Tag Archives: california

Five Sandhill Cranes

Five Sandhill Cranes
A chorus of five sandhill cranes in California’s Central Valley.

Five Sandhill Cranes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A chorus of five sandhill cranes in California’s Central Valley.

I have seen a lot of sandhill cranes, but the group behavior seen here was new to me — the entire quintet raising their heads and displaying open beaks. I’m endlessly fascinated by the things that the birds and others do, and I’m often mystified by the purposes of these actions. In fairness, they may also be mystified by people showing up nearby, standing around with large metal and glass objects, and pointing them in their direction.

It is a bit unusual to get very close to sandhill cranes, at least in my experience. They have boundaries, and they are not amenable to having them crossed. I’ve mentioned previously that groups of them flying toward me will almost always divert to one side or the other rather than flying directly over head. When approached — which I always do in a non-aggressive manner, never getting very close — they seem fine up to a point. But once that point is reached, usually while I’m a good distance away, they are clearly uncomfortable with my presence and I don’t get closer. I’ve often had the best luck when photographing from a vehicle, especially when I can approach slowly and silently or, better yet, when I can park and wait for them. That’s what happened here — I was stopped along a rural roadway and they walked parallel to my position, perhaps more securely since my vehicle was on the opposite side of a berm from them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Edge Of The Grove

The Edge Of The Grove
Autumn color at the edge of a grove of white-trunk aspen trees.

The Edge Of The Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn color at the edge of a grove of white-trunk aspen trees.

In a recent post I mentioned that I was almost done with fall color photographs for the year. Maybe. Sort of. But no promises. So here’s another one. This grove is a bit atypical for the Eastern Sierra, where we often see small groves of trees that are twisted and bent, and where continuous groves a tall, straight trees are the exception. I’m not certain why this is the case in “my” mountains, but I suspect it has to do with the rugged and often-rocky landscape, the relatively dry climate in parts of the range, and likely other factors. This grove on the eastern edge of the range abuts sagebrush high desert country, and perhaps the more open terrain allows the trees to get more light than they might receive in a deep valley.

This photograph differs from most that I share in that it is a re-working of a photograph that I shared a few years ago. A photograph is not necessary a finished thing, and a given version represents what and how the photographer saw the image at a particular point in time. We change and our way of seeing changes, and when we look back at earlier work it is common to reimagine how we might interpret the subject. Here the changes are mostly along the lines of “tuning up” the image a bit. There’s a slight tightening of the crop, some differences in how the colorful leaves appear, and some small changes to the foreground and the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Waiting For Transit

Waiting For Transit
People await their ride at a San Francisco light rail station.

Waiting For Transit. © Copyright 2021 G Dan Mitchell – all rights reserved.

People await their ride at a San Francisco light rail station.

Perhaps you already knew that I made this photograph a few years ago — it is in San Francisco, it is at a transit stop… and no one is wearing a mask! You wouldn’t find that combination today. (That’s one reason that the San Francisco Bay Area has among the lowest infection rates in the country, but I digress…) I made the photograph on one of my photography days in San Francisco, which tend to follow a familiar pattern: Up well before dawn, catch a train to the City, arrive around sunrise, spend the morning wandering on foot and photography, then take the train back home my mid-afternoon. San Francisco is a very walkable city, and you can cover a lot of ground there on foot.

Recently I had the pleasure of giving a talk on street photography to a somewhat surprising group, the photography section of the San Diego Chapter of the Sierra Club. That’s not your typical topic for this group, and I was aware that there might be some skeptics. My premise is that doing street photography (and other kinds of not-nature photography) can make you a better photographer, and that the benefits can accrue to your nature photography, too. I can’t recreate the entire talk here, but this photograph embodies a few key ideas. First, it takes advantage of a very local photographic opportunity, so I can photograph even when I can’t travel to lovely, far away, natural places. Second, it treats the street as a kind of urban landscape, occupied by “human wildlife.” In fact, I often construct photographs like this one by first finding the “landscape” and then waiting for passers-by to populate it. Third (and final for now) photographing these local subjects is good “practice” that keeps my ability to see photographically tuned up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Color, Aspens and Brush

Autumn Color, Aspens and Brush
Backlight on a high country brush and a small copse of aspens with fall colors.

Autumn Color, Aspens and Brush. © Copyright 2021 G Dan Mitchell – all rights reserved.

Backlight on a high country brush and a small copse of aspens with fall colors.

There is a good chance that I’m approaching the end of this season’s fall color photographs — though there are still at least a couple in the pipeline. Given that in prior years have managed to hunt down a few remaining examples of autumn leaves in early January, well, there could are more! Here on the West Coast, by starting high in the Sierra in September and continuing into the lowlands as fall ends and winter begins, it is possible to experience a “fall” color season that lasts up to four months!

This scene comes from a location where the color transition begins near the beginning of this period. It is in the Eastern Sierra Nevada, at close to 8000′ elevation, where the semi-arid high desert terrain rises to meet the eastern escarpment of the range. Years ago I did not pay much attention to this zone, preferring instead to head straight to the high country. More recently, at least in part as a result of my fall color photography, I have become fascinated by this region. It is a complex zone, and the boundaries are affected by water, exposure, elevation, and soil conditions. The foreground brush is more typical of the high desert, while we usually tend to think of aspens as belonging to the near-alpine high country.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.