Tag Archives: buildings

Easy Joe’s

Easy Joe's
Street scene with pedestrians, Seattle

Easy Joe’s. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Street scene with pedestrians, Seattle

Today I’m going to insert one more street photograph into what has largely been a recent stream of natural world photographs. (I suppose that focus should not be a surprise during the fall season!) Back in September I was in the Seattle area of several days, mostly on non-photographic business, but I managed to get out and spend some time photographing, too. One day I made it to the North Cascades for a bit of landscape photography, and on another I sneaked out for a few hours of street photography.

I actually have no idea what Easy Joe’s is (or who Easy Joe is or was), but since the text appears in the scene I am going with it. For some reason, this photograph feels like Seattle to me — something about the architecture, perhaps, or the light or possibly I just recognize the downtown location. It also presented a sort of urban geometry that I enjoy, with tons of vertical and horizontal forms, but broken up by the passage of a compact group of pedestrians.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Beecher’s

Beecher's
Seattle street scene

Beecher’s. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Seattle street scene

I made this photograph on a recent visit of several days to the Seattle, Washington area. Much of this visit was not photographically oriented, but I did have a couple of days that I could devote to photography. Seattle has a particular character that I enjoy — to generalize, it is partly about the light and weather, partly about the nature of the city itself, and partly about the people. The light is softer and lower angled than what I’m used to in California. The “nature” of the city is a bit hard to explain — though it has both the woodsy quality of being built-in forest as another quality that is shared with San Francisco and its older buildings. There is something, again to generalize, about the people as well. Perhaps more beards and more informal and slightly outdoorsy clothing?

I made this photograph in the Pike Place area, and I just happened to notice the little tableau of people, buildings, and colorful bicycles and other elements as I walked by. If the photograph is about anything, that anything might include the contrasting square shapes of the building and the angled lines of the road and sidewalk, plus something about the positioning of the people. It is also about color, from the yellow line to the colorful elements sprinkled throughout the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Passing Car

Passing Car
A car speeds past, Manhattan

Passing Car. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A car speeds past, Manhattan

There is perhaps not a whole lot to write about this photograph, but here goes. My initial thought was of a photograph that included only buildings and street, with the perspective lines heading away to converge at the lighter towers in the distant center of the frame. I hoped that the pedestrians might be in the center or near two it as they passed by in the cross walk.

But photographing such a scene in any city, and perhaps especially in Manhattan, is a tricky thing. Obvious, I had to be in the street myself, which meant that I was crossing on the green light and pausing just long enough to make a photograph or two. This meant that I did not have much time to wait for the perfect conjunction of moving elements and… there was this car.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Courtyard, The Louvre

Courtyard, The Louvre
A mask and the feet of a statue overlook the main courtyard at the Louvre, Paris

Courtyard, The Louvre. Paris, France. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A mask and the feet of a statue overlook the main courtyard at the Louvre, Paris

This photograph intends to combine views of the grand and the intimate scale of the Louvre, Paris. We spent about a week there in the summer of 2016 — one stop on a five-week trip that took us to New York City, London, Paris, Heidelberg, and areas of Italy including Chianti, Florence, Siena, and Bologna. (For those who wonder, no, this was not an organized tour. We were mostly on our own, though we met up with family members at various points.)

In Paris we spent a lot of time just wandering (and eating, but that’s another story), but we also made a point of visiting a few iconic locations. We had a day at the Louvre, which anyone who has been there knows is not remotely enough time to “see the place.” We managed on wing of one floor of one building, plus some shorter visits to a few other areas. I made this photograph when we stopped for a bite to eat and sat outside above the courtyard. This spot allowed me to photograph very close to a few of the statues that line the ledge along the upper floors facing the inner courtyard.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.