Tag Archives: dawn

Dawn Geese, Sierra Silhouette

Dawn Geese, Sierra Silhouette
“Dawn Geese, Sierra Silhouette” — Migratory geese fill the Central VAlley dawn sky above the silhouette of the Sierra Nevada.

Surprisingly, for those of us who love winter, spring can evoke some of the same bittersweet feelings that autumn evokes. The season of interesting weather, dramatic skies, and migratory birds is passing. With that in mind I made one more visit to the Central Valley to see if the birds had departed. Some had — I saw no sandhill cranes at all. But I was treated to a stupendous dawn fly-out of geese.

I half expected that snow geese and Ross’s geese would have left already. In the past they were there at the beginning of the month but gone before the Ides of March. I arrived before sunrise and saw no geese at all, but a few minutes later I heard a few in the distance. I headed that way, and soon tremendous fly-outs began all over the surrounding wetlands. Thousands of geese took off into the colorful cloudy sky above the distant Sierra Nevada during the next half hour. And then they were gone.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Dawn Light

Dawn Light
“Dawn Light” — Red dawn light on ridgetop boulders, Panamint Range.

I share this photograph as much for illustrative purposes as for its value as a photograph — it is, in part, a record of a remarkable light phenomenon that too many people never experience. Indeed, it can be difficult to rise hours before dawn, travel to a remote place in the darkness, and stand on a mountain ridge in the winter. But once you do it a few times and see what happens, you will likely be hooked.

We arrived at a high prominence in this desert mountain range in morning twilight. A band of intense red pre-dawn light glowed along the ridge of the mountains to our east, and the clouds began to pick up this color as we set up our camera gear. A moment later the first direct light from the rising sun struck these rocks, turning them blood red.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Manley Lake, First Light

“Manly Lake, First Light” — Early morning light on the Panamint Range reflected in Manly Lake, Death Valley.

Death Valley National Park is so large that it is often hard to fathom the its scale. Lake Manly, the temporary body of water occupying a section of the Valley near Badwater, is small by comparison to the valley as a whole. The mountains in this photograph are many tens of miles away. (A couple of roads reach that ridge, and it would take 1 1/2 or 2 hours of driving to reach their high points from the shore of Lake Manly.)

In the daytime most of this desert landscape is not particularly colorful. In fact, in flat light and haze it can sometimes seem almost monochromatic. But early in the morning and then again in the evening, the sunrise and sunset light paint the scenes with vivid colors that contrast with the hazy blues of the shadows.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Dawn Clouds, Death Valley

Dawn Clouds, Death Valley
“Dawn Clouds, Death Valley” — Colorful dawn clouds above Death Valley and the Panamint Mountains.

The camera position for this photograph was a high point in the Panamint Range of Death Valley National Park. We arrived before sunrise, when the sky was just beginning to take on dawn colors, and the clouds were becoming blood red. There are few colors in nature that are as intense… and as difficult to photograph, at least if you want the photograph to suggest what you saw when you were there.

To my way of thinking, after a few decades of visiting and photographing the place, the most interesting locations in this park are not the most popular ones. They are off in odd, sometimes distant corners of the region. You may have to deal with a few adversities getting to them. (One winter I was turned back from this location by snow.) But the rewards are worth it.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.