Tag Archives: crowd

Dawn, Waiting for Endeavour

Dawn, Waiting for Endeavour - Early crowds at dawn, lining up to view the space shuttle Endeavour fly over the NASA/Ames Moffett Field facility
Early crowds at dawn, lining up to view the space shuttle Endeavour fly over the NASA/Ames Moffett Field facility

Dawn, Waiting for Endeavour. NASA Ames Moffett Airfield, California. September 21, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early crowds at dawn, lining up to view the space shuttle Endeavour fly over the NASA/Ames Moffett Field facility

I’ve posted enough photographs of the space shuttle Endeavour on its flyover of the NASA Ames Moffett Field – here is a photograph of some of the people who showed up to see the event. The place opened its gates at 6:00 a.m., which is well before sunrise in California at this time of year. I left home at about that time and took public transit, arriving just about the time of sunrise. I joined the growing throng arriving at Moffett. Quite a few came by car, but many also came on foot, walking from the nearby light rail stations or from their cars that they had parked in nearby Mountain View.

Once on the base the decisions were pretty straightforward – to stop of breakfast, coffee and souvenirs or to head straight out to the edge of the runway to take up a position hours in advance of the flyover. I made a quick stop for coffee, but decided to forego souvenirs and the available food-truck breakfasts (as good as they looked), and headed straight out onto the runway. There was a crowd already near the entrance area, but much of the runway was still open, especially further down toward the old Hangar One, where I found a position right along the barricades next to the runway. For the next few hours, people mostly hung out – talking, making photographs, checking cell phones, and so on – as the sun rose and the anticipate built. The photograph shows a small portion of the crowd right near sunrise, when the shadows were still long and most people had not yet arrived. The skeleton of the historic Hangar One is at the far left.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographing Icons – Or Not

Yesterday I shared elsewhere a photograph that someone had posted featuring a line-up of scores of photographers, arrayed tripod-to-tripod, ready to photograph one of those iconic views that we all know so well. I suspect that we have all been to such places and either found the experience of seeing and photographing them to be powerful… or we might have been repulsed by the crowds of people all apparently trying to “capture” the same thing, among them perhaps a number of folks who might be trying to almost literally recreate versions of the scene that they had seen elsewhere.

The point of the share (seen here and here) was not complimentary. My reaction to the photograph was to wonder, even more than usual, why people would want to make photographs that way. I phrased it as, more or less, “yet another reason to avoid photographing icons.”

However, a person wrote to me after I posted and pointed out, with a bit of anger and with some justification I think, that complaining about and putting down those who want to photograph a beautiful place might seem a bit pretentious and self-righteous.

She has a point.

While there is something a bit troubling about seeing dozens of people lined up to make the very same photograph, some of us might be a bit too quick to jump to overly negative conclusions. Perhaps there is a way to cast this as a positive lesson, rather than ridicule. So let me engage in a bit of reflection and honesty. Continue reading Photographing Icons – Or Not

People on Descending Escalator, MoMA

People on Descending Escalator, MoMA
People on Descending Escalator, MoMA

People on Descending Escalator, MoMA. New York City. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

A group of people on the “down escalator” at the Museum of Modern Art, New York City.

I couldn’t resist the idea of photographing the steady stream of distracted people coming down this escalator at the Museum of Modern Art in New York City. I employed a technique that I often use when shooting on the street, namely to find an interesting structural subject (in this case, the escalator) and then wait for the right person or people to occupy the frame. I made a series of photographs of people on this escalator, and ended up liking this one the most. There are a number of specific things about the people in the scene that attract my attention, but I’ll let you discover them on your own, should you be so inclined.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

The Bleacher Seats, AT&T Park

The Bleacher Seats, AT&T Park

The Bleacher Seats, AT&T Park. San Francisco, California. June 15, 2009. © Copyright G Dan Mitchell – all rights reserved.

The view from the bleacher seats at AT&T Park during a Giants v. Angels game, San Francisco, California (color version).

I shot this during my mid-game photographic wandering – something I do at every Giants game I attend. (On this night, the photography was better than the baseball. While I was out wandering about the score went from 1-0 to 8-1, and in favor of the visiting Angels.) This photograph looks out toward the field from the inexpensive bleacher seating near center field. (Reposted in color at the request of a friend.)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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