Tag Archives: cathedral

River Thames, London

River Thames, London
“River Thames, London” — Barges pass on the River Thames near Blackfriars Bridge, London.

The photograph shows a fairly familiar view of the Thames and central London. There is a little story behind it though. We travel a fair amount — not extreme, perhaps, but we do get around. But when I get to a new city I often “set” my mental compass incorrectly, and it is very hard to break this “setting.” (After decades of visiting Yosemite’s Tuolumne Meadows, I’m STILL ninety degrees off!) The first time we visited London I more or less reversed north and south, believe it or not — and consequently I still have to perform mental gymnastics to account for this. And, yes, this is all leading to how I came to make this photograph.

On our first day in London this June we decided that we would walk from our lodgings to Borough Market, which was roughly a half mile away. Without really paying attention to maps we headed out and started walking confidently… and apparently in the wrong direction. (Patty will tell you that she knew, but she went along.) Anyway, some time later we were surprised to come upon “The Eye,” which anyone who has been to London knows is no where near Borough Market. Actually, it is in the opposite direction from where we stayed near Blackfriars Bridge. We reset and walked back along the River Thames toward where we had started… and I made this photograph along the way.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Columns and Ceiling, Sagrada Familia

Columns and Ceiling, Sagrada Familia
“Columns and Ceiling, Sagrada Familia” — Wide-angle view of interior columns and ceiling, Sagrada Familia, Barcelona.

Many have seen photographs of the exterior of Barcelona’s Sagrada Família, the basilica based on Gaudi’s architectural designs. After visiting, I realized that we may be less familiar with the building’s remarkable interior — perhaps this is because it is easy to photograph the outside but much less simple to photograph inside. The scale of the interior is gigantic, with huge columns leading to a vault high above. It is very complex and busy, with details everywhere — but in some ways not like those in older cathedrals.

Many of the forms are based on organic models. (It is said that there are almost no straight lines here at all.) You can see some of them in this photograph — the columns that evoke tree trunks, the floral shapes, foliage, and more. (This wide angle view produces an additional and perhaps unintended association — the spine and rib cage.) In many places the building is full of vibrant colors from light coning through stained glass. But in this particular area, the colors are more subdued, though they span a range form the warm colors in the distance to the cool, slightly blue tones of the upper columns.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Duomo di Siena

Duomo di Siena
“Duomo di Siena” — An overhead interior view of the Duomo di Siena.

Here is another photograph made from the upper levels of the Duomo di Siena, or Siena Cathedral. In this case we signed up for an early morning tour that took us way up to the roof of the building and listed a number of rooms and passageways that you wouldn’t know about by visiting the main floor. At times we had incredible views of the surrounding city and countryside, and at other points we got unusual and striking views inside the church itself. I made this photograph through a narrow opening as we crossed between the two sides of the duomo.

As with all such cathedrals, it is worth pondering how their architecture and interior additions must have seemed almost incomprehensible to people when they were constructed. Today we put up much large buildings in a year or a few, but then it took decades or even centuries. Even more remarkable, at one point at even larger cathedral was planned and initial construction begun — and it that version the space in this photograph would have been merely the width of the church, not its length.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Interior, Duomo di Siena

Interior, Duomo di Siena
“Interior, Duomo di Siena” — An elevated view of the of the interior of the Duomo di Siena.

When we travel we prefer finding our own way over relying on guided travel. In our experience, a big part of the value of travel comes from things like feeling somewhat out of your element, encountering unanticipated things and events, and even just devoting some time to wandering. However, there are times and places when paying for guided access can get you to place that are otherwise inaccessible. That’s how we ended up on a guided tour of Siena’s Duomo, one that took us high up into the upper reaches of this remarkable structure.

I made the photograph on this tour. As we crossed over from one side of the roof area to the other we passed a portal into the cathedral, and it provided a remarkable perspective on the interior and, far below, the floor of the duomo. (One other advantage of this tour? It started well before the crowds arrived.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.