Tag Archives: edge

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

At The Edge Of The Dunes, EVening

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At The Edge Of The Dunes, Evening
Evening light on sand dunes, Death Valley National Park.

At The Edge Of The Dunes, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on sand dunes, Death Valley National Park.

Much of Death Valley consists of landscape laid bare, with the earth itself exposed in ways that aren’t seen in other landscapes where forests and meadows dominate. Even the places where sagebrush and similar desert plants grow are only thinly covered, and other than a short period each year these plants have the same colors as the earth.

At first this can seem, well, barren. But after you make a few adjustments this sort of landscape presents remarkable opportunities. Of course, this landscape turns out to be less barren than you first thought. Perhaps a single bush can be more remarkable when it stands alone. But even more important, the quality and color of light become more evident as it works its magic on this ostensibly barren place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature

The Edge Of The Grove

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The Edge Of The Grove
Autumn color at the edge of a grove of white-trunk aspen trees.

The Edge Of The Grove. © Copyright 2019 G Dan Mitchell – all rights reserved.

Autumn color at the edge of a grove of white-trunk aspen trees.

I photographed this grove of past-peak-color aspens growing at the edge of high desert sage country on a very cold October morning — as we drove to this spot the thermometer in my vehicle read 9 degrees Fahrenheit at one point!Many of the trees in this location were past their prime color at this point, but there were still yellow leaves mixed with the brown among the stark white trunks.

The Eastern Sierra Nevada is typically a wonderful place to look for autumn aspen trees every October. There is a lot of fall color again this year, though something seems different. (In truth, every aspen season is “different” than all o the others…) It started more or less at the typical time, and there was — as still is, as I write this — good color in many places. Yet, some locations where I would have expected good or even great color didn’t produce this time. On the plus side, that gave me all the excuse I needed to investigate some wonderful out-of-the-way locations that I might have ignored in a year with great color in all of the typical places.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Reflections, Rocky Shoreline*

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Reflections, Rocky Shoreline
“Reflections, Rocky Shoreline” — Huge rocky slabs meet the shoreline of a subalpine Sierra Nevada lake

* This is the second of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

A group of us recently spent a week camped at 11,000′ in a landscape of water, glaciated rocks, meadows, and high peaks. AS the week went on we gradually pushed out the boundaries of our photographic explorations. My first view of this formation was on my initial scouting trip to this lake — I did not photograph it on that visit, but I made a mental note to return when the light would be more ideal. In this case, “ideal” meant “not in full sun,” so my plan was to come back in the early morning and evening hours. Early morning turned out to be best since the air was still at that hour, leaving the water still enough to produce coherent reflections.

I returned a few mornings later. Demonstrating once again the importance of what I might term “attentive serendipity” in photography, even though I got distracted and arrived at the lake later than planned, the timing turned out to be nearly perfect. I had a few minutes to photograph the larger landscape in the pre-sunlight “quiet light” before moving on to photograph this still-shaded scene. And once I finished here, the sunlight cooperated by arriving at a nearby rocky peninsula and both backlighting a tree and turning the water a lovely deep blue color.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada

Rocks, Water, Reflection*

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Rocks, Water, Reflection
Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake

* This is the first of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

Rocks, Water, Reflection. © Copyright 2019 G Dan Mitchell – all rights reserved.

Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake.

One advantage of photographing for a long time in one small area is that you may begin to see things that you initially overlooked. I’m often immediately attracted to the large scale landscape — lakes, peaks, forests, sky — and it takes more time, patience, and attention to start to start to see subtler, smaller subjects. These often constitute what has been called the “intimate landscape,” made up of distinctly non-iconic elements, and frequently offering and almost abstract quality of shape, color, and texture.

To find these things I have to slow down a lot. It is easy to become anxious about finding that Great Photograph that will knock viewers over. But those don’t come every day or even every week. Sometimes, in fact, there are long gaps between them. At one point on this trip one of my fellow photographers mentioned that he had seen me from where he was working, and that I seemed to be doing a lot of “contemplation.” Guilty as charged! In a sense, most of the work of photography may be done without the camera. Sure, the camera is in my bag or attached to my tripod, but I’m looking and considering and thinking more than I’m actually making photographs. This photograph comes from one of those moments — I had simply been walking along the edge of “our” lake, spending a lot of time just looking, when I noticed this pattern of granite and still water than I had walked past quite a few times before.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.