Tag Archives: central

San Joaquin Valley Moonrise

San Joaquin Valley Moonrise
Winter full moon rises over San Joaquin Valley utility lines

New Year’s Moonrise. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter full moon rises over California utility lines

I have to admit that one reason I made this photograph was simply because I could. Such a photograph likely could not have been made just a few years ago, and certainly not in the way I made it. The photograph is, believe it or not, handheld… using a 300mm focal length on a 100-400mm zoom lens. Because this technical capability is so wonderful, I think it is worth mentioning it in this case. The moon is relatively bright, producing about as much light as daylight on our planet. However, it does not shed much light on the landscape, yet here I was able to retain some color in the sky and even make the details of the very dark utility lines and poles visible.

The genesis of the photograph is also significant. I was not here to photograph the full moon, and I actually was unaware that it had risen. I was focused on another subject, a large flock birds assembled in twilight in front of me, when someone said, “Look over there!” I turned around and saw the moon rising through the thin clouds above the valley. I could not take time to use a tripod — I photograph the birds handheld — so I simply took a chance that I might be able to hold the camera still enough and come up with the right exposure. I grabbed a few shots, then turned my attention back to the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Black-Necked Stilt, Sunset Reflection

Black-Necked Stilt, Sunset Reflection
A black-necked stilt wades in shallow water reflecting sunset sky.

Black-Necked Stilt, Sunset Reflection. = © Copyright 2018 G Dan Mitchell – all rights reserved.

A black-necked stilt wades in shallow water reflecting sunset sky.

In this place where we gathered to photograph migratory birds on New Year’s Day, our attention often turns to the most impressive sights — giant flocks of thousands of  birds, collected on ponds and fields, or suddenly rising into the sky all at once. Or perhaps to other birds at dawn, or to their return at dusk. Sometimes the landscape and sky can produce spectacular scenes.

The end of this day wasn’t like that. We did find a very large flock of geese, but they were hunkered down on a close-cropped field, feeding in low and flat light as much of the sunset was cut off by clouds to the west and haze was everywhere. However, sometimes it is possible to find smaller subjects at times like these, and we spotted a few of these black-necked stilts wading in shallow water with a bit of colorful sky as a backdrop.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Marsh

Winter Marsh
Skeletal trees and dormant grasses in a winter San Joaquin Valley marsh

Winter Marsh. © Copyright 2018 G Dan Mitchell – all rights reserved.

Skeletal trees and dormant grasses in a winter marsh

We celebrated New Year’s Day as we have for the past few years — meeting before dawn a group of friends and photographers out in the wintry California Central Valley to greet the literal dawn of the new year. We arrived before sunrise, spent the first few hours making photographs, then gathered for a morning champagne toast and shared snacks and stories. After lunch we went back into the field to photograph birds and the landscape until it was so dark that we could barely see one another by the light of the rising full moon. Great times!

While most of my photography on such trips and in such places at this time of year involves birds, occasionally I photograph other things in this valley. During the late morning hours we all felt that need for a walking break. (Most bird photography involves a lot of standing and sitting around.) We wandered out on a trail through a marsh, I got started a bit later than the group. I took only a small, handheld camera with a single lens, not thinking there would be much to photograph. But it was quiet, a gentle breeze moved the grasses, and soft light shone through the hazy atmosphere, so I stopped to make a few photographs of this peaceful and almost silent landscape of trees, grasses, and water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Museum Windows, Central Park

Museum Windows, Central Park
Visitors sit in a Metropolitan Museum window overlooking Central Park, Manhattan

Museum Windows, Central Park. New York City. December 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Visitors sit in a Metropolitan Museum window overlooking Central Park, Manhattan

At the end of 2017 we spent a week in New York City, mostly visiting our “kids,” but also visiting the city itself. It was a very cold week! Daytime temperatures stayed below freezing — sometimes way below — for five days straight, and nighttime temperatures were in the low teens. On a warm day in New York, it is great to be outside. On winter days like these it is also great to be outdoors in Manhattan… just not for very long! On this day we eventually joined the throngs headed to warm museums, picking the Met, where there is a big David Hockney exhibit that I wanted to see.

I photograph in New York often enough to begin to understand the place a little bit — though nowhere near to the level of those who live there. But I still have plenty to discover, and on this trip I discovered — realized, more accurately — in a conscious way how good the light can be there. This is especially so, I think, in winter. The sun is low in the sky and its light often comes in a low angles, reflecting and silhouetting, and frequently appearing right in my frame of view. I made this photograph quickly while walking through a hallway at the museum where groups of people were taking a break on the ledge of these windows, against the bright backdrop of a soft-focus view of Central Park trees and a bit of the Manhattan skyline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.