Tag Archives: copse

Winter Sun, Fog, Trees

Winter Sun, Fog, Trees
Morning sun glows weakly through tule fog to silhouette a grove of winter cottonwood trees.

Winter Sun, Fog, Trees. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning sun glows weakly through tule fog to silhouette a grove of winter cottonwood trees.

This New Year’s Day my photography was supposed to focus on migratory birds, but somehow I ended up with a bunch of landscape photographs! This is a bit ironic, since I go to these places to photograph birds — but perhaps it isn’t too surprising given that it is hard to photograph birds when the fog is so thick that it obscures things more than 100 feet away.

Before I made this photograph I had tried to photograph cranes. I could hear them nearby, but I could not see a single one through the fog aside from a few that occasionally flew directly overhead. I finally decided to look elsewhere, and before long I passed these familiar trees. In the fog they took on a new and mysterious aspect, so I stopped and set myself up in landscape photographer mode — off came the really long lens and out came the tripod. As I worked the fog changed from moment to moment, and at the instant of this exposure the sun was barely visible through the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Trees, Fog

Winter Trees, Fog
Tule fog surrounds a stand of. barren winter trees, Central Valley.

Winter Trees, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Tule fog surrounds a stand of. barren winter trees, Central Valley.

Something tells me that California Central Valley residents might disagree with me when I say that the winter tule fogs are among the biggest attractions of the region. I understand that days (or weeks!) of the gray can be depressing, and I’ve heard the stories about traffic accidents in zero-visibility fog. It is wet. It s cold. You can’t see through it. It interferes with travel.

But I love the mystery that the tule fog brings to this area. On clear summer days this is a broad, flat landscape that is largely agricultural. That has the potential to give it a bucolic quality, but the nature of modern Central Valley agriculture is that it also borders on an industrial process. But when the fog rises the world shrinks down to a radius that might be measured in yards rather than miles, more distant distractions disappear, details are muted, and the shallow but thick layer of fog glows luminously on a winter morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Cranes Return, Dusk

The Cranes Return, Dusk
As the day ends, sandhill cranes return to the wetlands.

The Cranes Return, Dusk. © Copyright 2020 G Dan Mitchell – all rights reserved.

As the day ends, sandhill cranes return to the wetlands.

Sandhill cranes are often the first birds I am aware of in the early morning and the last I look for in the evening before I put my camera away. In fact, the boundary between enough and too little light often comes during their evening return, so it isn’t unusual to end the day just watching them.

I’ve never quite figured out where they go during the day, though I suppose that some investigation would turn up the answer. (In a West Coast location I once found thousands of them in a dry, barren, out-of-the way place where I was virtually alone with them.) I’ll never forget the first time I experienced their evening return. At the end of a day of photography it was becoming dark — too dark, I thought, to continue. As I was about to pack up my gear I heard a remarkable sound coming from the southeast, a sound that I didn’t understand then but which I now recognize immediately as that of the returning flocks. A few moments later hundreds (more likely thousands) of them arrived, filling the sky, and then descending to nearby ponds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Perch

The Perch
A hawk perches on the topmost branch of a wetland copse beneath Central Valley autumn sky.

The Perch. © Copyright 2020 G Dan Mitchell – all rights reserved.

A hawk perches on the topmost branch of a wetland copse beneath Central Valley autumn sky.

This little clump of wetland trees is very familiar to me at this point, since I’ve photographed in this area for several years, typically during late autumn and winter months. I like to claim I go to photograph birds (yes, it is true) — but I also go to see and photograph the atmosphere and landscape of this corner of California’s Great Central Valley. One near constant with this copse is that there is virtually always at least one raptor perched on the highest branches.

This past week I understood a bit more another reason to go to such places. During the pandemic and its attendant travel restrictions, we’re all spending a lot more time in a very localized area around our homes, and for most of us that means that we are not seeing the expansive views that place like this offer. I’ve missed the wide-open sky and the big landscapes — and even short visits are therapeutic. For many of us it isn’t necessary to travel to a faraway location and a day or even an afternoon may be enough.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.