Tag Archives: early

Photographs: Mono Lake Basin, Photographs: Nature

Mono Shoreline, Dawn

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Mono Shoreline, Dawn
“Mono Shoreline, Dawn” — Dawn at Mono Lake near Black Point.

At some point on virtually every visit to the Eastern Sierra I end up photographing at Mono Lake… again. I’ve photographed the place for decades, but I still find new ways to see it on almost every visit. This time I headed to the northwest ‘corner” of the lake to watch the sun rise, and I got lucky with the beautiful sky colors and their reflection on the water.

I like photographing this subject early in the day when, with few exceptions, it is quiet and the air is often still. Sunrise light here is often special. Because the Mono Basin is vast and open to the east, there’s plenty of atmosphere (and haze!) to pick up the sunrise colors, and the sky can be very impressive. On top of that, these colors reflect on the surface of the lake. Because the large-scale scenic elements are backlit and so far away, details are usually muted, and the landscape can easily lean towards a kind abstraction.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Gully, Morning Light

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Gully, Morning Light
“Gully, Morning Light” — A gully with a dusting of autumn snow is reddish in early morning light, Eastern Sierra Nevada.

While camped in the Sierra near the eastern border of Yosemite National Park during the early fall season, I decided to head down to Lee Vining and then turn south. My plan was to do some early morning photography along the base of the Sierra where the mountains begin to rise toward the crest and the boundary of the park. I made this photograph shortly after sunrise as the morning light worked its way down the escarpment.

The intense coloration of the rocky face is from a combination of warm colored rocks and very warm colored morning light. With the exception of a permanent snow field near the top edge, the rest of the white stuff in the photograph came from an early storm that had passed through the area the day before, leaving the sort of dusting that reminds us that winter is coming.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Evening Aspens

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Evening Aspens
“Evening Aspens” — Beams of early evening light on Eastern Sierra aspen groves.

As I photographed here in the late afternoon I was keeping an eye on the sun as it descended toward clouds and the Sierra crest to the west. These trees are beautifully back-lit by late afternoon sun, but it looked like that light source might disappear early behind the clouds. As it turned out, the partially blocked light created an unusual and dramatic effect as beams of light highlighted trees against the darker background.

I think that we like to flatter ourselves about our ability to find and take advantage of subjects and great light. We put a lot of effort into searching out visually interesting locations (a worthwhile endeavor!) and then being there when the light is likely to be ideal. But in the end we are, to a great extent, at the mercy of conditions. Sometimes that is a problem, but on evenings like this one the light gods send us an occasional gift.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Headlands, Fog

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Big Sur Headlands, Fog
“Big Sur Headlands, Fog” — Morning fog on and early fall morning along the Big Sur coast.

You never can be quite certain of the conditions you’ll encounter along California’s Big Sur Coast. Ocean and continent boundaries are transitional zones, and conditions depend on which one dominates. On this visit I expected to arrive to clearing fog and broken sunlight on the coast. But, alas, it remained cloudy the entire time I was there. Fortunately, there are advantages to such conditions, too. The press of tourist traffic diminishes, and the coast can take on a quiet and moody quality.

I stopped at a high point where I rarely photograph these days, having been there so many times over the decades. When I do stop, it is often to use the vantage point to see if whales are passing by. No whales this time, but the headlands lined up to the north, gradually receding into the mist and haze, seemed pretty interesting — interesting enough to pull out the camera and make this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.