Tag Archives: death valley

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Erosion Patterns in Afternoon Light, Zabriskie Point

May 27, 2010 G Dan Mitchell Leave a comment

Slightly overcast afternoon light on erosion patterns in the Gower Gulch area of Zabriskie Point, Death Valley National Park, California.

After posting such a long string of close views of the hills at Zabriskie Point… it is starting to become difficult to say much original and new about the photographs in this series! This one was made rather late in the afternoon – about 4:00 p.m. – when the light is usually still too harsh and bright for most photography here. Fortunately, some high and thin clouds diffused the light a bit – but still didn’t take the light too far in the soft direction.

It perhaps goes without saying that this another in my series of long-lens studies of small elements of the large and iconic scene at this location. I’ve photographed this particular bit of folded geology before, and I’m still interested in the combination of soft, almost organic shapes and the crazy patterns of lines and shapes heading every which way. From lower left to upper right the lines shift almost completely.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 200mm
ISO 100, f/16, 1/60 second

keywords: gower, gulch, zabriskie, point, erosion, gully, ridge, hill, crack, dirt, curve, fold, geology, shadow, light, afternoon, overcast, diffuse, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, detail, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Moving Rock, Racetrack Playa

May 3, 2010 G Dan Mitchell Leave a comment

Black and white panoramic format photograph of a moving rock at Racetrack Playa, Death Valley National Park, California.

This photograph probably belongs in the “trying to turn lemons into lemonade” file. I’ve had wonderful luck with great light on all of my previous visits to the remote Racetrack Playa in Death Valley, the site of the “moving rocks” that have left tracks in their wake across the playa surface. However, my string luck seemed to run out on this late March visit. Earlier in the day as I contemplated whether or not to head out there I noticed some budding lenticular clouds to the north and made the decision to go. My preference is to have some clouds at the Racetrack, as perfectly clear sky isn’t as interesting in my view. Plus I always have in mind a particular previous visit when I photographed the playa at dawn with beautiful lenticulars building over the mountains to the north of the playa, and I think I’m always hoping for similar conditions again.

The plan on this visit was to arrive in the mid-afternoon to shoot the Grandstand, a formation near where the road first arrives at the playa, and to then photograph the beautiful evening light, the full moon (in the evening and then again before dawn) and finally the dawn light. The conditions continued to look great as I did the long washboard drive to the playa, and I arrived and photographed the Grandstand as planned. However, as I finished up here a high band of clouds moved across the sky and flattened out the light. As evening came on I was out on the playa, but the clouds remained and the light was not remarkable. I finally wandered back off the playa after dark, hoping that the clouds would clear and allow full moon photography. This never happened, and when I returned to the playa early in the morning the overcast was still present, with only a thin area of blue sky far to the west.

But I photographed anyway. Softer, overcast light has its potential, and since I was there I was certainly not going to waste the opportunity. In the end, I wasn’t thrilled with what I brought back for the most part, though I do like the effect of the overcast and the softer light on this black and white photograph of one of the more recognizable rocks. (By the way, the rest of my Death Valley visit went much better than this one night!)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 170mm
ISO 200, f/16, 1/8 second

keywords: sliding, moving, rock, trail, playa, surface, flat, cloudy, morning, inyo, mountains, hills, sky, clouds, monochrome, peak, snow, geology, nature, landscape, scenic, travel, death valley, national, park, california, usa, north american, remote, mystery, icon, light, flat, crack, earth, dry, desert, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Clouds at Last Light – Badwater Basin and Panamint Range

May 2, 2010 G Dan Mitchell 1 Comment

Last light of the day over the Panamint Range casts its glow on Badwater Basin salt flats and clouds.

In what may be the last gasp of my obvious attempt to extract as many photographs as possible from this late March evening in Badwater Basin, here is yet another. This one was photographed well after the sun had set, and I had turned my camera away from the expansive view north into Death Valley and to the east towards the Panamint Range and Telescope Peak over which I saw this wing-shaped cloud. While there was a thin band of relatively bright sky above the Panamint Range, everything else was heading quickly toward twilight. (The longer exposures listed in the “technical data” below will confirm the light levels.)

I’ve previously mentioned the subjective issue of how to handle the very blue tone of the “white” salt formations here. The salt is, no doubt, really white – but after the sun dips below the Panamint Range the only light is that of the very blue sky, and the salt picks this up. If you think about it you can see it on the scene, but when you look at the photographs later it is absolutely clear. I’ve been thinking for several weeks about how I’d handle this one, and I decided over a week ago that I’d “go for the blue” with this rendition.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of .8 second and 1.3 second exposures

keywords: panamint, mountain, range, badwater, basin, salt, flats, polygons, desert, death valley, national, park, california, usa, north america, landscape, travel, scenic, dusk, twilight, sunset, cloud, large, dark, sky, nature, blue, evening, pink, stock, pattern

Photographs: Death Valley, Photographs: Desert, Photographs: Structures and Objects

Rhyolite Bank Ruins, Full Moon Light

April 29, 2010 G Dan Mitchell Leave a comment

The light of the rising full moon illuminates the ruins of the old bank building against a star-filled sky in the ghost town of Rhyolite, Nevada.

I have photographed the ghost town of Rhyolite, Nevada on several occasions in the past, but always in the very early morning. (I have a habit of hitting Rhyolite before dawn, shooting as long as the light allows, visiting Beatty for cheap gas and breakfast, then heading back to Death Valley via Titus Canyon.) I have wanted to try photographing the location both at sunset and under a full moon, and the timing for both worked out on my late March visit to Death Valley National Park. Late on my second afternoon I headed east out of the Valley and over the pass and arrived at Rhyolite before sunset.

I spent some time wandering around the familiar locations in the unfamiliar late-day light. In the end, my suspicion that Rhyolite is more of an early morning location than an evening location seemed to be confirmed. At this time of year the sun sets a bit too far to the “right” as you look west, and the the light is blocked by a low hill at just the time it would otherwise become interesting. I did make some photographs of the ruins of the ghost town in the fading light… then I settled in to make a few night photographs of the tall bank building ruins.

I’m thinking of this as sort of a practice run for a return visit for more Rhyolite night photography. I think that the full moon timing has potential, but I want to try again and think more about the placement of the structures relative to the North Star. One more thing… when I arrived there was essentially no one else there. Soon a couple other photographers showed up, but the place was still relatively deserted. Then, after dark, I was surprised when a number of cars showed up. There was apparently some sort of night photography workshop visiting the place – perhaps I shouldn’t be surprised that they acted like they owned the place and that the rest of us didn’t matter. Most night photographers would know better than to drive into a shooting location with headlights blazing, and they might ask photographers who were already there if their light painting would interfere with shots underway. Just sayin’…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 22mm
ISO 200, f/11, 432 seconds

keywords: death valley, national, park, nevada usa, north america, scenic, travel, nature, desert, full, moon, light, rising, rhyolite, ghost, town, ruins, abandoned, weathered, column, bank, building, wall, window, sky, star, trail, night, nocturnal, photography, shadow, historic, mining, stock

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.