Tag Archives: coast

Adriatic Coast, Dubrovnik

Adriatic Coast, Dubrovnik
“Adriatic Coast, Dubrovnik” — dubrovnik, Croatia and its famous wall on the Adriatic coast, see from Fort Lovrijenac.

During the summer of 2023 we went on a very long trip in Europe. Over a 10-week period we were in France, Portugal, Spain, Italy, Kosovo, and Croatia — with very brief visits/transits in Germany, Hungary, Serbia, Albania, and Montenegro. Many of the photographs from the trip sat in my raw file archive since then, never being worked up into final versions. (I suspect that in some cases I didn’t quite “see” them at first, and in some I moved on to other projects, intending to return.) This week I’ve been going through photographs from the Balkans.

We drove directly from Kosovo to Dubrovnik. I really liked Kosovo on a number of levels, perhaps more so because we stayed in the home of people who live there and who have a family connection. But there are few contrasts greater than that between Kosovo and the walled city of Dubrovnik, which has become quite the hot travel destination. (Evidence: many prices there are surprisingly close to those in the US.) Dubrovnik is a remarkable city, sitting on the beautiful Adriatic coast. The old city is completely surrounded by impressive walls, and much of the city is constructed of stone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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The Quiet Pacific

The Quiet Pacific
“The Quiet Pacific” — The Pacific Ocean on a quiet, overcast morning on the Big Sur Coast.

There is not a lot happening in this photograph. In fact, the scene was as close to static as ocean scenes can be. It can be quite dramatic and dynamic here, especially if the sun is out, a big swell is generating high surf, the wind is blowing, and wildlife is present. But on this unexpectedly foggy morning it was quite still and most of the tourists were still sipping coffee back in town.

The location is a very high overlook along the Pacific Coast Highway south of Carmel. Several things intrigued me about the scene on this morning — not just the unusual stillness. The boundary between the ocean and sky was muted by the fog bank, and the light was soft and gray. A mysterious line of foam led from the foreground rocks far out into the ocean.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Big Sur Headlands, Fog

Big Sur Headlands, Fog
“Big Sur Headlands, Fog” — Morning fog on and early fall morning along the Big Sur coast.

You never can be quite certain of the conditions you’ll encounter along California’s Big Sur Coast. Ocean and continent boundaries are transitional zones, and conditions depend on which one dominates. On this visit I expected to arrive to clearing fog and broken sunlight on the coast. But, alas, it remained cloudy the entire time I was there. Fortunately, there are advantages to such conditions, too. The press of tourist traffic diminishes, and the coast can take on a quiet and moody quality.

I stopped at a high point where I rarely photograph these days, having been there so many times over the decades. When I do stop, it is often to use the vantage point to see if whales are passing by. No whales this time, but the headlands lined up to the north, gradually receding into the mist and haze, seemed pretty interesting — interesting enough to pull out the camera and make this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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New Hampshire Forest

New Hampshire Forest
“New Hampshire Forest” — Dense foliage in a southern New Hampshire forest.

We had never visited New Hampshire, or anyplace else in New England for that matter, until two years ago — when we went twice! The first visit was for a late-summer extended-family get-together at a place we rented just north of Wilmington. (The other trip was that October, when we went back for the fall colors.) I found this landscape both intriguing and sometimes frustratingly different from the Western landscapes I’m used to. This is a land of very dense deciduous forests. They are lovely, but not conducive to the sort of big landscape images that I often look for. But there are a lot of trees to photograph!

Eventually I decided to just head out on foot and explore some of the gravel roads that surrounded our lodgings. At first it was difficult to see much through the mass of very green vegetation, but eventually I started to see compositions. And I remembered that forest photography often benefits from softer light, at the edges of the day or under cloud cover. There was a high, thin overcast when I made this photograph, and it softened the light and allowed shadow detail to emerge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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