Tag Archives: building

Republica dos Kagados

Republica dos Kagados
“Republica dos Kagados” — The well-worn front of a building in Coimbra, Portugal.

During our travels this past May (and early June) we spent several weeks in Portugal. We returned to Lisbon and Porto, but we also visited some new (to us) places, one of which was the town of Coimbra. It isn’t the same kind of tourist center as the other two, larger cities — tourists (like us) do visit, but Coimbra perhaps has a few more rough edges. That’s part of its charm.

The popular part of the town, it seems to us, lies between the river and the University, which is perched on top of the tallest hill. (If you walk in Coimbra — and you should — be prepared to do some climbing!) I do not know exactly what this building represents, but its weathered appearance, numerous posters and bits of graffiti, and name caught my attention. (Update: I did find some information on Republica dos Kagados — it is apparently some sort of historic student housing.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Paint Line

Paint Line
“Paint Line” — The boundary between two different approaches to painting one building, Lisbon.

I spotted this little architectural oddity somewhere near the St. George Castle in Lisbon, high up in the hills. This is a single wall – it is all the same building. I can only assume that the building is divided into two or more residences and that those who live there have very different ideas about paint! Both are pretty striking. Purple isn’t quite a typical building color, and the worn, layered, and textured quality of the right side is about as different as I can imagine.

Little scenes like this are among those that I’m always looking for when traveling — interesting shapes, architecture, color, texture, and items that reflect that particular place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Woman in Sunshine

Womn in Sunshine
“Woman in Sunshine” — A woman looks upwards in the sunshine, Lisbon.

I made this photograph on our first foray in Lisbon during our visit this past May. If I recall correctly, after arriving late the previous night, we were up (and quite jet-lagged) and out the door to walk some of the surrounding streets. We joined the crowd and made our way down to the popular Praça do Comércio square.

I made this photograph quickly, since photographing such subjects happens in real time — there’s little opportunity to stop and carefully consider. There’s an element of serendipity in such photographs. The right person has to be in the right place and light at the right time, I have to be there, I have to look the right direction, and I have to react quickly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Monastery of São Vicente de Fora

Monastery of São Vicente de Fora
“Monastery of São Vicente de Fora” — The Monastery of São Vicente de Fora rises above Alfama, Lisbon.

Unfortunately we did not actually get to the Monastery of São Vicente de Fora during our Lisbon visit — we were merely tempted by the sight of the impressive architecture on this ridge above Alfama in Lisbon. As is our practice, we headed out for a walk on this day, a walk that followed only the most general plan. We knew we wanted to get to visit Alfama, but beyond that we would just wander. Eventually — and, I suppose, inevitably — we arrived at Portas do Solwhich presented this view.

The buildings of Alfama are tightly packed and separated by very narrow streets, many of which would not accommodate vehicle traffic. A small section of such buildings is in the foreground in this photograph, temporarily shaded by the passing clouds. The Monastery dominates the view, as it sits on the hilltop above the district — and at this moment it was in the sunshine.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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