in the sunshine, Lisbon.

I made this photograph on our first foray in Lisbon during our visit this past May. If I recall correctly, after arriving late the previous night, we were up (and quite jet-lagged) and out the door to walk some of the surrounding streets. We joined the crowd and made our way down to the popular Praça do Comércio square.

I made this photograph quickly, since photographing such subjects happens in real time — there’s little opportunity to stop and carefully consider. There’s an element of serendipity in such photographs. The right person has to be in the right place and light at the right time, I have to be there, I have to look the right direction, and I have to react quickly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Monastery of São Vicente de Fora

Monastery of São Vicente de Fora
“Monastery of São Vicente de Fora” — The Monastery of São Vicente de Fora rises above Alfama, Lisbon.

Unfortunately we did not actually get to the Monastery of São Vicente de Fora during our Lisbon visit — we were merely tempted by the sight of the impressive architecture on this ridge above Alfama in Lisbon. As is our practice, we headed out for a walk on this day, a walk that followed only the most general plan. We knew we wanted to get to visit Alfama, but beyond that we would just wander. Eventually — and, I suppose, inevitably — we arrived at Portas do Solwhich presented this view.

The buildings of Alfama are tightly packed and separated by very narrow streets, many of which would not accommodate vehicle traffic. A small section of such buildings is in the foreground in this photograph, temporarily shaded by the passing clouds. The Monastery dominates the view, as it sits on the hilltop above the district — and at this moment it was in the sunshine.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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James Grain Co.

James Grain Co., San Jose
“James Grain Co.” — The worn facade of a repurposed old light industrial building, San Jose.

I am a fan of these old industrial buildings with the corrugated metal walls. I see them all over California in older areas including military bases, factories, agriculture facilities, and more. Most seem to date to a least the mid-20th Century. Some are still in use, by original or successor occupants, while quite a few appear to be abandoned. This is one of many that I pass on long walks.

I’m fascinated by what old surfaces record, from streets in Europe where street art is constantly wearing out and being overlaid with new work, to old buildings that often give hints about their former use. From the looks of it, “James Grain Co,” may have come along a bit later than “Purina Chows,” and who knows what the words say below that. A close look also reveals some fascinating coloration from old paint and decay, ranging from blues to yellow/orange to red.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)