This is a late photograph post today. It was a busy weekend followed by a busy Monday, and I had no time to post this until evening. The photograph comes from our visit to London a couple of years ago. I’m intrigued by the ever-changing patterns formed by people moving through public spaces like this one. The photograph was made late on a haze afternoon, so the soft light mutes the shadows of the people engaged in activities including walking through the square, watching other people, making photographs, sitting, and more.
Worn and frequently painted front walls of urban San Francisco buildings
I have a few more in this urban/street photography set from a recent day spent photographing in San Francisco. I took the train to The City, headed north along the waterfront, then cut inland at Market Street before wandering up past Chinatown (avoiding Grant) and through North Beach before heading back to where I started. There is a lot to see on such a walk on a weekday in San Francisco!
Usually when I pass through the Chinatown area I forego the walk up touristy Grant Street, and instead cut across (and uphill!) to take smaller streets and to miss a lot of the usual stuff. There are lots of little nooks and crannies here, and the buildings offer diverse and sometimes wild visual treats. These buildings, which certainly look run down from the outside, present an incredible surface of textures and colors, much of which probably evolved by accident as people painted out the ubiquitous graffiti.
Distorted reflections on Chicago downtown building windows
Once you start looking at the windows of modern urban towers, you begin to see them in a very different way. Instead of seeming like isolated structures or merely individual architectural forms, they start to relate to their surroundings and to take on changing and whimsical qualities. I first noticed this on my many trips up to San Francisco to photograph in the downtown area, where I became more and more aware of the reflections and the ways that light plays across the buildings and reflects down to the street level from their glass surfaces.
This was a handheld “grab” from the boat on the Chicago architecture cruise we took early one morning. In a way I wish that I had carried a longer lens so that I could have isolated the wild reflections on either the right or the left side, but since I couldn’t I instead decided to go ahead and split them with the section of reflected blue sky.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Distorted reflections of a crane and Chicago buildings
Every so often I wonder about architects. For the most part we think of them — or at least I do — as folks who are as much about logic and structure as they are about design and form, and when they are about design they don’t usually seem to be particularly whimsical. (With notable exceptions.) Whimsical doesn’t fit the image or the expectations of the typical big business clients who might commission such towers as those found in an urban center like Chicago — these see like people who are more interested in cultivating an image of stability and wealth and power.
But then I look at the window reflections that are the inevitable result of placing plexiglas covered buildings in close proximity to one another and I have to wonder. Are these folk aware of the almost hallucinogenic shapes and forms that appear on the sides of these buildings? In fact, how many people on the streets are away of the abstract and bizarre visual show that is often going on overhead? Here, against the clean and mathematically perfect face of this building, neatly divided into equal grids of alternating shades of blue, appear bizarre visual monstrosities. A red construction crane warps upwards and leans precariously to the right as its upper elements simply fall apart into twists and curlicues. Sections of the reflected buildings are alternately minimized and expanded to gross degrees, and if you look closely at the resulting patterns you might find anything from aerial fish to faces to whatever else you want to imagine.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
