Tag Archives: covered

Photographs: England, Photographs: Urban/Street

Sidewalk, Leaves, Rain, Reflections

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Sidewalk, Leaves, Rain, Reflections
A pedestrian walks across a reflecting, leaf-covered sidewalk in rain near the Tate Museum, London

Sidewalk, Leaves, Rain, Reflections. London, England, August 2, 2016. © Copyright 2016. G Dan Mitchell – all rights reserved.

A pedestrian walks across a reflecting, leaf-covered sidewalk in rain near the Tate Museum, London

I made this photograph close to the river side entrance to the Tate Modern in London. I like the museum itself, but I also like the surrounding area for photography of people and of “stuff.” Nearby the Millennium Bridge arrives on the shore of the River Thames and intersects with the popular walkway along the river, so there is no shortage of activity or of people, plus there is a variety of architectural and other subjects, ranging from the river and the bridge to downtown London across the water.

This section of sidewalk in front of the museum was wet from the drizzle, and tiny fallen leaves littered its surface. Seen from my elevated position there were reflections from the buildings. I began by photographing a small group of nearby trees, but soon this solitary figure crossed the open area headed toward the building.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Rock-Covered Hill, Desert Haze

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Rock-Covered Hill, Desert Haze
A small hill covered with rocks, the salt flats, and distant mountains, Death Valley National Park

Rock-Covered Hill, Desert Haze. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small hill covered with rocks, the salt flats, and distant mountains, Death Valley National Park

I distinctly recall my somewhat unusual first view of Death Valley. It was perhaps about twenty years ago. My oldest son was in a school “hiking and biking” club, and their annual “Big Trip” was to be an adventure in Death Valley involving hiking, backpacking, and more. Most of the group traveled to the park on a small bus, though I joined a group of parent chaperones and the club adviser/teacher in an old Chevy Suburban, highly modified and loaded down with backpacks and other gear for more than thirty people. We drove all day and entered the park after sunset. Because it was late we stopped at the first available camp ground, the Emigrant campground along highway 190 partway down the route below Towne Pass. We set up camp in complete darkness, unaware of our surroundings, in a landscape that I had never before seen.

Early in the morning, perhaps shortly after dawn, I crawled out of my tent and in this light saw the immense light-filled space of this great Valley for the first time, a view that extended down the gigantic fan on which we were camped, the distant valley floor thousands of feet below, and the rugged mountains on the far side of the valley. I had never seen a raw landscape like this before, with no visible plant life and its geology laid bare — a place of rock, sand, haze, juxtaposed shapes, textures, often-subtle colors, and huge distances. There is, I think, a bit of that in this photograph, which includes a dark, rocky hill that I have looked at many times, its ridge sloping the opposite direction from the distant dark hills across the valley, barely visible through the opaque atmosphere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Graffiti Covered Wall

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Graffiti Covered Wall
A small portion of a colorful graffiti covered wall, Brooklyn

Graffiti Covered Wall. Brooklyn, New York. December 21, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A small portion of a colorful graffiti covered wall, Brooklyn

I used to have a firm policy of virtually never photographing graffiti, and when I couldn’t avoid it I would remove or modify it in post so as to not be part of the sharing that might encourage the sort of graffiti that is really simple vandalism. I still avoid photographing simple “tags” in most cases, especially when they offer little more than the evidence that some anonymous person wrote on a wall. I also have this nagging feeling that photographing graffiti-ridden cityscapes can too easily become a street photography cliché.

However, I’ve become more open to the idea of finding and photographing the accumulative juxtapositions of layers of drawing, painting, posters, and weathering that show up on some urban walls. That’s my way of explaining why I stopped to photograph this Brooklyn wall, moving in close to find compositions among the colors, lines, and shapes that have built up over time and which have been revealed as time has weathered away later layers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tree and Morning Frost

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Tree and Morning Frost
Tree and Morning Frost

Tree and Morning Frost. Yosemite Valley, California. March 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A frost-covered Yosemite tree in morning light

It was great fun to be in Yosemite Valley this past weekend for the opening of the 30th annual Yosemite Renaissance exhibition. This is the third time that I’ve had photographs in the show. (If you are in the Valley, drop by. It is in the Visitor Center Museum through May 10, after which it moves on to a couple of Central Valley locations.) The show features a wide variety of two and three-dimensional art by artists who focus on the Sierra and the park. The entry of mine that was selected this year was atypical for me — it includes people and it is humorous! I share it again here at some point, but for now I’ll just note that it features backcountry photographers engaged in an unusual activity. The show brings lots of other fun things: a chance to photograph in the Valley, opportunities to hang out with lots of photographer and artist friends.

I made this photograph on our final morning in the park. We headed out around sunrise, thinking we might find some shallow fog in meadows. There was a bit of the fog but it was dissipating quickly and we eventually ended up in this sunny meadow. I was immediately attracted to this large elm tree, covered in frost and backlit in the morning light. I made several photographs of it — and at least one other may appear here before long — and before long the air warmed and the frost melted.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.