Tag Archives: dissipate

Spring Flowers, Mountains, And Clearing Fog

Spring Flowers, Mountains, And Clearing Fog
Morning fog dissipates above wildflower-covered California hills.

Spring Flowers, Mountains, And Clearing Fog. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning fog dissipates above wildflower-covered California hills.

On this Easter Sunday morning, here in the San Francisco Bay Area it is gray and gloomy, with drizzle falling. I have just returned from my morning “socially-distance” walk around the neighborhood, and few people are to be seen. Normally I like weather like this, but today it reminded me how much life has changed in the past month, and that it will likely not return to the old normal for quite a while. Returning home, I decided to engage in a bit more “virtual spring” escapism and share this photograph.

At about this time a year ago I was out and about. I spent some time in this area on my way to Death Valley, and I made a second, shorter trip, too. On this morning I took a drive down a wide flower-filled valley between hills as morning fog cleared, stopping whenever and wherever I felt like it, enjoying the sun’s warmth, and making photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sunset Rain, California Valley

Sunset Rain, California Valley
Spring rain dissipates over mountains near California Valley at sunset.

Sunset Rain, California Valley. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring rain dissipates over mountains near California Valley at sunset.

Early spring (and sometimes the tail end of winter)offers some of the most interesting weather in California. Summers tend to be somewhat bland from a photographic perspective, at least in places where nearly endless blue sky days are the norm. Winter storms are powerful, but follow a predictable path for the most part. But as we transition from the wet season to the dry one we have an increased chance of experiencing hail, sudden downpours, rainbows, lightning and thunder, and rapid transitions between clouds and sun, all playing out over the green spring landscape.

A year ago I was at an area of inland hills where wildflowers can bloom in extraordinary ways when the conditions are just right. It was a day featuring that dynamic, changing weather. In the evening I went to a spot where a valley began to ascend toward hills, from which I could see across the valley toward distant hills. As the sun appeared under the clouds to the west near sunset, the golden light illuminated sheets of rain falling over the mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dissipating Structures

Dissipating Structures
Dissipating Structures

Dissipating Structures. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Distorted reflections of a crane and Chicago buildings

Every so often I wonder about architects. For the most part we think of them — or at least I do — as folks who are as much about logic and structure as they are about design and form, and when they are about design they don’t usually seem to be particularly whimsical. (With notable exceptions.) Whimsical doesn’t fit the image or the expectations of the typical big business clients who might commission such towers as those found in an urban center like Chicago — these see like people who are more interested in cultivating an image of stability and wealth and power.

But then I look at the window reflections that are the inevitable result of placing plexiglas covered buildings in close proximity to one another and I have to wonder. Are these folk aware of the almost hallucinogenic shapes and forms that appear on the sides of these buildings? In fact, how many people on the streets are away of the abstract and bizarre visual show that is often going on overhead? Here, against the clean and mathematically perfect face of this building, neatly divided into equal grids of alternating shades of blue, appear bizarre visual monstrosities. A red construction crane warps upwards and leans precariously to the right as its upper elements simply fall apart into twists and curlicues. Sections of the reflected buildings are alternately minimized and expanded to gross degrees, and if you look closely at the resulting patterns you might find anything from aerial fish to faces to whatever else you want to imagine.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Mountains, Rain

Desert Mountains, Rain
Desert Mountains, Rain

Desert Mountains, Rain. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Rain falling from a dissipating afternoon storm is backlit above desert mountains, Death Valley National Park

This was anything but an ordinary Death Valley day—though I’m not sure that any Death Valley day is likely to be ordinary. We began very early, awakening a couple of hours before dawn. The plan was to be far up in the Panamint Mountains before sunrise, in the hope of photographing the first light over the Valley from a high and wild place. I try to assess the weather conditions in the dark in any way that I can—checking wind, looking to see if stars are visible, and so forth. In the darkness I could tell that only a few stars were visible and that their light was muted, all of which suggested cloudiness. This was, of course, in line with a weather forecast that mentioned things like showers and snow flurries and clouds. However, you can’t tell what will happen until you go out there and watch it happen, so we headed up into the mountains.

Most of the story of this day will wait for photographs of that early morning and the rest of the day in the Panamint range that followed. However, for now I will mention that it was cloudy, it was cold, and it snowed. Later in the day the weather began to clear and we saw some sun before we came back down from the mountains, with plans for an evening shoot in a different location on our minds. As we descended we noticed precipitation in the mountains to our north and west—more or less in the Cottonwood Mountains. We stopped and photographed this weather before heading down into the Valley. Our plans were changing with the weather, and we ended up heading to a high place with a good open view of much of the Valley, figuring that the changing light from the clouds might present quickly changing opportunities. Sure enough, as soon as we arrived at our location we could see that the clouds over the Cottonwood range were quickly thinning, and that backlight was illuminating the last rain falling over the receding ridges of this range, creating a very bright and constantly changing effect.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.