Tag Archives: early

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Zion High Country, Evening

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Zion High Country, Evening
“Zion High Country, Evening” — Autumn evening in Zion National Park high country.

I made this photograph very close to the end of a lengthy photography trip to Southern Utah. After shooting on my own for days and then working collaboratively with friends and fellow photographers, I left the others behind and joined my family for a few days in Zion National Park.

We stayed outside of the park boundary, a short distance up a side road that leads way back into the park’s less-known high country. We decided to follow that road and see where it would take us. Eventually it arrived at a sort of plateau — high country ringed by red rock formations and cut through by deep valleys. I made this photograph close to sunset along that road.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Utah Autumn Sky

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Utah Autumn Sky
“Utah Autumn Sky” — Early morning autumn sky at Capitol Reef National Park, Utah

This is an example of what you can find when you focus on “the other stuff” — things other than the main subject that you came for. The spectacular and other-worldly summits of Capitol Reef lie out of sight behind my camera position, I turned my camera 180 degrees the other way to encompass this scene. We see a vast (mostly) sandstone Utah landscape, with lenticular clouds above and autumn cottonwood trees lining a stream in the bottom of the valley.

This sky is also an example of that “other stuff” concept. We initially stopped at this point just before sunrise when those clouds were spectacularly colored by red and orange dawn light. That scene was remarkable, but here the sky color has faded almost completely, and the darker tones contrast with the red rock color.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Manley Lake, First Light

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“Manly Lake, First Light” — Early morning light on the Panamint Range reflected in Manly Lake, Death Valley.

Death Valley National Park is so large that it is often hard to fathom the its scale. Lake Manly, the temporary body of water occupying a section of the Valley near Badwater, is small by comparison to the valley as a whole. The mountains in this photograph are many tens of miles away. (A couple of roads reach that ridge, and it would take 1 1/2 or 2 hours of driving to reach their high points from the shore of Lake Manly.)

In the daytime most of this desert landscape is not particularly colorful. In fact, in flat light and haze it can sometimes seem almost monochromatic. But early in the morning and then again in the evening, the sunrise and sunset light paint the scenes with vivid colors that contrast with the hazy blues of the shadows.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn Foliage and Red Rock Cliffs

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Autumn Foliage and Red Rock Cliffs
“Autumn Foliage and Red Rock Cliffs” — Red rock cliffs tower above early autumn color and a creek, Capitol Reef National Park.

It took me several visits to get a feel for Capitol Reef National Park. The appeal of the beautiful sandstone towers, cliffs, and mountains is undeniable, but at first the park seemed sort of… small to me. As I learned more about this part, I think I see why that is and understand that it may be something of a conscious decision. The casual visitor arrives on a road that passes across the narrow width of the park, and then they visit the area around Fruita and one visitor road that enters the park from there. That doesn’t cover a lot of ground.

But much (most, by far) of this park is off the beaten path. It is accessible by vehicle, but only on long gravel roads, some of which involve challenges such as stream crossings. And the areas at the ends of those drives are relatively undeveloped. You are on your own out there, and I think that it intentional… and I approve.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.