Tag Archives: california

Forest, Fog, Soft Light

Forest, Fog, Soft Light
“Forest, Fog, Soft Light” — Soft morning light filtered through coastal fog on a forested hillside near the California coast.

It isn’t news that California and the West have been suffering under an extreme and long-lasting heat wave. Here in the San Francisco Bay Area it has been bad — though clearly it is much worse in other locations. This week I finally had enough, and I drove over the hills to the coast early in the morning to seek out fog. I found it! In fact, it was so thick on the coast (where the temperature was a blessed 55 degrees) that it interfered with my intended photography. So I followed side roads that took me inland to the edge of the fog, where soft light was starting to illuminate the landscape.

By most measures, this is a rather nondescript location. (I actually parked in from of a CalFire Station.) But across the small valley, trees led up the hillside, catching the soft light that was just barely penetrating the fog. There’s an additional detail here: A large wildfire swept through a few years back, denuding the landscape in many places. These trees at the bottom of the valley were spared, but you can see skeleton of dead trees on top of the ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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A Storm Approaches

A Storm Approaches
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.

At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.

We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wetlands, Winter Clouds and Fog

Wetlands, Winter Clouds and Fog
“Wetlands, Winter Clouds and Fog” — Winter clouds and fog mute the colors and details of a wetland landscape.

Who can resist the symmetry of clouds and their reflections in still water? I know I cannot. I have photographed such things many times, but more typically the photographs feature some kind of overpowering sky — thunderstorms or a brilliantly colorful sunrise or sunset. (In fact, I’ve made a few of the latter at this very location.) But here I wanted to focus on something different, a subject that suggests the quiet and stillness of this wetlands landscape.

It was a foggy winter morning. As the fog began to thin the high clouds and their reflections became visible, although the horizon just beyond the rushes was still obscured by tule fog. Aside from the sounds of birds, it was quiet. The air was nearly still, and the scene was almost static — though to be accurate, it was simply changing very slowly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Ponderosa Pines, Mono Basin

Ponderosa Pines, Mono Basin
“Ponderosa Pines, Mono Basin” — A group of ponderosa pines on slopes leading toward Mono Lake in distant haze.

Mono Lake is a remarkable place. Lying in a relatively high, desert basin, it covers a huge area. It is so big that it is just about impossible to get a solid impression of its vast size. While you can drive past its west side and access a few spots along the north and south shores, much of it is essentially inaccessible, at least without a lot of very difficult travel. Because its level has fluctuated over time, much of the surrounding area has been submerged in the past, and the evidence of this is everywhere.

The lake itself is set in an even larger basin surrounded by mountains — the Sierra to the west and various desert ranges to the north, east, and south. I made this photograph near the base of one of those, the Mono Craters. Here an extensive ponderosa pine forest spills down from the heights and spreads across the shallower slopes of the basin, eventually fading out within sight of the lake. These trees are some of the furthest vanguards of that forest. Beyond you see the final descent the lake, the lake itself, and in the far distance the faint outlines of distant desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.