Tag Archives: Cloud

Clearing Storm, Morning Light

Fog clearing from a Zion Canyon cliff face.
“Clearing Storm, Morning Light” — Clearing storm clouds and morning light on sandstone towers, Zion National Park

We arrived in Zion the previous day, driving through rain across lower Utah and upper Arizona, stopping to photograph here and there, including rain-soaked upper elevation areas of Zion. We arose early to catch one of the first shuttles into the canyon. The morning began with sun coming through breaks in the clearing clouds from the previous day’s rain. In my view, clouds in Zion canyon are not usually all that conducive to photography, since I tend to rely on the diffused midday light coming from open sky to light my subjects, which are often found in the shade. Clouds produce too much shade and move the color balance away from the warm tones of daylight and toward the dark, blue tones.

On the other hand, I love sunlight broken and muted by clouds, especially those that move and are a bit transparent. I love shooting in Yosemite Valley when winter storms or fog are swirling around the walls and spires, alternately revealing and hiding bits of the landscape. As we rode the shuttle into Zion Canyon, with a vague plan of heading toward the middle or upper part of the canyon, I looked up to see that same sort of effect high on the cliffs along the west side of lower Zion Canyon – early morning sun was shining through breaks in clouds that swirled around the upper cliffs, alternately revealing and concealing their form. Plans change, and we hopped off the shuttle. I put the long lens on the camera and spent a few minutes exploring this subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rain Squall, Monument Valley

Rain Squall, Monument Valley j- Distant mesas and towers of Monument Valley, veiled by a passing rain squall
Distant mesas and towers of Monument Valley, veiled by a passing rain squall

Rain Squall, Monument Valley. Monument Valley Navajo Tribal Park, Arizona, October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Distant mesas and towers of Monument Valley, veiled by a passing rain squall

I have a bit of a surprising confession to make. Utah is not the only state in the American Southwest that I had not previously photographed. Although I have been in the state before, I had never photographed there prior to this year, when we made a quick pass though the upper portion of the state on a drive between Moab and Zion National Park. Several things explain this. First, as I’ve written before, I’ve long been a California landscape bigot – the “local” landscapes of ocean and mountains and deserts and redwoods and more have been, and continue to be, such a focus that I’ve felt little inclination to shoot elsewhere. More recently, as I discovered Utah, I felt a bit of an obligation to avoid Arizona for certain other reasons that I won’t go into right now.

That’s right. I’ve never photographed the Grand Canyon. In fact, I haven’t even seen the Grand Canyon except from the air while flying over the state. And, no, I had not seen Monument Valley either. As we left Moab and headed south, I was excited about seeing this new landscape, but a bit concerned about the potential for photography as a storm – and not just the afternoon monsoon – was moving through. Sure enough, just about the time we got near to Monument Valley the clouds thickened, the wind blew, and it began to rain in earnest. However, I soon caught sight of the towers and mesas of this valley in the distance, familiar from so many photographs I’ve seen, and I quickly realized that the rainy conditions were actually going to provide some very special light and effects. This photograph is a case in point. It was cloudy but not raining at my camera position. Just beyond, a passing squall was dropping rain across the desert terrain and muting and blurring the features, but beyond that the sun was shining on the stupendous distant formations, and beyond them broken clouds were moving.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Beaver Pond, McGee Creek

Beaver Pond, McGee Creek - A beaver pond floods a low area of McGee Creek below the peaks at the edge of Pioneer Basin.
A beaver pond floods a low area of McGee Creek below the peaks at the edge of Pioneer Basin.

Beaver Pond, McGee Creek. Eastern Sierra Nevada, California. September 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A beaver pond floods a low area of McGee Creek below the peaks at the edge of Pioneer Basin.

Unlike some so-called beaver ponds in the Sierra, this one really does appear to be the home  of beavers. If you look closely near the far bank of the pond, just left of center, you can see the distinctive peaked beaver den.

This spot was a bit of a landmark on the trail up McGee Canyon on my mid-September backpack trip to Steelhead Lake. Before this the trail mostly crossed relatively dry and open terrain, but starting at this point there was more forest cover, and the valley gradually began to become more rocky and narrower. There is just a bit of early fall color in this photograph. The plants around the pond have obviously gone brown, and  some of the aspens and other brush ascending the slopes of the canyon are just barely beginning to change – what I sometimes call the “lime green” stage where it starts to become clear that the real color change is not far away. The distant tall ridge marks the boundary between the McGee Creek drainage and Pioneer Basin. I’m not positive, but I think that the two high points on the ridge might be Mounts Stanford and Crocker,  part of a group of four peaks ringing Pioneer Basin that are named after the four “railroad barons, the other two being Huntington and Hopkins.

Unlike most of my mountain photographs, this was essentially a handheld “snap” – though made with a good camera and lens. When I’m hiking I carry my camera and two lenses in a chest strap mounted front carrier so that I can make some photographs while on the move without having to remove my pack. This sort of shot, made at a time of less than optimum light, is an example of the sort of thing that I’ll occasionally shoot that way.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fall Color, Parker Bench and Parker Canyon

Fall Color, Parker Bench and Parker Canyon - Fall color from aspens, brush, and lowland trees on Parker Bench below Parker Canyon, eastern Sierra Nevada
Fall color from aspens, brush, and lowland trees on Parker Bench below Parker Canyon, eastern Sierra Nevada

Fall Color, Parker Bench and Parker Canyon. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fall color from aspens, brush, and lowland trees on Parker Bench below Parker Canyon, eastern Sierra Nevada.

Parker Bench is an area above the northern portion of the June Lakes Loop, lying below Parker Lake and the canyon topping out at Parker Pass. The area is visible from highway 395, though driving up closer reveals a lot more details. The canyon itself appears to be very rugged, and I’m not even certain that a trail climbs it to the pass. I do know that the main route over the pass does not descend the canyon, instead turning south and climbing higher after it crosses the pass to exit Yosemite National Park. I’ve hiked to the pass quite a few times, and explored the country on the Yosemite side of the pass extensively.

This can be a good area to view almost the full transition of aspen color as it moves gradually downward from the highest elevations and out into Owens Valley and similar sage brush country areas. In this photograph extensive groves of aspens in full seasonal color are visible on the slopes to the right of the creek draining the canyon, and in a location that is not far from Parker Lake. When this photograph was made in mid-October of 2011, the color had worked its way down below the forest and out into the relatively low areas along the creeks descending from the higher peaks. Right in front of the camera there are bright colors from brush and a few aspens. Also note the unusually heavy snow up near the pass. October 2011 was an unusual month in that it started with a series of three relatively strong winter-type storms sweeping across the Sierra, closing a number of passes and dropping a foot or more of snow in places.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.