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Diablo Range, Winter Sunset

Diablo Range, Winter Sunset
Diablo Range, Winter Sunset

Diablo Range, Winter Sunset. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Colorful winter sunset over the Diablo Range, seen from California’s San Joaquin Valley

It is rare for me to shoot a scene quite like this one, with the setting sun included in the frame. It was a sort of spontaneous thing. I had a very long lens on the camera since I was photographing geese and cranes in the evening light, and when I looked up and saw that the sun was setting right in the low point on the ridge of the Diablo Range I quickly grabbed my tripod and made a few exposures of this scene.

This time right around and just after sunset is what I think of as the magic hour here in this Valley between the Sierra and the Diablo Range. Much of the pre-sunset coming and going of the geese pauses and things seem to slow down. The wild color was only there for a brief moment, and only in this specific part of the sky right above the setting sun, where the low light reflected off the bottom of a high, thin cloud layer. A single bird (perhaps a hawk? is in the upper branches of the tree at far left, and some light reflects off of the surface of the ponds at this wildlife refuge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Four Ross’s Geese, Sunset Light

Four Ross's Geese, Sunset Light
Four Ross’s Geese, Sunset Light

Four Ross’s Geese, Sunset Light. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Four Ross’s geese in flight against the sky in sunset light

I photographed this group of Ross’s geese late in the day, just as golden hour light was beginning to intensify. We had spent the day in the San Joaquin Valley, visiting a couple of wildlife refuges, and returned at the end of the day to the place where we had begun shooting before dawn. We hoped for some combination of evening geese and then a dusk fly-in of sandhill cranes.

The amount of control you have when photographing these birds is minimal. It is up to them to decide where they will settle in, when and in what direction they will fly, and much more. A lot of the process involves doing things that you hope will increase your odds – being in likely spots at likely times, and so forth – then being ready to take advantage of whatever comes your way. The latter requires some sensitivity to how things are developing, some experience with the camera so that you can make decisions quickly and track flying birds that may turn up unexpectedly, and more. The situation with the geese on this evening was a bit unusual, at least in my experience. At this place we have often been able to find very large flocks of the birds late in the day, at which point a reasonable strategy is to position yourself nearby, taking into consideration the direction of the light, possible backgrounds, and the paths they will likely fly. Then you wait, ready to photograph, until the birds decide to do what birds decide to do! With luck, they will lift off in interesting groups, against interesting backdrops, and in good light. On this evening, we were only able to find one relatively small group of Ross’s geese. (We saw other much larger groups in the area, but they were further off and in places inaccessible to us.) So we found out spot nearby and waited, photographing very small groups of them as they lifted off and flow to the north. However, a few groups did an extra loop or two around us, coming back over our position quite low. You never know how the birds will line up, and often they will ether be too separated from one another or else they are so tightly clustered that you get blocked heads or wings that cover other birds. However, this group was polite enough to line themselves up in such a way that as they flew past each of them was completely visible in the evening light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Marsh, Fog

Trees and Marsh, Fog
Trees and Marsh, Fog

Trees and Marsh, Fog. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A clump of trees on a foggy morning and their reflection in the waters of a Central Valley marsh

I made this photograph on New Year’s Day 2013, while on a little “goose chasing” adventure to California Central Valley wildlife refuges. A group of like-minded folks decided that there would be no better way to start the new year than to gather before sunrise along the edges of San Joaquin Valley marshes to hear the pre-dawn chorus of migratory birds and then spend the day photographing them.

As almost always seems to be the case out there, the atmosphere and light continued to evolve in all sorts of interesting ways as the day wore on. Dawn come with high clouds that were broken in a few spots and with fog below. Eventually the light penetrated the high clouds and began to light up the refuge – but the light remained soft and luminous as the fog wasn’t quite done with us yet. We took a midday break, and when we returned we again had overcast, but sunset colors came through near the end of the day. While circling the area looking for geese and other critters I stopped at one point to photograph these trees growing from the marshy land against a background of haze and a bit of fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese and Evening Sky

Geese and Evening Sky
Geese and Evening Sky

Geese and Evening Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A motion blurred photograph of Ross’s geese against the evening sky above California’s San Joaquin Valley

Bird photographers might appreciate the thought I had that it might be appropriate to refer to these “BIF” photographs “blurred in flight” shots. (Among bird photographers, “BIF” is short for “birds in flight.”) I guess I could say that I’m photographing “blinds,” or “blurreds,” – or something. In any case, the experimentation with motion-blur abstractions of flying birds continues.

I photographed these Ross’s geese on New Year’s Day 2013, when I met a great group of friends out in the foggy Central Valley to “chase wild geese” and other migratory birds. I made plenty of the usual sharp photographs of birds, but I’ve felt for some time that those do not always succeed in creating some analog of the ephemeral and transitory character of these critters. Plus, I just sort of like the abstraction of they blurred shapes! Some might say that making blurry photographs is a sign of less the competent photography, but I have to say that this isn’t quite as easy as it might seem. There are a lot of things to consider as I make these images. There is a sort of exposure time sweet spot that blurs the birds sufficiently but which still holds enough of their shape to clearly show their nature. I want abstract shapes, but not so abstract that they no longer clearly suggest birds in flight. Secondly there is the matter of background. Ideally, I think I like to locate the flying birds against fairly plain sky with interesting color. This means tracking the birds as they take flight, close to the ground and with “stuff” behind them, waiting for the moment when they break clear of ground and brush and trees and appear against the right sort of sky, but only for a moment before they move too far away. Finally, as I shoot I watch the constantly evolving relationships of position and shape among the birds of the moving flock, and try to capture moments when they briefly align in interesting ways. This group had stretched into a sort of horizontal cloud of birds when I triggered the shutter.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.