Tag Archives: Cloud

Sunrise Wave Cloud

Sunrise Wave Cloud
A wave cloud develops above Death Valley mountains at sunrise

Sunrise Wave Cloud. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A wave cloud develops above Death Valley mountains at sunrise

When it comes to desert skies, it can be hard to find just-right conditions. Often the skies at Death Valley are simply clear, with few or no clouds aside from contrails from passing jets. And when there are clouds during the dawn and dusk hours when color potential is at its greatest, more distant clouds can block the light that would create the bright colors. This is especially true in the evening in Death Valley, where it is not uncommon for there to be thicker clouds in the moister regions to the west at sunset.

The latter situation was in play on this morning. In fact, I had originally planned to photograph south of this location. I had driven there and started to set up in the near darkness, only to realize that a fairly thick cloud deck was not going to clear and that it was going to block the morning light. I had a backup plan, and when I arrived at this spot a good distance to the north there was a break in the clouds. This color comes quickly and doesn’t last long — you more or less have to be ready for it before it is visible, though you may get a hint of developing color from clouds far off and near the horizon. Here a wave cloud is forming over Tucki Mountain, with a few more lenticular clouds out over the Cottonwood Range and beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Ground, Fog, Birds, Sky

Ground, Fog, Birds, Sky
A flock of geese takes to the air above a fog bank at dawn

Ground, Fog, Birds, Sky. Great Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A flock of geese takes to the air above a fog bank at dawn

This might seem almost like a photograph of nothing, but I don’t see it quite that way. Arriving very early on a winter morning at one of my favorite bird areas in the Central Valley, I found it quite foggy. It wasn’t so foggy that I couldn’t see, but the atmosphere near the ground was opaque enough to limit my view to perhaps a few hundred feet, especially along the ground that was shrouded by this tule fog.

Before long a huge flock of geese lifted off from behind the low fog and streamed across by view from one side to the other, just about the fog cloud. Because of the distance to the birds their cries were muted and, oddly, everything seemed almost still and quiet even as what may have been thousands of birds were in the air. My idea for this photograph is to make it into a very large print, where the layers may have an imposing scale reminiscent of actually being there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Smoke-Shrouded Hills

Smoke-Shrouded Hills
Wildfire smoke envelops hills east of the Sierra Nevada near Mono Lake

Smoke-Shrouded Hills. Near Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Wildfire smoke envelops hills east of the Sierra Nevada near Mono Lake

I made this photograph on a special morning that didn’t initially seem all that special. The night before I had driven down into Lee Vining Canyon after dark, and I could see the glow of a new wildfire to the southeast. In the morning I left my camp in the canyon and headed east to see what I could see. I found a high overlook and soon saw a giant plume of rising smoke to the south and tendrils of smoke drifting north toward and over Mono Lake.

I spent a few minutes photographing the drifting smoke above the lake, but very soon the smoke became too thick. I had to find a location that was on that boundary between too much and too little smoke — enough to partially obscure the details of the landscape, but not so much as to render it invisible. I moved further north to another high elevation locations and photographed back into the Basin. But this point the lower elevations were largely filled with smoke, but here one tree-covered ridge emerges and rises toward the still blue sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wildfire Smoke, Morning Light

Wildfire Smoke, Morning Light
Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

Wildfire Smoke, Morning Light. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

The night before I made this photograph I had driven back to my Lee Vining Canyon camp from a backcountry hike in the Tioga Pass area, leaving the park and descending the steep route after dark. As I crossed the upper end of Lee Vining Canyon, where there is a relatively clear view to the east, I saw the pall of smoke from a developing wildfire and the glow from the flames lighting it from below. Given California’s drought, the late point in the dry season, and the number of other fires in this area, I was quite concerned about what might be happening.

I got up well before dawn the next morning and as I headed down canyon toward Mono Lake there was just a bit of smoke in the air. As I came around the final bend before the junction with US 395, however, I could see that there was a very dark cloud to the southeast and that layers of smoke were starting to drift across the surface of Mono Lake in the pre-dawn light. My first though was a bit of disappointment that the smoke was likely to interfere with my photography plans, but this was quickly replaced by the realization that I was starting to see some very special and unusual conditions as the dawn approached. I found a high place and went to work photographing abstract and soft patterns composed of the reflecting surface of Mono Lake, the drifting smoke bands, and the partially obscured distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.