Tag Archives: earth

Aspens, Earth Shadow, Morning

Aspens, Earth Shadow, Morning
“Aspens, Earth Shadow, Morning” — The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

On a cold and clear morning in mid-September earlier this year I left my camp in the Sierra and headed east, past Mono Lake and on out into the mountains east of the Sierra Nevada and east of US 395. I did not have a specific goal in mind, but I thought I would do a bit of early season aspen color reconnaissance in preparation for planned visits to photograph fall color a few weeks later. I gradually worked my way further out from the Sierra, stopping from time to time and poking around the ends of various gravel roads. Finally I found one that looked promising and took it.

I knew that I had previously seen aspens atop ridges in the general area of this road, and I had made a note to come back this way in the fall. I don’t typically expect to see much fall color by mid-September in the Sierra, but I soon found quite a bit of it — a whole mountain top was covered with small trees that were beginning to turn colors almost uniformly. I took a short spur road to an overlook and parked — from here there was an almost unobstructed view of a big section of the Sierra crest. It was cold enough to let me know that autumn wasn’t far away as I waited for the sun, beginning to photograph in that lovely predawn period of warm colors when the earth’s shadow can be seen in the darkened atmosphere just above the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Rising Desert Hills

Rising Desert Hills
Rising Desert Hills

Rising Desert Hills. Death Valley National Park, California. December 10, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A rising series of colorful eroded hills, Death Valley National Park

I get to use this photograph to tell a story at my own expense. Before arriving in Death Valley I had previous shot a very different subject. I don’t recall if it was birds in fading dusk light or perhaps classical musicians in stage lighting and backstage work lights. (Some of you can already guess where this is headed…) On the first morning in Death Valley I headed to a place that I like to photograph in early light – a place where there usually aren’t too many people, despite the easily accessible location, and where the eroded and colorful geology is almost completely devoid of plants. I arrived before sunrise and soon found a nice composition that I had not photographed before. I spent some time working that scene before moving on and photographing another a little ways away. Partway through that second set of shots I realized that my camera was still on the settings for the prior low-light subject – namely ISO 3200. That is not exactly a typical landscape sort of setting, and while good results are possible when shooting low light subjects that way, the noise levels are far from ideal for landscape. I reset and continued shooting. (I did return to the location on the final morning of the trip to reshoot that first subject.)

This scene was one of the first that I shot after realizing my error. These very eroded hills place different color material in a series of rising hills – tan, reddish, purple-black, brown, and more. The smooth features along the tops of some of the small ridges contrast with the very sharp and angular lines of the eroded channels that lead down to the wash. Later in the day the light here is almost impossibly harsh and the colors fade, but for a few minutes at the start (especially) and end of the day the colors briefly intensify.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass
Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass. Sierra Nevada Foothills, California. August 25, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The earth’s dusk earth shadow rises behind the folds of an oak and grass-covered Sierra Nevada foothill ridge on a late-summer evening

We had been in Mariposa, along the road heading towards Yosemite Valley, to meet up with friends and do various other fun things. As is often the case, at one point the conversation turned toward the photographic possibilities for later in the day. As the horrendous “Rim” fire was burning a few ridges over along the boundaries of the park, one thought was to find a high viewpoint and try to photograph the huge smoke clouds and the light from the flames during the dusk hours. A suggestion was offered by a person who knows the area concerning a gravel back-road to the top of an area ridge from which a good view might be obtained, so we decided to give that a try. It was a beautiful early evening – no smoke here – as we drove through oak and grass-covered hills below Mariposa to pick up this route and then ascended toward the ridge to turn off on the gravel road. From the junction we could see columns of smoke from burning forest to our north, but there was also a pretty clear “No Trespassing” sign posted along the road… so we decided that we should double-check our directions before risking a citation, and we headed back down the mountain.

The alternative plan had been to simply photograph the beautiful foothills themselves as the day came to an end. In this area there are many beautiful valleys of rolling hills covered with dry grassland and oak forests that sometimes thin to individual trees. We headed along a little back road and soon arrived at our main route shortly before the last sunlight was about to fade. Driving as we looked, we finally stopped at a turnout right after the sun had dropped below the horizon, where we could see the boundary between the last pink color in the sky and the rising blue line of the earth’s shadow. I used a long lens to make a small number of exposures shooting across the hillside patterns towards an oak-topped ridge with the dusk sky beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hills and Gullies, Twenty Mule Team Canyon

Hills and Gullies, Twenty Mule Team Canyon
Hills and Gullies, Twenty Mule Team Canyon

Hills and Gullies, Twenty Mule Team Canyon. Death Valley National Park, California. April 2, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

Morning light across the shapes of hills and gullies, Twenty Mule Team Canyon, Death Valley National Park.

This is a photograph I made back in 2009 when I managed to get to Twenty Mule Team Canyon before sunrise and then continued to shoot for several hours. Though this area is very close to one of the most popular and oft-photographed locations in Death Valley National Park, it gets relatively few visitors from what I’ve seen. While it doesn’t generally present the huge and expansive vistas of some of the more famous areas, it is a great playground for those of us who enjoy the eroded and rounded landforms and the seemingly infinite variations of color and texture.

Here I tried to fill the frame completely with these shapes that have been produced by water eroding the relatively soft earth. The light was very interesting and a bit complex. Some diffused light was coming straight down from the sky, hence the bits of blue shadow in some of the gullies. At the same time, slightly diffused sunlight was directly striking the earth in a few spots. And in some of the foreground areas additional illumination was being reflected into the scene from nearby formations.

G Dan Mitchell Photography
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