Tag Archives: dark

Deserted Street, Porto

Deserted Street, Porto
“Deserted Street, Porto” — Nighttime on a deserted street in Porto.

On our sort-of-first-night in Porto in May we ended up at a little restaurant on this street. (I write “sort-of-first-night” since we had actually stopped for one night earlier on the trip, between Coimbra and our walk in the Douro hills.) We walked out of our hotel looking for a nearby place to eat that didn’t scream “tourist restaurant. We ended up at a little restaurant here, so unobtrusive that you might not even spot its entrance sign in the photo.

I made the photograph a few nights later as we headed back to our hotel from a long walk to the other side of the Douro River and back. We crossed back over the river after sunset, and our route took us past this side street again. This time I thought the night scene looked fascinating, so I paused and photographed down the deserted street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Light and Dark

Light and Dark, a narrow Death Valley canyon.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.

Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.

I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Curve in the Canyon

Curve in the Canyon
“Curve in the Canyon” — A gravel wash curves through narrows in a Death Valley canyon.

The sensations upon entering one of these canyons after walking in desert heat and sun are striking. It is suddenly much darker and much quieter, and often the air is still. At this bend in the canyon, the walls and edges conspired to create a sort of spiral shape with everything centering on the bigger and warmer-toned section in the upper center of the photograph.

Hiking these canyons they ofcanten start to feel like a steady progression back and forth — a turn to the right is soon followed by one to the left, and so forth. In some canyons this leads to a somewhat humorous “just one more”situation. I might check my watch and note that it is about my turn-around time. I tell myself, “First, just hike to the next curve.” Getting there I tell myself, “You can take a look at what is beyond this section.” So I round the bend and see the canyon continues… and, of course, I just have to continue on to the next bend… and then next… and the one after that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Street With Holiday Lights, Madrid

Street With Holiday Lights, Madrid
“Street With Holiday Lights, Madrid” — Colorful holiday lights suspended above a busy Madrid street near Plaza Mayor.

Our December visit to Madrid coincided with holiday festivities in the city. Main streets were jammed with people walking from place to place, and crowds assembled for holiday events and displays. There were Christmas markets, and holiday lights were everywhere. We did not realize that the season was such a big deal in Madrid, but we enjoyed it and got into the spirit.

At one point we thought, “Oh, what the heck” and braved the walk through the Plaza Mayor — a popular tourist destination and the site of a large Christmas market — on our way to destinations on the other side. We exited the plaza and walked down this pedestrian street lined with busy restaurants and topped by very colorful lights.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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