Tag Archives: east

Photographs: Northern California, Photographs: San Francisco

Blue Water, Blue Sky, Boat

June 30, 2014 G Dan Mitchell Leave a comment

Blue light and morning haze over San Francisco Bay

I’m channeling the blue in this photograph, shot along the San Francisco waterfront earlier this month. The facts are straightforward — I was walking along the San Francisco Bay waterfront early in the morning, as I like to do during the summer. There was some morning haze above the bay, left over from the dissipating fog, and it took on a blue coloration from the sky. Across the bay the giant cranes of the Port of Oakland are visible along the East Bay shoreline, nearer a boat passes near the end of breakwater.

I think that some people might wonder at all the city photographs, especially since so much of my photograph is of the natural world — the coast, the Sierra, migratory birds, the desert. I photograph the city for quite a few reasons. For one, it is closer than some of those other subjects, and at a minimum photographing in the city give me a chance to keep my eye “in tune.” In some ways, urban shooting can do more for this than more photography of the natural world, since the urban environment often presents such simplified forms and because I often have to work quickly and rely on (and thereby reinforce) my visual instincts. In addition, I just have to admit that there is a part of me that likes the urban world with its intense and compressed experiences. (Not that this photograph shows that part of it!)

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature, Photographs: Northern California

Sagebrush and Aspens

November 6, 2013 G Dan Mitchell Leave a comment

Sparse, colorful aspen trees in the high sagebrush country east of the Sierra Nevada.

Back in October I made my annual trek to the east side of the Sierra Nevada to photograph autumn subjects, including but not limited to aspen trees in their fall colors. As often happens at this time of the year, we encountered a wide range of conditions ranging from beautiful sunny days to one day on which it snowed the entire time as we drove over the crest and down highway 395. Overall, this turned out to be a fine year for aspen color, though it was not exactly a typical year. The color came a bit early and seemed to change quickly in a number of areas. Even though many of us were concerned that the past two years of California drought – perhaps combined with the effects of global climate changes – might have reduced the colors, in the end the effect was simply to change the timing a bit. (And long time aspen photographers know that, in a sense, there really is no such thing as a “typical season” for aspen color.)

The final day of our five-day visit was a diverse one, and it took us to a range of quite different locations. It started in Mammoth Lakes, where we were surprised to find that it was snowing lightly when we left our motel in the pre-dawn darkness and headed out into Long Valley. After stopping there to photograph the morning snow flurries along the eastern Sierra, we continued to the east and drove all the way to Benton before turning around and heading back toward Mono Lake, investigating the interesting fall color in this less-visited area. As we reached highway 395 again we found that the snow was continuing to fall along the eastern escarpment here, too. We stopped in Lee Vining for a (very) late breakfast and decided to continue on to the north. After a stop to photograph the vast stands of aspens on the summit north of Lee Vining, it looked like the weather might be photographically interesting out toward Bodie, so we headed that direction. I photographed this little high desert valley with its small stands of autumn aspens momentarily illuminated as cloud shadows raced across the landscape. Mono Lake and the surrounding mountains are visible in the distance.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cliffs, Morning Light

May 11, 2013 G Dan Mitchell Leave a comment

Immense cliffs in the Pine Creek Canyon area of Zion National Park.

This was an interesting morning, as much for its place in the sequence of events on this trip to photograph in Utah as for the actual photographic opportunities. I have noticed, and other photographers I’ve spoken with about this seem to agree to at least some extent, that there is sometimes a sort of “getting up to speed” element to certain types of shooting when you are getting started. I recall mentioning this to one photographer friend in the context of a discussion about the idea that you should always have a clear vision for your photograph before you make it – a theoretical concept that most photographers I know acknowledge to be unrealistic and perhaps even a bad idea. (This is not to say that thinking about what your “capture” may look like as a photograph is unimportant, but rather an acknowledgement that things are often more complex than the simplistic notion suggests and that sometimes we, quite honestly, don’t really know for sure which images will work or why.) When the idea of waiting for a really good image before making a photograph came up, I shared the observation that I sometimes have to “prime the pump” but simply starting to make some photographs, even if I’m not convinced that the first ones will be great. (One friend then referred to this as “photographic foreplay.” ;-)

The previous day we had driven to St. George, Utah from the San Francisco Bay Area – a LONG drive – and finally stumbled into a motel in St. George close to midnight. (As I recall, the motel advertised something like “The Cheapest Rooms in St. George!”) Up in the morning for precisely the free breakfast that you might expect in such a place – I resisted and instead walked across the street to a Starbucks – we left early and headed into Zion. As I recall we did not spend much, if any, time in Zion Canyon, and we were soon heading up the Mount Carmel highway, still having made no photographs. Finally, as we turned a few switchbacks on the initial climb, we saw some interesting light on the cliffs across the canyon, pulled over, got our cameras and lenses and tripods and made some photographs. I’m not sure that any of them were exactly remarkable, but with this first “shoot” (priming the pump) our work was now underway.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

Two Bridges and Fog, San Francisco Bay

July 2, 2012 G Dan Mitchell 2 Comments

Morning fog floats above the north end of the Golden Gate Bridge, San Francisco Bay, the Bay Bridge, and Yerba Buena Island.

This is certainly not a unique viewpoint for photographing the Golden Gate (and the bridge named after it) and the rest of San Francisco Bay… but I keep returning anyway. While the principal physical elements of the scene – Marin headlands, bridge, the City, bridges, Yerba Buena Island, the East Bay – the conditions of light and atmosphere change constantly. The variations in the fog alone could be the subject of a book, I’m sure! It can come from the west (summer) or the east (winter), it can be high or low (or both at once!), thin or thick, opaque or luminous, static or moving quickly, illuminated by sun or by artificial light at night, and more.

On this morning it was a combination of several of those. There was a sort of thin fog/haze at the lower levels, but the thicker fog was quite high, above the bridge towers and even a bit above my position in the Marin headlands. The fog was beginning to break up, starting to the east and gradually moving westward toward the coast, and when I made this photograph large beams of diffused light were coming through the fog deck and lighting areas around the San Francisco waterfront and even on the bay waters. Lining up the elements of the photograph wasn’t terribly hard once I found the composition I liked, but then I waited for boats for move into or out of the frame (see a large freighter passing between towers of the distant Bay Bridge) and for the light to appear in (as close to) the right places (as one can hope for).

G Dan Mitchell Photography

Tag Archives: east

Blue Water, Blue Sky, Boat

Sagebrush and Aspens

Cliffs, Morning Light

Two Bridges and Fog, San Francisco Bay

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.