Tag Archives: california

Community, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Mt. Dana, Sunset Clouds

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Mt. Dana, Sunset Clouds
“Mt. Dana, Sunset Clouds” — Clouds glow in the final sunset light above Mt. Dana.

There is a special autumn feeling in the Sierra high country that I love. It is hard to describe, and it may be the sum of a variety of seasonal features. Summer is a time of wild abundance as the plants (and the mosquitos!) take advantage of the short growing season. Within a couple of months it comes to an end and things go dormant in preparation for the coming winter. There are fewer human visitors, too — though sadly it isn’t quite as deserted as it used to be. The intense light of summer is gone, replaced by softer, golden, and often hazy light.

This was one of those evenings. I was traveling through the Yosemite high country between Tioga Pass and Tuolumne Meadows, and the place was nearly deserted. Clouds low enough to obscure peaks were drifting about, and the last sunlight turned the west edge of the cloud bank bright red/orange. I stopped here, made a few photographs, and watched as the color faded from the sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Autumn Berry Plants

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Autumn Berry Plants
“Autumn Berry Plants” — A vining berry plant with autumn colors, Eastern Sierra Nevada.

This is a sort of accidental photograph. I had stopped along an Eastern Sierra road to photograph a grove of autumn aspen trees that were in soft light, shaded by a nearby hill. The subject initially looked promising — colorful trees, nice light, a creek flowing nearby. However, despite wandering slowly for some time I could not find an aspen subject that interested me. (Oddly, this happens sometimes with aspen trees — they can look great from a distance, but once I’m up close it can be very challenging to find interesting compositions.)

In any case, giving up on aspens I started looking around for other subjects. As I walked out of the grove and was ready to depart, I saw these berry vines growing close to the ground and winding around the trunks of trees. Taking care to avoid the thorns — yes, I’ve been “bitten” before — I moved in close and worked with the interesting colors and textures of the leaves in the soft light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Mono Lake Basin, Photographs: Nature

Morning Haze, Mono Lake

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Morning Haze, Mono Lake
“Morning Haze, Mono Lake” — Morning haze mutes details of distant desert mountains beyond Mono Lake.

A photograph can be viewed in more than one way. The default is to regard it as an objective record of the subject — a “capture” of what was there when the exposure was made. But photographs are not really objectively accurate, and it might be better to think of them as expressions of how the photographer views and wants you to view the subject. This takes us to yet another possibility — that beyond the literal content of the photograph, we can also view it as a sort of abstraction, a composition of shapes and colors and densities, and textures. In the end, it can be all of these at once, and more.

I made this photograph of Mono Lake on an early fall morning, not at dawn but early enough that the harsher daytime light wasn’t there. It was hazy, which is quite common at this time of year, in part because this is wildfire season. Consequently the details of the scene are muted. Some of the impressions that I associate with Mono Lake include deep quiet and stillness (well, except when the wind kicks up!) and immense space — the vast size of the lake itself and then the even more distant surrounding terrain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Nature, Photographs: Sierra Nevada

Gully, Morning Light

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Gully, Morning Light
“Gully, Morning Light” — A gully with a dusting of autumn snow is reddish in early morning light, Eastern Sierra Nevada.

While camped in the Sierra near the eastern border of Yosemite National Park during the early fall season, I decided to head down to Lee Vining and then turn south. My plan was to do some early morning photography along the base of the Sierra where the mountains begin to rise toward the crest and the boundary of the park. I made this photograph shortly after sunrise as the morning light worked its way down the escarpment.

The intense coloration of the rocky face is from a combination of warm colored rocks and very warm colored morning light. With the exception of a permanent snow field near the top edge, the rest of the white stuff in the photograph came from an early storm that had passed through the area the day before, leaving the sort of dusting that reminds us that winter is coming.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.