Tag Archives: dusk

Geese, Sunset Clouds

Geese, Sunset Clouds
Geese, Sunset Clouds

Geese, Sunset Clouds. Central Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A flock of geese passes above sunset-lit clouds over northern California

I made this photograph on what turned out to be, no surprise to me, my last migratory bird photography day of this season. (And a productive season it was!) In April the climate begins to shift strongly toward spring conditions in California and in this drought year that meant that not only did it warm up, but places that might otherwise remain wet were already drying out. I started the day at a wildlife refuge where I frequently photograph the birds, especially Ross’s Geese, and was fortunate to begin the day with some classic light Central Valley fog that gradually cleared as the morning wore on. After shooting for a few hours I came to that midday time when migratory bird photography isn’t as great as it is at the edges of the day – a time when one might think about how to kill the next few hours until the light again becomes conducive to photography. I spontaneously decided to not spend it waiting here but to instead drive a good distance north to another place I’ve photographed in the past but which I hadn’t visited this season.

I took my time on this long drive. The route itself requires more than an hour of driving, but a few side excursions added considerably to that. I pulled off the highway to investigate one small town that I hadn’t been through before, and I drive a ways up a side road that crosses the Diablo Range heading west, finding the green spring grasses and some early wildflowers. Back on the main highway, I continued north to an areas where I have photographed cranes and other birds in the past, but in this dry year all of the water was gone and agriculture work seemed to already be underway. I decided to try another wildlife reserve that isn’t far away, and it turned out to still be relatively wet – but the large flocks of birds that I could count on back where I started my day seemed to not be here. I continued my search, eventually spotting the tell-tale white “cloud” that could only mean that a flock of geese was busy in a field a ways to the north, so I quickly drove over there to find a very large flock of snow geese, which I don’t generally see further south. After sunset, this flock of geese flew high overhead in the waning twilight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk Sandstorm, Desert Mountains

Dusk Sandstorm, Desert Mountains
Dusk Sandstorm, Desert Mountains

Dusk Sandstorm, Desert Mountains. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Strong desert winds whip up a dusk sandstorm below the Grapevine Mountains, Death Valley National Park

To look at many photographs – including my own – of places like Death Valley, a viewer unfamiliar with the desert might begin to imagine a place of clear skies (with appropriate beautiful clouds), brilliant sun, intense colors, flowers, plants, and much more. While all of those things can be found in the desert, the fact that they are often more the exception than the rule may at least partially account for their popularity as photographic subjects. Yes, I have seen stunningly beautiful and colorful sunrises and sunsets, while standing in quiet and still air and in comfortable temperatures. However, I have also experienced rain, snow, very powerful winds, sand and dust storms, intense cold, nearly debilitating heat, and more.

This photograph was made during some of the less-than-lovely conditions that are quite common at this time of year, namely very strong winds and the resulting sand storm. Near the middle of the day I had caught my first glimpses of sand/dust rising up into the sky from some nearby dunes. Having been through this before, I was not fooled by the fact that the air remained almost completely still at my location at that time – and it wasn’t long at all until the winds become more general and began to lift sand and dust into the air across the entire end of the valley and then carry clouds of this material northward. I cannot say that I enjoy being in such conditions at all. Sand gets into everything, stuff that isn’t tied down blows away, breathing and opening your eyes can be a challenge. (Later, when I returned to camp in the darkness, I couldn’t face the idea of breaking out the camp stove and trying to cook and eat in the strong winds… so I wimped out and went to the restaurant at Stove Pipe Wells!) But as uncomfortable as these conditions can be, they are also visually special and impressive, so I headed out to the far side of the Valley, figuring that I might be able to shoot back into and across the sand storm while remaining on its edge. I shot through the late afternoon and continued as the sun set, leaving behind the murky, dust-filled atmosphere that shrouded everything. As twilight came on, the winds shifted, and dust clouds that had been blowing away from me began to move south down the valley towards me, obscuring the base of the Grapevine Mountains along the edge of Death Valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Juniper Tree, Towers at Base of Sandstone Cliff, Evening

Juniper Tree, Towers at Base of Sandstone Cliff, Evening
“Juniper Tree, Towers at Base of Sandstone Cliff, Evening” —A lone juniper tree grows among boulders at below sandstone towers at the base of cliffs, Capitol Reef National Park

I made this photograph midway through a trip of about 11 days that took us to a number of locations in Utah. Every such trip seems to have a sort of arc that includes the initial excitement and expectation of heading out into the world to photograph, a settling in period, perhaps a lull in the middle followed by a reconnection to the work, a sense that the trip is ending and there is too much left to do, and the final trip back to the “real world.” This photograph was made near the end of the “lull,” and might have marked the transition back to rededication to the work. On this mid-trip day, we had found ourselves perhaps a bit without direction and one of the members of the group had not been feeling well. At a low point in our energy but perhaps feeling that we should at least carry on and act like we were working, we went to a nearby area of the park in the evening.

At first we had no clear goal in mind, though we sort of stopped and looked around at a few spots, but without really making any serious photographs. Eventually we headed up into a large canyon, first photographing the walls near the start of the canyon and then photographing the canyon itself a bit as the light began to fade. This work went OK, but it didn’t seem to be quite “clicking.” But eventually, in my experience, you get to the point where you sometimes simply accept this as part of the work, trusting that if you keep looking and keep seeing you will eventually find what you are looking for – and that this is far more productive and useful than packing it up when it isn’t working. (Though, to be fair, there are a few times when packing it up and going and having a nice dinner can be a reasonable option!) In any case, we loaded up the vehicle and began to drive back out of the canyon. Looking up at the surrounding canyon walls, we were surprised to find some very unusual post-sunset light. During normal light these canyon walls look very dark and have the intensely “red” quality of the iconic Utah sandstone. But somehow this light seemed to have drained the color from the rocks, creating a de-saturated and almost slightly metallic effect. We quickly stopped an piled out with cameras and tripods and began shooting, and it seemed to me that the connection had been made once again.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Ross’s Geese Fill the Sky

Ross's Geese Fill the Sky - A large flock of Ross's geese fill the dusk sky during the fly-in, San Joaquin Valley, California
A large flock of Ross’s geese fill the dusk sky during the fly-in, San Joaquin Valley, California

Ross’s Geese Fill the Sky. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A large flock of Ross’s geese fill the dusk sky during the fly-in, San Joaquin Valley, California

I photographed these birds on my first visit of the season to the San Joaquin Valley wildlife refuges… on a “wild goose chase” to find the Ross’s geese and other migratory birds out there. I spent the entire day in the general area, starting and ending at this refuge since it seems to be one of the more reliable locations in this area for finding the geese.

When I returned in the early evening it was perhaps an hour before sunset. I did a slow drive around the refuge, looking for geese. I saw a few, but they were mostly a bit too far away and out in the marshes where I would not really be able to photograph them. However, as I continued to look, I began to see the first hints of the evening fly-in across on the far side of the refuge, where groups of geese were flying over and an occasional flock would rise and circle for a minute or two. I headed over that direction to find a very large flock in a pasture area not far from the road. As I watched, they rose up in masse, circled the refuge, and then landed more or less where they had started. This is behavior that I recognize from previous visits, and I knew there was a very good chance that they would do it more than once, so I put a long lens on the camera and got out my tripod. (I might shoot birds handheld during the day, but in the evening when the light dims I prefer to use the tripod.) Sure enough, the flock soon lifted off again, once more circling the wider expanse of the refuge, and filling the dusk sky as they came close to my position.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.