Tag Archives: dome

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne Meadows – Flooding River and Spring Snow

June 10, 2010 G Dan Mitchell 2 Comments

Spring snow covers Tuolumne Meadows and the Tuolumne River overflows its banks withLembert Dome, Mounts Dana and Gibbs, and Kuna Crest on the skyline.

These were special conditions that I encountered in Tuolumne on the evening of June 5, the day that Tioga Pass opened for the 2010 season. Tuolumne Meadows was still almost completely covered in snow, except that the river was so full with meltwater that large sections of the meadow were flooded, making parts of it look more like a lake than a meadow. The watercourse in the foreground of this photograph will simply be a grass-covered meadow a few weeks from now, and soon after that will be a great place to look for wildflowers – but on this night it was a fast flowing and cold body of water containing floating bits of slushy ice.

The peaks on the horizon are “old friends” to those who frequently visit Tuolumne – from left to right they are Lembert Dome, Mount Dana, Mount Gibbs, and the end of Kuna Crest where it terminates at Mammoth Peak.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 105mm
ISO 100, f/16, 1/25 second

keywords: yosemite, national, park, sierra, nevada, mountain, spring, nature, tuolumne, meadows, river, snow, pack, overflow, flood, flow, lembert, dome, mount, dana, gibbs, kuna, crest, ridge, peak, forest, sunset, evening, light, reflection, landscape, nature, california, usa, north america, sky, stock

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

North Dome and Merced River Trees, Winter

February 25, 2010 G Dan Mitchell 1 Comment

Black and white photograph of North Dome and bare winter trees reflected in the Merced River near the swinging bridge, Yosemite Valley, California.

After first getting distracted by dawn light on Yosemite Falls – and joining a small throng of other photographers shooting this exact same subject (he writes, somewhat embarrassed… ;-) – I pulled myself together and wandered off along the Merced on this frosty morning looking for scenes that were a bit less obvious. I’m not going to claim that this one is completely non-iconic – I can’t since North Dome, in the upper center of the frame, is a fairly well known feature of the Valley. However, the thing that mostly caught my attention here was the skeletal shapes of the dormant trees along the Merced River and the way they lined up across the scene creating some interesting symmetries and forms against the background of the upper end of The Valley.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 35mm f/2
two blended images: ISO 100, f/11, 1/40 second and ISO 10, f/11, 1/10 second

keywords: yosemite, valley, national, park, california, usa, north america, meadow, swinging, bridge, cottonwood, silhouette, grass, sky, north, dome, royal, arches, snow, reflection, ripple, morning, light, black and white, monochrome, sierra, nevada, mountain, range, clouds rest, landscape, scenic, travel, nature, bare, forest, grove, stock

Commentary, Community

Ansel’s Moon

November 29, 2009 G Dan Mitchell Leave a comment

Edie Howe has posted a delightful little slide show made at this week’s Yosemite Valley event, sponsored by the Ansel Adams Gallery, that commemorated the making of the famous Ansel Adams photograph of Half Dome and the rising moon. The idea was that position of the moon and timing relative to daylight would duplicate those at the time of Adams’ original exposure. I enjoyed Edie’s sequence (nice final photograph, Edie!) and looking at some of the (pardon the awful pun) luminaries of Yosemite photography as they held forth in Ahwahnee Meadow. I’m sorry I couldn’t be there!

Perhaps ironically, the moon was hidden behind what appears to be a bit of a snow squall above Half Dome, though it appeared to be clear both before and perhaps after the historic moment! In a way I think that this might have been the most appropriate thing that could have happened. While I don’t think that trying to re-make Ansel Adam’s photograph has any more validity than trying to re-write a Mozart symphony, the event seemed like a great opportunity to: gather together on a beautiful evening in this wonderful meadow, contemplate the evening with the additional context of thoughts about Adams and his photography, meet a number of people influenced by Adams’ legacy, and focus on Adams’ photograph rather than trying to create one’s own version – since the imitative exercise turned out to be impossible!

I wish I had been there.

Commentary, Ideas, Locations

Thoughts About Photographing Icons

November 12, 2009 G Dan Mitchell 9 Comments

Earlier today I posted a photograph of an icon, Yosemite’s Half Dome. The idea of photographing such a thing evokes a variety of thoughts and concerns that I suspect many photographers understand: Is it too easy? Has it already been done? How will the shot stand in comparison to those that have already been done by greater and more famous photographers? Why bother?

It is interesting to see the variety of ways in which photographers respond to this issue. At one extreme are those who perhaps chase the icons, realizing that they are beautiful and compelling and that there sure as heck is a market for them. (Experiment: Take two of your best photographs from a famous location, one showing an icon and one showing something less familiar, and post them at Flickr… and see what happens. :-) At the other extreme are those who fall into the camp represented by a photographer who, when asked how to photograph icons more or less replied, “Don’t.”

I suppose I’m somewhere in the middle. Let’s use Yosemite Valley as an example since it is so familiar and since I frequently have the opportunity to travel there to do photography. I most certainly do not head straight for icons when I shoot there. In fact, when I photograph in the neighborhood of most of the icons you will frequently find my camera pointing the other direction. After visiting the Valley for decades, I think I’ve come to understand there is much more to this place than the post card shots.

However, icons are icons for a reason. Every so often I’m in the company of someone who is seeing the Valley for the first time, and through their reaction I am again reminded of the visual power of some of the icon scenes. (I wish I could experience what it must be like to emerge from Wawona Tunnel for the first time having never seen that stupendous view of the Valley before!) So I will shoot icons, but I suppose I at least think I’m more selective about how and when I’ll shoot them. I look for a different angle, a way to position the icon as a background element in a photograph of something less iconic, or perhaps unusual conditions.

It isn’t for me to say how successful I might be at this, but it seems that it is perhaps more of a challenge to find a way to shoot an icon in an interesting way than it is to shoot something that is less familiar.

So the photograph I posted earlier today fits into this category – you can’t get much more iconic than Half Dome! I’ve been trying to learn to understand this particular location – the variables of season and time of day and weather and technical issues about capturing the scene – and I now have a couple images in mind that I’d like to shoot here eventually when the time is right. This one gets close to one such shot I have in mind… but I’ll be back at this overlook many more times.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.