Tag Archives: conway

Late-Season Aspens, Evening

Late-Season Aspens, Evening
Late-season aspen groves in the early-evening shadow of the Sierra crest.

Late-Season Aspens, Evening. © Copyright 2022 G Dan Mitchell.

Late-season aspen groves in the early-evening shadow of the Sierra crest.

The light for this photograph was special. I was east of the Sierra crest at an elevation of 8000′ or so. The sun had just dropped below the crest, and the direct sunlight was gone. However, clouds above the peaks were still directly lit by the sun and quite bright. As a result I worked in soft shadow light, but the trees were still gently backlit by those glowing clouds. This gave more directionality to the light than might have otherwise been the case, and this soft backlight enhanced the colors of the trees.

This location is one of the more fascinating and unusual in the range, though it is easy to overlook what makes it so. While the crest rises high to the west, here the terrain is on a boundary between high desert sagebrush country and the start of foliage that is more characteristic of the mountains. I think that the east side location, with its relatively less moisture, has a great effect on this. While I tend to think of aspens as mountain trees — and they often are — here there are many growing in terrain that is more desert-like.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Eastern Sierra Aspens

Eastern Sierra Aspens
Late-season Eastern-Sierra aspens in green, yellow, and orange.

Eastern Sierra Aspens. © Copyright 2022 G Dan Mitchell.

Late-season Eastern-Sierra aspens in green, yellow, and orange

With this post I interrupt the recent stream of New England fall color photographs to bring you fall color from California’s Eastern Sierra. Our productive trip to photograph the beautiful fall color in (mostly) New Hampshire cut into the time I would usually spend in the Sierra during the aspen color season, but I wasn’t about to miss it entirely. So I managed a four-day trip to the “East Side” last week, visiting several promising aspen color locations. As a result, I’ll eventually have a bit more to say about two subjects: a comparison between the East and West Coast experiences, and the prospects of finding Sierra color after the middle of October.

As I post this year’s Sierra aspen photographs, you’ll probably notice that I made many of them in soft light: near dawn or dusk, in the shadow of nearby mountains, or under some degree of cloudiness. Despite my love of backlit trees, this is my favorite kind o light for photographing the fall colors. To me the colors seem richer, and I can maintain more shadow detail than I typically get in the harsher direct sunlight. I made this photograph late in the day on the east side of the range, shortly after the sun had dropped behind the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Color, Aspens and Brush

Autumn Color, Aspens and Brush
Backlight on a high country brush and a small copse of aspens with fall colors.

Autumn Color, Aspens and Brush. © Copyright 2021 G Dan Mitchell – all rights reserved.

Backlight on a high country brush and a small copse of aspens with fall colors.

There is a good chance that I’m approaching the end of this season’s fall color photographs — though there are still at least a couple in the pipeline. Given that in prior years have managed to hunt down a few remaining examples of autumn leaves in early January, well, there could are more! Here on the West Coast, by starting high in the Sierra in September and continuing into the lowlands as fall ends and winter begins, it is possible to experience a “fall” color season that lasts up to four months!

This scene comes from a location where the color transition begins near the beginning of this period. It is in the Eastern Sierra Nevada, at close to 8000′ elevation, where the semi-arid high desert terrain rises to meet the eastern escarpment of the range. Years ago I did not pay much attention to this zone, preferring instead to head straight to the high country. More recently, at least in part as a result of my fall color photography, I have become fascinated by this region. It is a complex zone, and the boundaries are affected by water, exposure, elevation, and soil conditions. The foreground brush is more typical of the high desert, while we usually tend to think of aspens as belonging to the near-alpine high country.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Meets Forest, Autumn

Desert Meets Forest, Autumn
An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

Desert Meets Forest, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

This is another autumn photograph from that wonderful Eastern Sierra transition zone, where the high desert country of sagebrush meets the mountain country of conifers and aspens. Many years ago I regarded the two environments as being completely exclusive, but eventually it sank into my thick skull that this perception did not align with reality. In particular I recall one autumn visit to a very dry region east of the Sierra where I saw some of the most colorful aspens growing in a small desert valley.

A photograph like this one presents some technical challenges to the photographer. I think it looks pretty simple, but it wasn’t. The first issue was the the scene was lit by fairly intense backlight. I love backlight, but it creates some extremely bright highlights — and underexposing the shot is necessary to protect them from blowing out. In addition, because the sun was low and almost directly in front of the camera there was a great potential for flare. To make this photograph I actually stood in front of the camera and carefully used my hand to cast a shadow on the lens. Finally, with all of these elements of very bright light and the need to underexpose a bit, some of the shaded areas ended up darker than they seemed “in the flesh,” necessitating some post-production work with curves to bring back some of those shadow details.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.