Tag Archives: Cloud

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Reflecting Pond, Meadow, Thunderheads

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Reflecting Pond, Meadow, Thunderheads
A meadow pond reflects sky and evening thunderheads.

Reflecting Pond, Meadow, Thunderheads. © Copyright 2018 G Dan Mitchell – all rights reserved.

A meadow pond reflects sky and evening thunderheads.

Many people probably enjoy the typical Sierra Nevada summer day. Who wouldn’t enjoy perfect blue skies, temperatures perhaps as high as the mid-seventy degree range at 8,000 feet of elevation, gentle breezes? Photographers, that’s who! Actually, we do like the comforts of warmth and sunlight — it is just that the visual environment can be a bit… bland. So, yes, a string of perfect weather days in the Sierra will often get photographers complaining.

The most typical variation in the summer weather pattern comes from monsoon moisture, sweeping up from the south and sometimes parking along the crest of the range and frequently to the east. This weather may (or may not) bring a brief shower (or downpour!), but it always brings interesting skies. This was almost one of the boring, perfect blue sky days but for the beautiful thunderheads on the other side of the Sierra crest. I headed out into this still-green meadow, where the early season flooding had receded, leaving a few pools like this one to reflect the clouds and sky.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Alpine Lake, Cloud Shadows, Reflection

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Alpine Lake, Cloud Shadows, Reflection
The talus slopes on a Sierra crest ridge, mottled with cloud shadows, is reflected in the surface of an alpine lake.

This is an interesting place. I’ve visited quite a few times in the past, and in varying conditions of light, season, and weather. My first visit was many years ago, when a friend an I backpacked into the area very late in the season, experiencing cold temperatures and early snowfall. When I visited last year it was early in the season following a year of record-setting precipitation, and at almost the same point in the season it was difficult to cross the snowfields along the route. Once I got there I could not cross the rushing torrent of the outlet stream. This year the hike was less challenging, and I encountered no snow at all.

This lake lies at the end of my planned hike on this visit. It is a moderate-sized subalpine lake that is surrounded mostly by rocky meadows and high, talus-covered mountain slopes. The first clouds of what would be afternoon thunderstorms were arriving, and the wind propelled their shadows across the landscape. I made several exposures as the light changed, enjoying the kaleidoscope-like effect produced by the reflection in the surface of the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Yosemite Cliffs, New Snow

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Yosemite Cliffs, New Snow
Cloud-filtered light passes over granite cliffs dusted by snow

Yosemite Cliffs, New Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cloud-filtered light passes over granite cliffs dusted by snow

This photograph came as a bit of a surprise. It had been cold and cloudy, and much of the light was rather flat underneath overcast. I had photographed through the afternoon, often finding moments of fine light, but as the day wound toward sunset the clouds thickened and obscured much of the earlier light. Running out of ideas — except for some that I was holding for a bit later — I ended up at an accessible location and, much to my surprise, some like appeared. Moments earlier this bit of cliff face had been entirely in shadow, but then a break in the clouds moved past and illuminated it.

There is a notion that landscape photography is always a slow and contemplative exercise. It certainly can be that, and I know I do spend a fair amount of time walking slowly, looking, thinking, and not necessarily making photographs until I find something — or it finds me. But as much as the landscape doesn’t move, the light and atmosphere often change quite quickly, and photographing it can be an exercise in timing. The timing takes the form of being lucky enough to be in the right place at the right time, something that you cannot control even though you can increase the odds, and then the timing of making photographs at the moments when light does its most interesting stuff. At these times if you turn away for a few seconds you may miss something entirely.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Wetlands Evening

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Wetlands Evening
Trees, plants, and a few birds under a bank of clouds above San Joaquin Valley wetlands

Wetlands Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees, plants, and a few birds under a bank of clouds above wetlands

The process of bird-photography, at least as I know it, is perhaps not quite what people who don’t photograph this subject might imagine. The actual practice and experience varies from photographer to photographer and, no doubt, from place to place. However, I’d be willing to bet that many people would be surprised at how much not-photographing goes on! There are amazing moments when we come upon a special scene, when a huge flock of geese lifts off, when we get close to a raptor, when the light and sky do something astonishing. Then there are all the other moments, and they form the majority of the experience. The birds are somewhere else. They are just a bit too far away. The light goes flat. It rains. And so on.

The fact of the matter is that in order to photograph those periodic extraordinary moments, you have to spend a lot of time just being there. If really special stuff happens, say 1% of the time, you’ll increase your odds of experiencing it if your base is 100 hours rather and one. Of course, that also means that you’ll increase the number of slow hours when not much happens. Be ready. Bring a book. Take a nap. Wander a bit. And sometimes take a look at other subjects, like the still and quiet grasses growing in a shallow pond beneath winter skies, even though there aren’t a whole lot of birds there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.