Tag Archives: close up

Cello Detail

February 1, 2015 G Dan Mitchell Leave a comment

Close up photograph of a cello — strings, fingerboard, bow

This is a photograph from my three-year project photographing the members of two professional classical music groups. Most of the photographs were made during the fall academic terms while I was on a sabbatical, though much of the post-processing, editing, and organizational work continued beyond those periods. In fact, some of the photography continued in the same way, and I continued to photograph both groups outside of the specific time frame of the project. This is one of the photographs from that outside work, as it was made in June 2014.

As I photographed these groups I found more and more things to “see” photographically and more and more ways to photograph them. Part of the reason for this, no doubt, is that I had never before had the opportunity to focus on a single project for so long where the main subjects are people! Frankly, at the beginning of the project I had a lot to learn about that — and one of the best outcomes for me has been learning how to create photographs of human subjects, from the technical, aesthetic, and human perspectives. But I also have become much more aware of the visual possibilities of things I might not have considered photographing before. This detail shot of a cello might not be the ideal example, as the forms of string instruments have long interested photographers. However, I recall first “getting” the qualities of the large string instruments when I made a photograph of the entire lower string section early on in the project. I saw the obvious after making that shot, that these very large instruments, with their attractive shapes and rich wood textures and evidence of use and wear are visually interesting objects and evidence of the relationship between the player and his or her instrument.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Forest Floor, Late Summer

September 22, 2014 G Dan Mitchell Leave a comment

As summer comes to an end in the high country of the Sierra Nevada, as it was during my early September visit this year, the moisture, growth, and greenery of the early season give way to the drier and more brown conditions signaling the coming of fall. The short period of rapid summer growth ends, and the mountains seems quieter.

We camped and photographed for several days at a small lake, exploring and even revisiting to places to photograph them more than once. By staying in one location for a time, it we notice things that are overlooked during a shorter stay. Initially the dramatic granite features around the lake drew our attention, but after a few days we became more interested in subtler things, including a low, grassy area near the outlet stream of the lake. On this morning I was simply wandering slowly though this area, now looking more closely and at smaller things, when I saw the still-shadowed ground densely covered by a carpet of pine cones.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Colorful Pebbles, Layered Sandstone

February 25, 2014 G Dan Mitchell Leave a comment

Two colorful pebbles rest on layered shoreline sandstone, Point Reyes Reserve

As I mentioned in an earlier post, when I visit Weston Beach at Point Lobos I often spend some time wandering around near the edge of the water, looking for interesting bits and pieces of “stuff” washed up by the winter surf. The stuff can range from small stones to kelp. Many of the stones are, not surprisingly, well-rounded from being rolled around in the surf. Occasionally a very colorful stone will show up… but here I got lucky and found these two, one deep blue and the other an intense pink-burgundy, sitting side by side in an indentation in the textured and layered shoreline sandstone.

It takes a bit of luck–and some observation–to find such things, but that isn’t quite enough. The light has to be right, too, and that isn’t always a sure thing here. It can be foggy, though that wasn’t the concern on this mid-February winter day. Since we arrived well into the morning hours, it was quite possible that as the sky cleared we would find the light far too harsh. However, luck was with us, and a high, thin layer of clouds moved in and muted the intensity of the light. I framed up this little composition and just waited for subtle changes in the light that would provide a soft shadow that was filled in with soft light.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Branch on Playa, Panamint Valley

April 8, 2011 G Dan Mitchell Leave a comment

A lone branch lies across dried mud on the playa of Panamint Valley, Death Valley National Park.

First, a story about the location. My first visit to Death Valley was sometime in the late 1990s, when the “hiking and biking” club at my kids’ middle and high school did a trip there. The club is a long and interesting story that I don’t have time or space to describe here fully. Suffice it to say that the teacher, “Mr. Hodges,” had for decades taken kids on amazing outdoor adventures throughout the western United States every year, and that the trip that year was to involve visits to several places in the park and then a backpacking trip down to the Valley from up in the Teakettle Junction vicinity. This may sound like a crazy thing to do with a bunch of school kids, but the group had a record of success. I was along as a parent chaperone since my oldest son was a participant in the trip.

The “readers digest” version of the story of the trip is that, as is often the case near the beginning of April, we encountered an astonishing range of weather conditions. Early on it snowed and the wind blew at gale force levels. This forced us to abandon our initial backpacking plans after we had already camped overnight near Teakettle Junction, and to head back down to the Valley. We readjusted our plans and decided that we might still be able to do an overnight hike down the length of the upper Valley and (leaving out a bunch of intervening adventures in this narrative) we arrived at Stovepipe Wells and set up camp… just in time for a tremendous dust storm to blow in. The next morning the “bus” arrived that was to take the kids and a few of the chaperones home (the rest of us were in a truck carrying tons – literally – of gear on the roof rack and in a trailer) and we headed up to cross Towne Pass. It turned out that the “bus” (which was more or less a large airport shuttle-type van) was ill-equipped for these conditions and after struggling up the pass and then racing down the other side, the transmission blew out at the bottom of the descent into Panamint Valley. Those of us in the truck pulling the trailer arrived a few minutes later to find a group of scared kids and parents who had just experienced more excitement than they wanted.

I have a strong visual memory of “Mary,” one of the parents, who had just had a bit too much excitement walking quietly north away from the road and across this playa. Ever since that time, this place that most people would probably blow right past, has almost always warranted a stop as I passed by on my way out of the Valley. This trip was no exception. I left my camera gear in the car and just walked a ways out onto the playa. As I walked, even though I had been certain that my photography for this trip was finished, I started noticing some of the small details on the playa… and I went back to my car to get my camera, then returned and made a few hand-held exposures of some of these small subjects.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.