Tag Archives: clouds

Rocky Point, Sea Stacks

Rocky Point, Sea Stacks - Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.

Rocky Point, Sea Stacks. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.

This photograph was made along the Big Sur coastline roughly in the area between the Rocky Creek and Bixby Creek bridges, about as far south as we managed to get while wandering around before a 8:00 p.m. dinner reservation back in Monterey. (Hey, it was my birthday!) The Peninsula extending into the Pacific in the upper section of the frame could be any of probably hundreds of similar peninsulas where the steep hills of the Big Sur coast drop to meet the ocean – but this one happens to be Rocky Point. The foreground sea stack could be any of thousands (or tens of thousands? I see perhaps a dozen or more in this scene alone…) of similar features found almost anywhere you look along this coast.

The light was both interesting and challenging. In most cases, I would rather try to photograph this interesting, foggy atmosphere than shoot perfect blue-sky conditions. (The latter can occur, though not as often as photography might suggest! Fog is more common.) It was very late in the day, probably around 7:00 p.m, and the sun was low and mostly hidden behind the off-shore fog bank. Here and there the fog backed off a bit from the shoreline or thinned a bit, and slightly more light appeared. The sea stack was in one such spot, and around and beyond the point there is also a bit more light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Fog and Rocks, Big Sur

Evening Fog and Rocks, Big Sur - Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.
Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Evening Fog and Rocks, Big Sur. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Having a couple of free hours late in the day, we ended up driving down the upper section of the Big Sur coastline below Monterey, to the area around the Rocky Creek and Bixby Bridges. (Though we stopped a bit short of the latter.) The light was alternately gray and murky, soft and misty, and sharp and bright – the fog was lurking near the coast, and depending upon which bend we drove around it covered the coast highway and the inland hills or it ended just off the coast.

This kind of coastal light creates some of the most transitory and ephemeral effects of all the subjects I shoot, similar perhaps to shooting the clouds of a dissipating winter storm among the aretes and spires of Sierra peaks. The variables in play are numerous: the point of the fog line off the shore or inland, whether or not the fog is thin enough to allow a bit of light so shine directly through, the appearing and disappearing pools of offshore light where the clouds thin, and the motion of the sea itself. Often I’ll spot what looks like absolutely gorgeous light, stop, grab gear and set up… and then look up to see that it is gone. Or that it is appearing in some other location where there was nothing a moment ago.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mount Conness and Ragged Peak, Forest

Mount Conness and Ragged Peak, Forest - Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.
Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.

Mount Conness and Ragged Peak, Forest. Yosemite National Park, California. July 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.

This photograph was made from the Tuolumne Meadows area with a long lens, and it includes the heights of Mt. Conness at the far right, the lesser prominence of Ragged Peak at the left, a shaded ridge running above the Young Lakes basin, and a closer bit of typical Yosemite forest mixed with a bit of dome-like granite, with sunset light slanting across from the left. By the way, I wondered for some time where the name “Mt. Conness” came from. I finally looked it up during the past year, and I found out that the namesake was Senator Conness, one of the two California senators during roughly the Civil War period – Conness was responsible for the legislation that initially set parts of the current Yosemite National Park aside for protection and preservation. All in all, a person deserving of a peak with his name.

Although photographed here from some distance, I know parts of the landscape encompassed by this photograph quite well, including the visible portions and some that are hidden from sight in this photo. For a number of years I have made a habit of visiting the Young Lakes area at least once each season, often late in the season when the summer crowds have dissipated – though I have also visited very early in the season, and I have the mosquito stories to prove it! Young Lakes lie on the other side of the shaded ridge traversing the center of the photograph, and I’ve often looked up at that ridge from the lakes. I have also hiked up into the valley on this side of the ridge. The trail to Young Lakes crosses the wooded area beyond the sunlit trees and passes through a beautiful semi-meadow area below Ragged Peak, a place where beautiful lupine flowers may be found at the right time of the year and from where one can obtain some panoramic views of a lot of high Yosemite Peaks. On one of my first visits to Young Lakes, it was so late in the season that the backcountry ranger who was patrolling the area apparently had little to do, and one morning we ended up having a very long conversation along the shore of one of the lakes. I remarked that a particular little gully in roughly the area of Ragged Peak looked like it might be interesting, and he shared enough information about the route that I chose to use it rather than the regular trail on my return to the trailhead. Mt. Conness, here the only peak or ridge still fully in sunlight, towers above everything else in this area. I have not climbed it, though I have investigated some trail less areas around its base and I’ve looked at it from almost every side.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Home Bay, Drakes Estero

Home Bay, Drakes Estero
“Home Bay, Drakes Estero” — Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

This quick late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I drove up to San Francisco, where my wife was to be involved in a music performance — the plan being to drop her off and then drive on over the Golden Gate Bridge to Point Reyes. It is often cold and windy there, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog. With this in mind, I planned to either visit the Limantour Beach or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out towards Drakes Head, thinking I might make it there for late afternoon light. Soon I saw the telltale puffs of incoming fog overhead, and I came around a bend in the trail to see that the fog had already moved in to the west and over Drakes Bay. Fortunately, iin most cases I would rather photograph in “interesting” weather than in supposed perfect blue sky weather.

At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.