Tag Archives: dawn

Photographs: Central California, Photographs: Nature

Sunrise, Fog, Spring HIlls

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Sunrise, Fog, Spring HIlls
Soft dawn light and drifting fog above springtime California hills.

Sunrise, Fog, Spring HIlls. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft dawn light and drifting fog above springtime California hills.

This morning completely surprised me. I was in the inland hills of California, between the coastal valleys and the Central Valley, primarily to photograph the spring wildflowers. I had arrived late the night before, setting up my tent in a campground up in the hills before doing some late-day photography. I returned to my camp, made dinner, set my alarm for way before dawn, and went to sleep with a plan of driving down into the large valley nearby to photograph vast fields of flowers.

I got up well before dawn and tried to sneak quietly out of camp without disturbing the normal people who sleep in, fix coffee, have a nice breakfast, and only then head out. As I drove down the gravel road toward that valley I could see that it was completely covered by tule fog, much to my surprise given the arid nature of the place. However, off in the distance, in the direction of the rising sun, haze and drifting fog and soft dawn light produced an entirely different landscape than the one I had been looking for.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Autumn Dawn, Eastern Sierra

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Autumn Dawn, Eastern Sierra
Successive ridges rise from the high desert toward the crest of the Eastern Sierra Nevada in pre-dawn autumn light

Autumn Dawn, Eastern Sierra. © Copyright 2019 G Dan Mitchell – all rights reserved.

Successive ridges rise from the high desert toward the crest of the Eastern Sierra Nevada in pre-dawn autumn light.

Yes, I know I was supposed to be photographing aspen color. But there are other subjects in and around the Sierra during the autumn! It turned out that I arrived a bit before the peak color, so my inclination to photographer other things, too, was perhaps a bit stronger than it might have been a few days later. I also knew that some aspen subjects that I wanted to photograph would be in better light a bit later, and that left me time for a quick foray to this location before dawn.

I have photographed from this location previously, so I’m pretty familiar with the view, the camera position possibilities, and the potential for lots of interesting early light on the eastern escarpment of the Sierra Nevada. However, as familiar as all of that may be, there are always surprises. I made this photograph a few minutes before the sun cleared the eastern horizon (or, more accurately, the mountains to the east) so the light had taken on the warm, colorful quality of dawn, but without the harsh quality of the first direct sunlight. The photograph spans a wide range of zones — from the sagebrush of the high desert to the summit of one of the highest Sierra peaks in this area.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

First Light, Sierra High Country

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First Light, Sierra High Country
First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.

First Light, Sierra High Country. © Copyright 2019 G Dan Mitchell – all rights reserved.

First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.

The photography, of course, is the main excuse for our trips to places like these. We go to some lengths to put ourselves in locations like this for days or longer — lots of advanced planning, solid backcountry travel to get there, and then a week or more of living in tents. But the advantages are many. Obviously the “scenery” is often right outside our tent doors, and when great light happens we are essentially right there. Because we are there for a significant period for time we can more carefully and completely explore our surroundings, finding hidden gems, figuring out best times for various subjects, and returning to them as necessary. We also have the time to slow into the natural backcountry rhythms, where it seems that we have much more time to do all of the important things — photography, of course, but also sitting a looking or having a look discussion with colleagues/friends.

This view was literally steps from my tend, set on what seemed almost like a large peninsula nestled within the curve of the lake. After our first sunrise here it became apparent that the intensely colorful first light would be a fleeting subject. Due to the surrounding geography, this first color would initially spread across the summit of this ridge… but then quickly lose its color. This was a quiet morning, with little wind, so I decided it was time to stake out a camera location and photograph the first light reflected in the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Southern California

Drifting Fog, Hills

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Drifting Fog, Hills
Dawn fog pours across arid California hills

Drifting Fog, Hills © Copyright 2019 G Dan Mitchell – all rights reserved.

Dawn fog pours across arid California hills.

This is a somewhat unusual photograph — not the photograph itself, actually, but the fact that I’m sharing it. It is a black and white rendering of a photograph that I have previously shared as a color image. Most often I make a decision one way or the other, and I rarely ask “Is this better in color or monochrome?”, at least not publicly! But recently I have had reasons to look at the world in black and white a bit more than usual, so I decided to take an alternative view of this scene.

This was a remarkable morning in these inland Southern California hills where I had gone to photograph wildflowers. Early in the morning, a bit before sunrise, I headed from my hilly campsite toward a large valley filled with flowers… and I was very surprised to look look down and see the valley filled with fog. Of in the distance, gentle breezes were pushing the fog bank over and around these hills as the sky began to lighten.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.