Tag Archives: california

Colorful Pebbles, Layered Sandstone

Colorful Pebbles, Layered Sandstone
Colorful Pebbles, Layered Sandstone

Colorful Pebbles, Layered Sandstone. Point Lobos State Reserve, California. February 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Two colorful pebbles rest on layered shoreline sandstone, Point Reyes Reserve

As I mentioned in an earlier post, when I visit Weston Beach at Point Lobos I often spend some time wandering around near the edge of the water, looking for interesting bits and pieces of “stuff” washed up by the winter surf. The stuff can range from small stones to kelp. Many of the stones are, not surprisingly, well-rounded from being rolled around in the surf. Occasionally a very colorful stone will show up… but here I got lucky and found these two, one deep blue and the other an intense pink-burgundy, sitting side by side in an indentation in the textured and layered shoreline sandstone.

It takes a bit of luck–and some observation–to find such things, but that isn’t quite enough. The light has to be right, too, and that isn’t always a sure thing here. It can be foggy, though that wasn’t the concern on this mid-February winter day. Since we arrived well into the morning hours, it was quite possible that as the sky cleared we would find the light far too harsh. However, luck was with us, and a high, thin layer of clouds moved in and muted the intensity of the light. I framed up this little composition and just waited for subtle changes in the light that would provide a soft shadow that was filled in with soft light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Fog, Dawn

Tree and Fog, Dawn
Tree and Fog, Dawn

Tree and Fog, Dawn. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A solitary tree reflected in the still surface of a San Joaquin Valley pond beneath winter dawn sky

This in another of those photographs that reminds me that much of what happens in a photograph is not subject to planning. We had traveled to the Central Valley to photograph migratory birds and the flat and often atmospheric landscape of this area, and we were anxious to be here since these seasonal conditions are not likely to last a whole lot longer this year. It was crystal clear as we drove into the valley but, not unexpectedly, we began to encounter thick ground fog ten or fifteen minutes before reaching our goal. It was still dark when we arrived, with just a hint of coming light to the east, and soon friends joined us and we started looking for photographic possibilities.

Our friends Michael and Claudia drove ahead as we readied our cameras, and by the time we caught up with them I saw that Michael had left the vehicle and taken off for the edge of a nearby pond, were he was barely visible silhouetted in the fog against the very early light in the sky. I made a “photographer at work” picture of him in this scene (shared here earlier), and only then started to wander that direction of myself. Unless it is the sort of fog that sits heavily and doesn’t move, fog is one of the most ephemeral and transitory atmospheric conditions. It changes continually, becoming thicker and thinner, transmitting more or less light, becoming thinner here and thicker there, and glowing with varying levels and colors of light. When I reached the edge of the water it was thick and glowing with deep pinkish-purple colors of dawn light. I found a composition that included a solitary tree and some foreground reeds and made a few photographs. This one was just a moment later in the series, but by now the fog had thinned slightly to provide a view of higher clouds to the east and the intense colors had become more subtle.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh, Fog, Sunrise

Marsh, Fog, Sunrise
Marsh, Fog, Sunrise

Marsh, Fog, Sunrise. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn sun reflected in the surface of a foggy San Joaquin Valley marsh

On a foggy morning like this one, when the fog is dense but not deep, the atmosphere and light can pass through an astounding series of phases in short order as the day begins. We arrived before sunrise, when it was still almost dark, and when we began to think photographically a few minutes later there was little light in the sky at all. The overall toned were mostly blue, and it was difficult to see any detail. Very soon, as the first real pre-dawn light began to illuminate clouds above the eastern horizon and turn them shades of red and pink, the shallow fog layer began to glow with these reflected colors. We had perhaps five minutes of this luminous color, which at times was almost unbelievably saturated, and then the intensity began to fade and the colors became more subtle. At the same time, the brighter sky overhead became more visible through the fog, and we could begin to more clearly see the higher clouds.

The sun was still below the horizon, even though its light was beginning to strike those higher clouds to the east. At about this time we moved on to a different location with a clearer view directly to the east. Very soon the rising sun began to emerge above the distant Sierra and low clouds, and from our position it rose into a slight clearing in these clouds. The orb of the sun became visible through the dense atmosphere and its direct light soon began to reflect off the surface of the wetland pond in front of us. Shooting straight into the rising sun, I closed down aperture and shortened exposure and made this photograph that, to me, captures the depth of the scene as it moves from the nearby reflections and ripples in the water, across a further line of half-submerged grasses, towards a larger expanse of the pond and then further landscape in fog, to finally rise though slightly glowing back-lit fog toward the sky and the sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer, Fog

Photographer, Fog
Photographer, Fog

Photographer, Fog. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Photographer Michael Frye at work in early morning tule fog, San Joaquin Valley

A small group of us met up on this mid-February morning to photograph migratory birds, winter fog, and the San Joaquin Valley landscape. We came from different directions, beginning our travels well before dawn so that we could meet here before sunrise. We met shortly after 6:00, exchanged greetings in the pre-dawn dark, and then got ready to shoot. I lagged behind a bit while getting gear ready, and our friends Michael and Claudia started off down the gravel road before Patty and I did. Very soon were ready to follow, and in moments we found their car parked near a grassy area.

The fog was dense but also very shallow – nearly ideal for photography since it blanketed everything in a mysterious layer but still allowed the colors of the developing dawn sky to penetrate right down to ground level and make the fog layer glow with luminous color. Michael must have seen this coming, and he was already across a grassy area and at the edge of a pond when I arrived, and he was barely visible through the fog. My first thought was to “work” this solitary tree as my primary subject as the light came up, but first I thought I’d grab a photograph of him silhouetted against the foggy landscape. I made this photograph and then walked to the edge of the pond and made my own series of photographs of the tree, the water, and the foggy atmosphere as the light passed through a range of colors that the eventually revealed higher clouds lit by the dawn sunlight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.