Tag Archives: desert

Box Elder, Bend in the Creek

Box Elder, Bend in the Creek - A Utah canyon creek winds through a narrow canyon and past a box elder tree.
A Utah canyon creek winds through a narrow canyon and past a box elder tree.

Box Elder, Bend in the Creek. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Utah canyon creek winds through a narrow canyon and past a box elder tree.

This little stream and its canyon was the first place we stopped at on our late-October photographic trip through (mostly) Utah. Before this we had shot a bit in the “touristy” part of Zion NP, but this place was quite a bit more off the beaten track. Truth be told, this was also my first time wandering/wading/rock hopping my way up one of these small Southwest canyons – so it was a special bit of adventure for me, and one that I took to very quickly. Although I felt, to some extent, like I already “knew” these places from reading and seeing the work of other photographers, it was still something special to be in the place for the first time.

We began by walking up a portion of the wash through which the stream flowed after it left the canyon. I quickly discovered that here, unlike in “my Sierra,” one does not necessarily try to avoid the water – which wouldn’t really be possible anyway – but instead you walk in it, hop or wade back and forth across it, or tread the soft sand and mud along its banks. Some figure that you’ll get wet, and they wear light footwear. I went “old school” and put on a pair of Gore-Tex hiking boots and rolled up my pants enough to keep the bottoms out of the water.

The light in such places – as the veterans of such shooting know – is a complex and interesting thing. Most of the time you don’t really want direct sunlight, so you (or I, anyway) seek out shade. But you do want reflected light, coming off of the canyon walls high above, taking on the color of the rock, and diffusing down into the depths of the canyon. Contrary to my well-developed shoot-very-early-and-shoot-very-late instincts, you also typically want to shoot during the mid-morning hours and the afternoon, and if the canyon is deep enough and oriented the right direction you may even shoot right through the noon hour! What a concept: sleep in until the sun comes up, eat breakfast, and then go shoot! In this little twist in the stream, at just about the point where we turned around, the water takes on the color of the light reflected from the sandstone walls around the bend, and a single small box elder with golden leaves adds a spot of fall color.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rain Squall, Monument Valley

Rain Squall, Monument Valley j- Distant mesas and towers of Monument Valley, veiled by a passing rain squall
Distant mesas and towers of Monument Valley, veiled by a passing rain squall

Rain Squall, Monument Valley. Monument Valley Navajo Tribal Park, Arizona, October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Distant mesas and towers of Monument Valley, veiled by a passing rain squall

I have a bit of a surprising confession to make. Utah is not the only state in the American Southwest that I had not previously photographed. Although I have been in the state before, I had never photographed there prior to this year, when we made a quick pass though the upper portion of the state on a drive between Moab and Zion National Park. Several things explain this. First, as I’ve written before, I’ve long been a California landscape bigot – the “local” landscapes of ocean and mountains and deserts and redwoods and more have been, and continue to be, such a focus that I’ve felt little inclination to shoot elsewhere. More recently, as I discovered Utah, I felt a bit of an obligation to avoid Arizona for certain other reasons that I won’t go into right now.

That’s right. I’ve never photographed the Grand Canyon. In fact, I haven’t even seen the Grand Canyon except from the air while flying over the state. And, no, I had not seen Monument Valley either. As we left Moab and headed south, I was excited about seeing this new landscape, but a bit concerned about the potential for photography as a storm – and not just the afternoon monsoon – was moving through. Sure enough, just about the time we got near to Monument Valley the clouds thickened, the wind blew, and it began to rain in earnest. However, I soon caught sight of the towers and mesas of this valley in the distance, familiar from so many photographs I’ve seen, and I quickly realized that the rainy conditions were actually going to provide some very special light and effects. This photograph is a case in point. It was cloudy but not raining at my camera position. Just beyond, a passing squall was dropping rain across the desert terrain and muting and blurring the features, but beyond that the sun was shining on the stupendous distant formations, and beyond them broken clouds were moving.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fractured Sandstone Detail

Fractured Sandstone Detail - Details of fractured sandstone rock, Zion National Park
Details of fractured sandstone rock, Zion National Park

Fractured Sandstone Detail. Zion National Park, Utah. October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Details of fractured sandstone rock, Zion National Park

On this day we had driven across a good chunk of Arizona and southern Utah while traveling from Moab towards Springdale and Zion – and it had rained, heavily at times and lightly most of the day. Back in Arizona many of the creeks and rivers had come back to life, and north of where we were it may have been snowing. By the time we reached Zion and headed across the Mount Carmel Highway on our way to Springdale, everything was quite wet.

Rain radically changes the appearance of this portion of the park. (In truth, it changes the appearance of many things, but that is a topic for another post!) There were puddles and rivulets everywhere, and those dry waterfalls that characterize this country were no longer dry. The clouds soften the light and fill in the shadows, and the moisture intensifies the colors, especially the red and pink colors of the sandstone. Shortly after entering the park we pulled over and spent some “quality time” exploring this change near a small valley that held pools and a little temporary creek, and I found this area of fractured sandstone.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Foliage and Sandstone

Autumn Foliage and Sandstone, Utah
“Autumn Foliage and Sandstone” — A bush with a few remaining autumn leaves in front of an s-shaped crack in a sandstone wall

At the suggestion of another photographer, near the end of our trip we decided to investigate the canyon in which I photographed this tree. The canyon begins in an inauspicious manner, in a shallow wash at the bottom of a slight canyon – the sort of place you could easily drive through and not particularly notice it. There is no sign to mark the route. Following the wash downstream across the flats, another wash joins from the right and soon the sandy bottom becomes rocky as the route meets the top of a sandstone layer. This layer gradually tilts higher and begins to form low walls, and almost before you know it you are inside the beginning of the canyon. A very narrow slot with a large drop-off interrupts the passage and the route detours around it before dropping back into the bottom of the canyon.

Before long, and almost before you know it, the sandstone walls of the canyon become hundreds of feet tall and even begin to overhang the canyon in places, and it is now clear that you have entered the alternate and isolated universe of a deep canyon. At first the canyon is rather barren, but after some distance there are more trees as the route turns and twists downward. As always, surprises appear continually. In this case of this photograph, a simple little bush happened to appear in front of an s-curve marking the edge of a joint in the sandstone where rock had fallen away, and the light reflected among the canyon walls colored the sandstone red.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.