Tag Archives: creek

Cliff Face and Bare Aspen Trees

Cliff Face and Bare Aspen Trees
Bare aspen tree trunks and branches against a backdrop of a Sierra Nevada rock face

Cliff Face and Bare Aspen Trees. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Bare aspen tree trunks and branches against a backdrop of a Sierra Nevada rock face

There are all kinds of ways to photograph aspens, and they can be photographed during virtually any season: winter trees with snow, spring trees with new leaves, summer trees surrounded by wildflowers and grasses, autumn colors, and this wonderful time when the bare trees stand out against the rest of the surrounding terrain. At this latter stage they can be photogenic on their own or they can be set off against backdrops of other trees, rocks, or the fallen leaves littering the ground.

These specific trees have gotten my attention in the past. They grow against a fractured granite backdrop, and they are in a location where I might go to photograph other fall subjects. So when I go to photograph those subjects, I often end up walking past this spot and pausing. While nearby trees still had a lot of colorful leaves, these smaller trees had already dropped almost all of theirs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Lakeside Trees and Rocky Slope

Lakeside Trees and Rocky Slope
Lakeside autumn aspen trees reflected in shoreline water

Lakeside Trees and Rocky Slope. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lakeside autumn aspen trees reflected in shoreline water

This was a long and productive day. We started before dawn, waking up in darkness and heading up into the mountains to arrive at a likely spot to photograph fall color before sunrise. We began by photographing a familiar lake from a somewhat different perspective, working from an elevated position above the lake. A bit later we moved to other locations in the big east side mountain valley, generally working our way around so that we could photograph aspen color before the direct sun arrived. We stopped for breakfast at a mountain lodge before heading back down into Owens Valley and then turning north. We ended up north of Lee Vining in the late afternoon, and eventually we finished photography and began the long drive across the Sierra and back to the San Francisco Bay Area.

This is one of the early morning photographs. I had finished with a somewhat iconic Eastern Sierra subject, though photographing only parts of it that might or might not be recognizable. Soon the direct sunlight began to hit this subject, washing out the colors and ending my photography of that subject. No matter, I just pivoted a bit to my right and found lakeside trees where the direct sun had not yet arrived, and I photographed these trees in the softer shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bluff, Tidal Flats, Tomales Bay

Bluff, Tidal Flats, Tomales Bay
Evening along the shoreline of Tomales Bay

Bluff, Tidal Flats, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening along the shoreline of Tomales Bay

This is another photograph from our very recent visit to areas of California just north of San Francisco. If you follow the news, that description perhaps calls to mind the recent (and current, as I write this) major wildfires burning in California, including the disastrous fire in the Santa Rosa area that killed dozens of people and destroyed thousands of homes and other structures. In fact, we were very close to that area on this trip. We might not have gone at all, except that one of the reasons for going there was to participate in a wedding — and since the wedding went on despite the first, we went. We had planned a few days after that for photography, and we decided to stick to that plan, too.

The effects of the fires were obvious in many ways: signs in shops and elsewhere about people needing a place to stay or raising funds for fire relief, the traffic heading to the coast to try to find relief from the smoke, and the constant presence of that smoke in the air. We ended up doing much less photography than we usually would, but on one day we did manage to make a few photographs. We had driven north up that coast a ways, turning around just north of Jenner where the smoke became quite severe, and we were returning to the area around Point Reyes National Seashore. We arrived alongside upper Tomales Bay, which separates Point Reyes from the rest of California, not long before sunset. Here the smoke thinned a bit, mostly just producing some atmospheric haze, and the scene was quiet and still in the early evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Crossing The Stream

Crossing The Stream
Two backpackers (and their dog) negotiate a stream crossing in the John Muir Wilderness.

Crossing The Stream. John Muir Wilderness, California. August 31, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two backpackers (and their dog) negotiate a stream crossing in the John Muir Wilderness.

I was out photographing around the lower end of the lake above this stream when two backpackers passed by. I was fascinated by watching them as they came through here, and their progression to and across the stream reminded me of some aspects of backcountry travel that are important and quite different from how we live our typical day-to-say city lives. They were moving efficiently as they approached the obstacle of this stream at the trail crossing. At first glance the crossing seemed obvious, with the trail clearly arriving and departing from opposite sides of this wide spot in its course. But, as is frequently the case, the crossing wasn’t as simple as it first looked — the water was unusually high for this time of year – and no ideal crossing was apparent. They stopped, looked around, tried a few options, finally settled on stepping across on slightly submerged rocks, and they crossed. The first hiker got across fine, and the dog followed, but the second hiker slipped into the water just a bit and then apparently lost a set of glasses. They pondered a bit, realized that they couldn’t get them back, and then set off, once again moving with a purpose across the meadow and on toward a higher lake.

I now think of something else when I see such backpackers, younger (to me, anyway!) backcountry visitors who seem in many ways like me a few decades ago. I envy their ability to carry large loads and to move quickly. I can still carry what I need to, but it is harder and slower than it once was! I also think about how much they cannot yet know about their potential future in these places, including the prospect that their appreciation and connection to the wilderness will grow and mature in ways that they cannot yet foresee. Sometimes I want to stop and tell them… but I never do.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.