Tag Archives: canyon

Sandstone Columns

Sandstone Columns
Columns on eroded sandstone, Zion National Park.

Sandstone Columns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Columns on eroded sandstone, Zion National Park.

While the entirely of the Utah landscape (and similar landscapes in the American Southwest) is compelling, for me the main defining feature always seems to be the red sandstone formations. Yes, I know there are other geological wonders, but in so many cases I see those relative to the massive layers of sandstone. Those lovely white strata? Much more powerful juxtaposed with the red sandstone? The beautiful forests? That red is a powerful complement to their color. And on it goes.

So it shouldn’t be surprising that my photographs of the regions from time to time distill down to photographs of that rock itself. It is a remarkable material. Sometimes it is fractured and broken, but it can also appear to be as smooth and unbroken as butter. We say it is “red,” but the truth is much more complicated, and the light affects our perception of its color a great deal. I photographed this small section of a Zion Canyon wall from below using a long focal length that allowed me to constrain the view to a few columns in the diffused and reflected light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Streamside Trees, Red Rock Cliff

Streamside Trees, Red Rock Cliff
Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

Streamside Trees, Red Rock Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

Narrowleaf cottonwood trees with a few autumn leaves beneath sandstone cliff along the Virgin River, Zion National Park.

The trees along the Virgin River in Zion National Park are a big attraction for me, especially as the autumn color transition begins. There is quite a variety of these trees, ranging from conifers to deciduous trees, from small to large, in locations ranging from open flats to ledges far up on the red rock cliffs and on the more open highlands far above. Landscape photographer friends like to joke that we just make pictures of “rocks, water, and trees” — and all of those play a big part in this landscape.

This little mini-grove lies a bit off to the side from a popular and busy Zion Canyon trail. Working in such a canyon, with its shade and diffused, soft light, is very appealing to me, and the contrasts between green foliage and red rock make it even better. These trees grow in one of the many bends in the canyon as it winds back and forth, and the sandstone cliffs form a sort of wide alcove here. The Virgin River — at a fairly low rate of flow — runs past in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tree and Shadow’s Edge

Tree and Shadow's Edge
A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Tree and Shadow’s Edge. © Copyright 2021 G Dan Mitchell – all rights reserved.

A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Sometimes (oh, heck, often) photographs come about in somewhat unsuspected ways, and this is such a photograph. In October we were in Southern Utah and we had previously spent a day photographing in Zion Canyon. The general plan on this day was to photograph along Mt. Carmel Highway in the morning (which we did), grab some coffee and food beyond the park, and then, well, we weren’t quite sure. The day evolved organically and we ended up on some interesting Utah backroads crossing some surprisingly snowy highland before we eventually ended up in Cedar City. We gassed up the vehicle and realized that we had time for a quick side trip into Kolob Canyon on our way back toward our eventual destination.

I’ve been in the less-visited and less-developed section of Zion National Park several times. In addition to being a jumping off point for lots of interesting trails, it presents some landscapes opportunities that are quite different from those of the more familiar Zion Canyon. I’ve usually been there earlier in the day, so it was fascinating to observe the place in late-day light. Much of this landscape is huge, even “epic” in scale, but as I scanned it I started to see smaller vignettes that seemed interesting. In particular, I noticed that this shadow was moving from left to right and gradually lighting the prominent tree in the center of the scene, casting its shadow on the brightly-lit sandstone behind it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Owens Valley Trees, Sierra Nevada, Evening

Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.