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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Autumn Snow, Last Light On Granite

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Autumn Snow, Last Light On Granite
Last evening light on glaciated granite dusted by autumn snow.

Autumn Snow, Last Light On Granite. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Last evening light on glaciated granite dusted by autumn snow.

The path to this photograph was a long and convoluted one, and it was certainly not what I was planning on when my day began. I had arrived in the Yosemite area the prior morning, planning to photograph autumn subjects in The Valley before heading over to Oakhurst for the opening reception for the final run of last year’s Yosemite Renaissance Exhibit. I arrived in Yosemite Valley to find it filled with smoke (and a surprising number of October visitors), but I found subjects that could work in this conditions and set about photographing. This is the time for fall color in The Valley, with lots of beautiful leaves on big leaf maple, dogwood, oak and other trees. In the evening I went over to Oakhurst in time to enjoy the reception, where I had an opportunity to see the 2017 version of the show one last time with friends and fellow artists.

I was up well before dawn the next morning with a general plan of heading to Glacier Point for sunrise. However, a beautiful, forested valley full of dogwood and other fall color intervened, and by the time I finished there it was clear that I wasn’t going to make my goal by dawn or even close to it. I did go on up to near Glacier Point, where I photographed wildfire smoke before deciding to go back to The Valley and photograph more trees. I did so, and I had some successes, but by mid-afternoon the crowds and smoke were becoming oppressive, to I decided to make what might be my final trip of the season up to Tioga Pass. Without stopping to photograph, I made it to the pass in the late afternoon. I soon started back down to begin my long drive back to the Bay Area. As I passed the closed-for-the-winter Tuolumne store I saw a familiar van and some tripods standing nearby, so I quickly stopped to see that a couple of friends were there. We talked for a long time — longer than I expected — but I finally tore myself away with little more than a half hour of daylight left. I started west, not sure if I would stop to photograph, but I soon saw that it was going to be a beautiful evening. The smoke was gone up here, the air was clear, and the warm colors of evening were on the peaks. I quickly stopped at a familiar place, but pointed my lens at a less-familiar subject — a series of retreating granite ridges marked by new snow and lit by the final light of the evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Granite Ridge, Light And Shadow

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Granite Ridge, Light And Shadow
Early morning light illuminates a ridge in glaciated granite terrain

Granite Ridge, Light And Shadow. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early morning light illuminates a ridge in glaciated granite terrain

I camped outside the park on this visit to the Sierra, and before dawn I was on the road and over Tioga Pass, heading toward various potential photographic subjects back along Tioga Pass Road. (I often end up camping over the pass on the east side of the park — this time it was because no campgrounds were yet open along the entirety of Tioga Pass Road due to the heavy winter snowfall and delays in clearing the roadway.) I wasn’t positive where I would photograph, but I knew that I’d find light if I looked.

After stopping to photograph a few other subjects I ended up all the way past Tenaya Lake, and I stopped at a well-known overlook. My initial idea was to photograph back-lit trees on ridges to the east, so I went to work on that subject first. As I finished I noticed that the sun was high enough that it was beginning to strike some of the high points on the large previously shaded granite slopes nearby. Here the first light has stretched across the length of a rib of rock, and in the shadows you can see the shapes of trees on the ridge over which the sunlight was streaming.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Glaciated Terrain

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Glaciated Terrain
Trees in morning light on a glaciated dome, back by an immense fractured granite face, Yosemite National Park

Glaciated Terrain. Yosemite National Park, California. July 14, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Trees in morning light on a glaciated dome, back by an immense fractured granite face, Yosemite National Park

I’m often out before the first light and then again as the last sunlight turns to dusk. These are not the only times of day worth photographing, but they are times that often produce beautiful light and colors and effects, with warm light and dramatic shadows. Many times — even during the busiest times of the year — I have stood it some of the most impressive locations and witnesses the most astonishing light… almost alone. I don’t know whether to encourage everyone to get up early and stay out late or to perhaps just keep relatively quiet and enjoy the solitude! I sometimes wonder how different our ideas of the Sierra are, depending upon when we are out and about as more or more than where we go.

In a spot like this one, the arrival of morning light is a highly dynamic thing — not at all a static or even slow-moving event. For example, here the light is raking across the foreground granite slab the tilts down from left to right, at the angle of the light is only briefly ideal to light the trees without also lighting the granite. The whole transition from first light on tree tops to a bit too much on the granite might take little more than a minute.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

North Dome and Merced River Trees, Winter

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North Dome and Merced River Trees, Winter
North Dome and Merced River Trees, Winter

North Dome and Merced River Trees, Winter. Yosemite Valley, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of North Dome and bare winter trees reflected in the Merced River near the swinging bridge, Yosemite Valley, California.

After first getting distracted by dawn light on Yosemite Falls – and joining a small throng of other photographers shooting this exact same subject (he writes, somewhat embarrassed… ;-) – I pulled myself together and wandered off along the Merced on this frosty morning looking for scenes that were a bit less obvious. I’m not going to claim that this one is completely non-iconic – I can’t since North Dome, in the upper center of the frame, is a fairly well known feature of the Valley. However, the thing that mostly caught my attention here was the skeletal shapes of the dormant trees along the Merced River and the way they lined up across the scene creating some interesting symmetries and forms against the background of the upper end of The Valley.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 35mm f/2
two blended images: ISO 100, f/11, 1/40 second and ISO 10, f/11, 1/10 second

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